The Amazing Transparent Man is a 1960 American science fiction thriller B-movie starring Marguerite Chapman in her final feature film. The plot follows an insane ex–U.S. Army major who uses an escaped criminal to steal materials to improve the invisibility machine his scientist prisoner made. It was one of two sci-fi films shot back-to-back in Dallas, Texas by director Edgar G. Ulmer (the other was Beyond the Time Barrier, also released that same year). The combined filming schedule for both films was only two weeks.

Milcząca Gwiazda (German: Der schweigende Stern), literal English translation The Silent Star, is a 1960 East German/Polish color science fiction film based on the 1951 science fiction novel The Astronauts by Polish science fiction writer Stanisław Lem. It was directed by Kurt Maetzig, and stars Günther Simon, Julius Ongewe and Yoko Tani. The film was first released by Progress Film in East Germany, running 93 min. Variously dubbed and cut versions were also released in English under other titles: First Spaceship on Venus, Planet of the Dead, and Spaceship Venus Does Not Reply. After finding an ancient, long-buried flight recorder that originally came from a spaceship, apparently from Venus, a human spaceship is dispatched to the Morning star. The crew discovers a long-dead Venusian civilization that had constructed a device intended to destroy all life on Earth prior to invasion. Before they could execute their plan, they perished in a global nuclear war.

Space-Men (known as Assignment: Outer Space in the United States) is a 1960 Italian science fiction film directed by Antonio Margheriti. The film stars Rik Van Nutter and co-stars Gabriella Farinon, David Montresor, Archie Savage, and Alain Dijon. The film was released in the United States in 1961 by American International Pictures. Space-Men's storyline recounts a mission in the 22nd century aboard an orbiting space station. The mission involves a risky effort by its crew to redirect a malfunctioning spaceship that threatens to destroy the Earth.

Attack of the Giant Leeches (originally to be called The Giant Leeches) is an independently made, 1959 black-and-white science fiction-horror film, produced by Gene Corman and directed by Bernard L. Kowalski. It stars Ken Clark, Yvette Vickers, Bruno VeSota and Jan Shepard. The screenplay was written by Leo Gordon. The film was released by American International Pictures on a double bill with A Bucket of Blood, and was retitled Demons of the Swamp for its UK release. Later, in some areas in 1960, Leeches played on a double bill with the Roger Corman film House of Usher. Attack of the Giant Leeches was one of a spate of "creature features" produced during the 1950s in response to Cold War fears; a character in the film speculates that the leeches have been mutated to giant size by atomic radiation from nearby Cape Canaveral.

The Phantom Planet is a 1961 independently made American black-and-white science fiction film, produced by Fred Gebhardt, directed by William Marshall, that stars Dean Fredericks, Coleen Gray, Anthony Dexter, and Francis X. Bushman. The film was released in the U.S. by American International Pictures as a double feature with Assignment Outer Space. It is 1980, and the United States Air Force's Space Exploration Wing has bases on the Moon and on the eve of a mission to Mars. When another of its two-member crewed Pegasus spacecraft mysteriously disappears, rumors begin circulating of space monsters and phantom planets. Captain Frank Chapman and his navigator Lt. Ray Makonnen are ordered to investigate.

The Wasp Woman (also known as The Bee Girl and Insect Woman) is a 1959 American independent science-fiction horror film produced and directed by Roger Corman. Filmed in black-and-white, it stars Susan Cabot, Anthony Eisley, Michael Mark, and Barboura Morris. The film was originally released by Filmgroup as a double feature with Beast from Haunted Cave. To pad out the film's running time when it was released to television two years later, a new prologue was added by director Jack Hill.

Voyage to the Planet of Prehistoric Women is a 1968 American science fiction film, one of two films whose footage was taken from the 1962 Soviet SF film Planeta Bur (Planet of Storms) for producer Roger Corman. The original film was scripted by Alexander Kazantsev from his novel and directed by Pavel Klushantsev. This adaptation, made by Peter Bogdanovich, who chose not to have his name credited on the film, included new scenes added that starred Mamie Van Doren. The film apparently had at least a limited U.S. release through American International Pictures, but became better known via subsequent cable TV showings and home video sales.

Phantom from Space is a 1953 independently made American black-and-white science fiction film produced and directed by W. Lee Wilder and starring Ted Cooper, Noreen Nash, Dick Sands, and Burt Wenland.[1] The screenplay was by William Raynor and Myles Wilder. Working with most of the same crew, this was one of several early 1950s films made by Wilder and son Myles on a financing-for-distribution basis with United Artists and, on occasion, RKO Radio Pictures. Federal Communications Commission (FCC) investigators arrive in the San Fernando Valley after what appears to be a flying saucer crash, causing massive interference with tele-radio transmissions. During their investigation, they receive eyewitness reports of what appears to be a man dressed in a bizarre outfit, which appears to be radioactive and thus a public threat.

Killers from Space (also known as The Man Who Saved the Earth) is a 1954 American independent science fiction film produced and directed by W. Lee Wilder, and starring Peter Graves, Barbara Bestar, Frank Gerstle, James Seay, and Steve Pendleton. Shot in black-and-white, the film originated as a commissioned screenplay from Wilder's son Myles Wilder and their regular collaborator William Raynor. Dr. Douglas Martin is a nuclear scientist working on atomic bomb tests. While collecting aerial data on a United States Air Force (USAF) atomic blast at Soledad Flats, the pilot loses control of their aircraft and they crash. Dr Martin appears to have survived, unhurt, walking back to the air base with no memory of what happened. On his chest is a strange scar that was not there before the crash.

