An edit of old horror clips

A disparate group of individuals takes refuge in an abandoned house when corpses begin to leave the graveyard in search of fresh human bodies to devour. The pragmatic Ben (Duane Jones) does his best to control the situation, but when the reanimated bodies surround the house, the other survivors begin to panic. As any semblance of order within the group begins to dissipate, the zombies start to find ways inside -- and one by one, the living humans become the prey of the deceased ones.

Rich oddball Frederick Loren (Vincent Price) has a proposal for five guests at a possibly haunted mansion: show up, survive a night filled with scares and receive $10,000 each. The guest of honour is Loren's estranged wife, Annabelle, who, with her secret lover, Dr Trent, has concocted her own scheme to scare Loren's associate, Nora Manning, into shooting the potentially crazy millionaire. However, more spooks and shocks throw a wrench into the plan.

Murder Legendre is the menacingly named zombie master of Haiti. Charles Beaumont goes to him when he needs help for a twisted plan. Spurned in marriage by Madeline Short, Beaumont has decided on a simple solution: kill Short and bring her back as a zombie. Then he can be with her forever. The only problem comes when Legendre keeps the fetching girl for himself -- and her new husband comes to Madeline's rescue.

Carnival of Souls is a 1962 American psychological horror film produced and directed by Herk Harvey and written by John Clifford from a story by Clifford and Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident.

The survivor (Vincent Price) of a global epidemic battles a race of zombie vampires in an adaptation of Richard Matheson's "I Am Legend."

A hybrid of documentary and fiction, this silent film explores the history of witchcraft, demonology and satanism. It shows representations of evil in a variety of ancient and medieval artworks, offers vignettes illustrating a number of superstitious practices and presents a narrative about the persecution of a woman accused of witchcraft. The film ends by suggesting that the modern science of psychology offers important insight into the beliefs and practices of the past.

In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen (Greta Schroeder). After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile, Orlok's servant, Knock (Alexander Granach), prepares for his master to arrive at his new home.

A devious widow hides the truth about her husband's death from his family to receive his inheritance. However, her plans are disrupted by an unexpected visitor at the estate.