The Last Man on Earth is a 1964 post-apocalyptic science fiction horror film based on the 1954 novel I Am Legend by Richard Matheson. The film was produced by Robert L. Lippert and directed by Ubaldo Ragona and Sidney Salkow, and stars Vincent Price and Franca Bettoia. The screenplay was written in part by Matheson, but he was dissatisfied with the result and chose to be credited as "Logan Swanson". William Leicester, Furio M. Monetti, and Ubaldo Ragona finished the script. It is 1968, and Dr. Robert Morgan lives in a world where everyone else has been infected by a plague that has turned them into undead, vampiric creatures that cannot stand sunlight, fear mirrors, and are repelled by garlic. They would kill Morgan if they could, but they are weak and unintelligent. Every day Morgan carries out the same routine: he wakes up, marks another day on the calendar, gathers his weapons, and then goes hunting for vampires, killing as many as he can and then burning the bodies to prevent them from coming back. At night, he locks himself inside his house.

Revolt of the Zombies is a 1936 American horror film directed by Victor Halperin, produced by Edward Halperin, and starring Dean Jagger and Dorothy Stone. One of the earliest zombie films, it was initially conceived as a loose sequel to the director's moderately successful White Zombie (1932) but, due to a lawsuit, was unable to promote itself as such. Although uncredited, Bela Lugosi's eyes appear in Revolt whenever zombifying-powers are used; it is the same image of Lugosi's eyes used in White Zombie.

The Devil Bat is a 1940 black-and-white American horror film produced by Producers Releasing Corporation (PRC) and directed by Jean Yarborough. The film stars Bela Lugosi along with Suzanne Kaaren, Guy Usher, Yolande Mallott and the comic team of Dave O'Brien and Donald Kerr as the protagonists. It was the first horror film from PRC.

Creature from the Haunted Sea is a 1961 horror comedy movie directed by Roger Corman. Written by Charles B. Griffith, the movie is a parody of spy, gangster, and monster movies (mostly Creature from the Black Lagoon), concerning a secret agent, XK150 (played by Robert Towne credited as Edward Wain), who uses the name "Sparks Moran" in order to infiltrate a criminal gang commanded by Renzo Capetto (Antony Carbone), who is trying to transport an exiled Cuban general with an entourage and a large portion of the Cuban treasury out of Cuba. Filmgroup released the movie as a double feature with Devil's Partner.

The Vampire Bat is a 1933 American Pre-Code horror film directed by Frank R. Strayer and starring Lionel Atwill, Fay Wray, Melvyn Douglas, and Dwight Frye. When the villagers of Kleinschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism, but police inspector Karl Brettschneider remains skeptical. Scientist Dr. Otto von Niemann, who cares for the victims, visits a patient who was attacked by a bat, Martha Mueller. Out of appreciation for her kindness, Martha is visited by a highly eccentric man named Hermann Gleib, who claims he likes bats because they are "soft like cat" and "nice".

The Ghost Train is a 1941 British thriller mystery film directed by Walter Forde and starring Arthur Askey and Richard Murdoch. It is based on the 1923 play The Ghost Train by Arnold Ridley. The film is set in Cornwall. Several passengers leave a train, and find no other train available at the train station. They are stranded there during a rainy night, and learn that the station is supposedly haunted by a ghost train.

King of the Zombies is a 1941 American zombie comedy film directed by Jean Yarbrough and starring Dick Purcell, Joan Woodbury, and Mantan Moreland. The film was produced by Monogram Pictures, and was typical of its B films produced by the Pine-Thomas team. Along with flying scenes, the use of zany characters and slapstick efforts were juxtaposed with a spy and zombie story

The City of the Dead (also titled Horror Hotel in the United States) is a British 1960 supernatural horror film directed by John Llewellyn Moxey and starring Christopher Lee, Venetia Stevenson, Betta St. John, Patricia Jessel and Valentine Dyall. The film marks the directorial debut of Moxey. It was produced in the United Kingdom but set in America, and the British actors were required to speak with North American accents throughout. In 1692 in fictional Whitewood, Massachusetts, a witch named Elizabeth Selwyn is burned at the stake. Before her death, Selwyn and her accomplice, Jethrow Keane, sold their souls to Lucifer for eternal life and revenge on Whitewood in return for providing the Devil with two yearly virgin human sacrifices on the Hour of Thirteen during Candlemas Eve and the Witches' Sabbath. In the present day, following his lecture on witchcraft, a university history professor, Alan Driscoll, advises an interested student named Nan Barlow to visit Whitewood during her vacation to slake her interest in witchcraft by studying Whitewood's history. Nan settles in The Raven's Inn, a hotel owned by eccentric Mrs. Newless, becoming acquainted with the only normal-seeming local resident Patricia Russell, who loans her a book on witchcraft. Reading the book, Nan learns that this night is Candlemas Eve.

Carnival of Souls is a 1962 American psychological horror film produced and directed by Herk Harvey and written by John Clifford from a story by Clifford and Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout. The film is set to an organ score by Gene Moore. Filmed in Lawrence, Kansas, and Salt Lake City, Carnival of Souls was shot on a budget of $33,000, and Harvey employed various guerrilla filmmaking techniques to finish the production. The film is loosely based on the French short An Occurrence at Owl Creek Bridge (1961), an adaptation of the 1890 story of the same name by Ambrose Bierce, and Harvey was inspired by the visual style of filmmakers such as Ingmar Bergman and Jean Cocteau. Carnival of Souls was Harvey's only feature film, and did not gain widespread attention when originally released as a double feature with the now mostly forgotten The Devil's Messenger in 1962.

House on Haunted Hill is a 1959 American horror film produced and directed by William Castle, written by Robb White and starring Vincent Price, Carol Ohmart, Richard Long, Alan Marshal, Carolyn Craig, and Elisha Cook Jr. Price plays an eccentric millionaire, Frederick Loren, who, along with his wife Annabelle, has invited five people to the house for a "haunted house" party. Whoever stays in the house for one night will earn $10,000. As the night progresses, the guests are trapped within the house with an assortment of terrors. This film is perhaps best known for its promotional gimmick Emergo, in some theaters that showed the film, exhibitors rigged an elaborate pulley system near the theater screen which allowed a plastic skeleton to be flown over the audience during a corresponding scene late in the film

Horror Express (Spanish: Pánico en el Transiberiano, lit. "Panic on the Trans-Siberian" is a 1972 science fiction horror film directed by Eugenio Martín. It stars Christopher Lee and Peter Cushing, with Alberto de Mendoza, Silvia Tortosa, Julio Peña, George Rigaud, Ángel del Pozo, and Telly Savalas in supporting roles. Set in 1906, the film's storyline follows the various passengers aboard a European-bound Trans-Siberian Railway train. They are soon stalked, one by one, by an alien intelligence inhabiting the frozen body of an ancient primitive humanoid brought onboard by an anthropologist.