Cat-Women of the Moon is a 1953 American Independent black-and-white three-dimensional science-fiction film, produced by Jack Rabin and Al Zimbalist, directed by Arthur Hilton, that stars Sonny Tufts, Victor Jory, and Marie Windsor. The film was released by Astor Pictures. The musical score was composed by Academy Award–winner Elmer Bernstein, whose name is misspelled as "Bernstien" in the opening credits. Cat-Women of the Moon was remade in 1958 as Missile to the Moon. Travelling in a spaceship equipped with wooden tables and chairs, a scientific expedition to the Moon encounters a race of cat-women, the last survivors of a two-million-year-old lunar civilization. Residing deep within a Moon cavern, the cat-women have managed to maintain not only the remnants of a breathable atmosphere and Earth-like gravity, but also a pair of gigantic Moon-spiders. The cat-women wear black unitards, have beehive hairstyles, and wear elaborate cosmetics. Realizing that their remaining atmosphere will soon be exhausted, the cat-women plan to steal the expedition's spaceship and return to Earth, where, in the words of the cat-women's leader, Alpha, "We will get their women under our power, and soon we will rule the whole world!"

Rocketship X-M (a.k.a. Expedition Moon and originally Rocketship Expedition Moon) is a 1950 American black-and-white science fiction film from Lippert Pictures, the first outer space adventure of the post-World War II era. The film was produced and directed by Kurt Neumann and stars Lloyd Bridges, Osa Massen, John Emery, Noah Beery Jr., Hugh O'Brian, and Morris Ankrum. Rocketship X-M tells the story of a Moon expedition gone awry. Through a series of unforeseen events, the expedition's crew find themselves on the infamous red planet, Mars. During their time on the planet they go on to discover the remnants of a Martian civilization destroyed long ago by atomic war and now reverted to barbarism.

Things to Come (also known as Shape of Things to Come and in promotional material as H. G. Wells' Things to Come) is a 1936 British science fiction film produced by Alexander Korda, directed by William Cameron Menzies, and written by H. G. Wells. The film stars Raymond Massey, Edward Chapman, Ralph Richardson, Margaretta Scott, Cedric Hardwicke, Maurice Braddell, Sophie Stewart, Derrick De Marney, and Ann Todd. H. G. Wells conceived his treatment as "a new story" meant to display the "social and political forces and possibilities" that he had outlined in his 1933 book The Shape of Things to Come, a work he considered less a novel than a "discussion" in fictional form that presented itself as the notes of a 22nd-century diplomat. The film was also influenced by previous works, including his 1897 story "A Story of the Days to Come" and his 1931 work on society and economics, The Work, Wealth and Happiness of Mankind. The cultural historian Christopher Frayling called Things to Come "a landmark in cinematic design".

It Came from Outer Space is a 1953 American science fiction horror film, the first in the 3D process from Universal-International. It was produced by William Alland and directed by Jack Arnold. The film stars Richard Carlson and Barbara Rush, and features Charles Drake, Joe Sawyer, and Russell Johnson. The script is based on Ray Bradbury's original film treatment "The Meteor" and not, as sometimes claimed, a published short story. It Came from Outer Space tells the story of an amateur astronomer and his fiancée who are stargazing in the desert when a large fiery object crashes to Earth. At the crash site, he discovers a round alien spaceship just before it is completely buried by a landslide. When he tells the local sheriff and newspaper editor what he saw, he is branded a crackpot. Before long, odd things begin to happen, and the disbelief turns hostile.

The Day the Earth Stood Still (working titles: Farewell to the Master and Journey to the World) is a 1951 American science fiction film from 20th Century Fox, produced by Julian Blaustein and directed by Robert Wise. It stars Michael Rennie, Patricia Neal, Hugh Marlowe, Sam Jaffe, Billy Gray, Frances Bavier and Lock Martin. The screenplay was written by Edmund H. North, based on the 1940 science fiction short story "Farewell to the Master" by Harry Bates. The film score was composed by Bernard Herrmann. Set in the Cold War during the early stages of the nuclear arms race, the storyline involves a humanoid alien visitor who comes to Earth, accompanied by a powerful robot, to deliver an important message that will affect the entire human race. In 1995, the film was selected for preservation in the United States National Film Registry as "culturally, historically, or aesthetically significant".

Destination Moon (a.k.a. Operation Moon) is a 1950 American Technicolor science fiction film, independently produced by George Pal and directed by Irving Pichel, that stars John Archer, Warner Anderson, Tom Powers, and Dick Wesson. The film was distributed in the United States and the United Kingdom by Eagle-Lion Classics. Destination Moon was the first major U.S. science fiction film to deal with the practical scientific and engineering challenges of space travel and to speculate on what a crewed expedition to the Moon would look like. Noted science fiction author Robert A. Heinlein contributed to the screenplay.

The Flying Saucer is a 1950 independently made American black-and-white science fiction spy film drama. It was written by Howard Irving Young, from an original story by Mikel Conrad, who also produced, directed, and stars with Pat Garrison and Hantz von Teuffen. The film was first distributed in the U.S. by Film Classics and later re-released in 1953 by Realart Pictures, on a double-bill with Atomic Monster (the retitled-reissue of Man Made Monster, originally released in 1941 by Universal Pictures).

A 20th Century pilot named Buck Rogers and his young friend Buddy Wade awake from 500 years in suspended animation to find that the world has been taken over by the outlaw army of Killer Kane. The film is a re-edit of the 1940 Buck Rogers Universal Cinema Serial.

Devil Girl from Mars: Directed by David MacDonald. With Hugh McDermott, Hazel Court, Peter Reynolds, Adrienne Corri. An uptight, leather-clad female alien, armed with a ray gun and accompanied by a menacing robot, comes to Earth to collect Earth's men as breeding stock. Danziger Productions, British Lion Films.