Video Capture Bin Ft White Zombie Missing Persons And Sad Cafe

Video Capture Bin Ft White Zombie Missing Persons and Sad Cafe

White Zombie Black Sunshine ft. Iggy Pop
Bette Davis Eyes Missing Persons
Strange Little Girl Sad Cafe

"Black Sunshine" is a song initially featured on the album La Sexorcisto: Devil Music Volume One by White Zombie which was used as a promo single in 1992 and 1993. The song can also be found on Rob Zombie's Past, Present & Future and the greatest hits album The Best of Rob Zombie. A spoken word section was recorded by Iggy Pop for the intro and was used in the song's final cut.

The song is about a racing car, a Ford Mustang, called "Black Sunshine." Iggy Pop recorded the spoken word vocal intro and outro of the song "Black Sunshine" as well as playing the character of a writer in the video shot for the song. He is singled out for special thanks in the liner notes of album. The audio sample "I work on this baby the same way, trying to get maximum performance," is taken from the 1965 movie Faster, Pussycat! Kill! Kill!. Also, the lyrics contain the words "to the devil a daughter comes," most likely a reference to the movie To the Devil a Daughter. It is in 6/4 and 4/4 time with a tempo of 135 beats per minute.

The spoken intro and is as follows:

"Gripping the wheel his knuckles went white with desire
The wheels of his Mustang exploding on the highway like a slug from a .45
True death: 400 horsepower of maximum performance piercing the night
This is Black Sunshine..."

The music video of Black Sunshine, which was filmed in black and white, features the band playing in the basement of an old dilapidated house. The animated characters Beavis and Butthead provided support for the band by "reviewing" the video during the episode "Home Improvement." Iggy Pop also plays the character of a writer in the video.

The Black Sunshine music video appears on the Beavis and Butt-Head episode "Home Improvement".

Black Sunshine was covered by the band Lesser Known for the White Zombie tribute album Super-Charger Hell in 2000.

A remix titled "Black Sunshine (Indestructible 'Sock It to Me' Psycho-Head Mix)" is featured in the 2000 film Wings of the Crow.

A cover version of Black Sunshine performed by WaveGroup is featured in Guitar Hero III: Legends of Rock.

Since 17 February 2009, the master recording for Black Sunshine is downloadable content for Rock Band series music video game series, but audio samples are omitted.

"Bette Davis Eyes" is a song written and composed by Donna Weiss and Jackie DeShannon in 1974. It was recorded by DeShannon that year but made popular by Kim Carnes in 1981 when it spent nine non-consecutive weeks at the top of the U.S. Billboard Hot 100. It won the 1982 Grammy Awards for Song of the Year and Record of the Year. The music video was directed by Australian film director Russell Mulcahy.

On the Billboard Hot 100, the song was No. 1 for five weeks, interrupted for just one week by "Stars on 45" before it returned to the top spot for another four weeks, becoming Billboard's biggest hit of the year. The single also reached No. 5 on Billboard's Top Tracks charts and No. 26 on the Dance charts. It reached No. 2 in Canada for twelve consecutive weeks, and was 1981's No. 2 hit in that country, after "Stars on 45". It peaked at No. 10 in the United Kingdom, to date Carnes's only Top 40 hit in that country. Additionally, it ranked No. 12 on Billboard's list of the top 100 songs in the first 50 years of the magazine's Hot 100. "Bette Davis Eyes" was a No. 1 hit in 21 countries.

"Bette Davis Eyes" was written in 1974 by Donna Weiss and Jackie DeShannon, the latter of whom recorded the song that same year for her album New Arrangement. Weiss had traveled to DeShannon's house with a set of lyrics, including several additional verses that were ultimately scrapped. DeShannon refined some of the lyrics and also developed the song's music. In this original incarnation, the track is performed in an "R&B lite" arrangement, featuring a prominent uptempo piano part, as well as flourishes of pedal steel guitar and horns.[15] However, it was not until March 1981, when Carnes recorded her version of the song in a radically different synthesizer-based arrangement, that it became a commercial success.

According to producer Val Garay, the original demo of the tune that was brought to him sounded like "a Leon Russell track, with this beer-barrel polka piano part." Carnes initially rejected the song based on the demo's arrangement, until keyboardist Bill Cuomo, using the Sequential Circuits Prophet-5 synthesizer, came up with the signature riff which defines Carnes's version.[18] In an interview with Dick Clark on the National Music Survey, Carnes credited Cuomo with the song's new arrangement, saying that "the minute he came up with that, then it fell into place. Everybody went, 'That's it!'"

Only three takes were recorded, the first of which was used with no overdubbing. Craig Krampf insisted on incorporating a Synare electronic drum into the song, although Garay objected to the instrument's inclusion on the grounds that it was "the most annoying thing I'd ever heard in my life." However, Garay changed his mind once Krampf hit the instrument on the chorus, which Garay believed was a great fit. The drums were miked at close proximity with a Sennheiser MD 421 on the bass drum, a Shure 56 and Sennheiser MD 441 on the snare drum, Telefunken 251s on the toms, and an AKG 452 on the hi-hat. Carnes sang her vocals through a Neumann U67 microphone situated next to the mixing console.

Actress Bette Davis was 73 when Carnes's version became a hit. She wrote letters to Carnes, Weiss, and DeShannon to thank them for making her "a part of modern times" and said that her grandson now looked up to her. After their Grammy wins, Davis sent them roses and happily accepted the gift of gold and platinum records from Carnes, hanging them on her wall.

Bette Davis Eyes is covered here by the Missing Persons and can find no info beyond that.

Sad Café are an English rock band formed in Manchester in 1976, who achieved their peak of popularity in the late 1970s and early 1980s. They are best known for the UK top 40 singles "Every Day Hurts", "Strange Little Girl" [heard here], "My Oh My" and "I'm in Love Again", the first of which was their biggest hit, reaching number 3 on the UK Singles Chart in 1979.