McLintock -1963 (HD) | Starring Maureen O'Hara & John Wayne. McLintock! is a 1963 American Western comedy film, directed by Andrew V. Starring Maureen O'Hara and John Wayne. In 1991, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication. Enhanced by Rueda Books and Arts.

The Lucky Texan - 1934 (HD) | Starring John Wayne & Barbara Sheldon. The Lucky Texan, also known as The Gold Strike River, is a 1934 American Western film, directed by Robert N Bradbury. Starring John Wayne, Barbara Sheldon, Gabby Hayes, and the legendary stuntman and actor Yakima Canutt. In 1962, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication. Enhanced by Rueda Books & Arts.

Angel and the Badman - 1947 (HD) | Starring Gail Russell & John Wayne. Angel and the Badman is a 1947 American Western film written and directed by James Edward Grant and starring John Wayne, Gail Russell, Harry Carey and Bruce Cabot. The film is about an injured gunfighter who is nursed back to health by a young Quaker woman and her family whose way of life influences him and his violent ways. Angel and the Badman was the first film Wayne produced as well as starred in, and was a departure for this genre at the time it was released. Writer-director James Edward Grant was Wayne's frequent screenwriting collaborator. In 1975, the film entered the public domain in the United States because National Telefilm Associates did not renew its copyright registration in the 28th year after publication.

Stagecoach is a 1939 American Western film, directed by John Ford, starring John Wayne & Claire Trevor. The screenplay by Dudley Nichols is an adaptation of "The Stage to Lordsburg", a 1937 short story by Ernest Haycox. The film follows a group of strangers riding on a #stagecoach through dangerous #apache territory. The film has long been recognized as an important work that transcends the #western genre. Philosopher Robert B. Pippin has observed that both the collection of characters and their journey "are archetypal rather than merely individual" and that the film is a "mythic representation of the #american aspiration toward a form of politically meaningful equality. In 1995, the film was deemed "culturally, historically, or #aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry. Still, Stagecoach has not avoided controversy. Like most Westerns of the era, its depiction of Native Americans as simplistic savages has been criticized. Stagecoach was the first of many Westerns that Ford shot in Monument Valley, on the Arizona–Utah border in the American Southwest. Many of the movies Ford shot there also starred John Wayne. Scenes from Stagecoach, including a sequence introducing John Wayne's character the Ringo Kid, blended shots of Monument Valley with shots filmed on the Iverson Movie Ranch in Chatsworth, California, RKO Encino Movie Ranch, and other locations. Geographic incongruities are visible throughout the film, including the closing scene where Ringo ( #johnwayne ) and Dallas (Trevor) depart Lordsburg, in southwestern New Mexico , by way of Monument Valley. *Remastered by Rueda Books & Arts

The Outlaw - 1943 (HD) : Starring Jane Russell. The Outlaw is a 1943 American Western film directed by Howard Hughes and starring Jack Buetel, Jane Russell, Thomas Mitchell and Walter Huston. Hughes also produced the film, and Howard Hawks served as an uncredited co-director. The film is notable as Russell's breakthrough role to becoming a sex symbol and Hollywood icon. Later advertising billed Russell as the sole star. The Outlaw is an early example of a psychological Western.

The Great Train Robbery - 1903 (HD): First Western Movie. The Great Train Robbery is a 1903 American silent film made by Edwin S. Porter for the Edison Manufacturing Company. It follows a gang of outlaws who hold up and rob a steam locomotive at a station in the American West, flee across mountainous terrain, and are finally defeated by a posse of locals. The short film draws on many sources, including a robust existing tradition of Western films, recent European innovations in film technique, the play of the same name by Scott Marble, the popularity of train-themed films, and possibly real-life incidents involving outlaws such as Butch Cassidy. Porter supervised and photographed the film in New York and New Jersey in November 1903; the Edison studio began selling it to vaudeville houses and other venues in the following month. The cast included Justus D. Barnes and G. M. Anderson, who may have also helped with planning and staging. Porter's storytelling approach, though not particularly innovative or unusual for 1903, allowed him to include many popular techniques of the time, including scenes staged in wide shots, a matte effect, and an attempt to indicate simultaneous action across multiple scenes. Camera pans, location shooting, and moments of violent action helped give The Great Train Robbery a sense of rough-edged immediacy. A special close-up shot, which was unconnected to the story and could either begin or end the film depending on the projectionist's whim, showed Barnes, as the outlaw leader, emptying his gun directly into the camera. Due in part to its popular and accessible subject matter, as well as to its dynamic action and violence, The Great Train Robbery was an unprecedented commercial success. Though it did not significantly influence or advance the Western film genre, it was widely distributed and copied, including in a parody by Porter himself. During the twentieth century, inaccurate legends about The Great Train Robbery developed, claiming it was the first Western or even the first film to tell a story. Film scholars have repeatedly disproved these claims, demonstrating that The Great Train Robbery was a stylistic dead-end for its maker and genre; its commercial success and mythic place in American film lore nonetheless remain undisputed. The film, especially the close-up of Barnes, has become iconic in American culture, appearing in numerous film and television references and homages. In 1990, The Great Train Robbery was selected for preservation in the United States National Film Registry by the Library of Congress as being " #culturally , #historically , or #aesthetically significant ". Remastered and Musically edited by Rueda Books & Arts. The entire film was edited with Scott Joplin's music, one of the best North American composer of the 19th century. Scott Joplin: The Entertainer 3:20 #western #silentfilm #classicmovies

The General is a American silent comedy-action Western film released by United Artists in 1926. Inspired by “the Great Locomotive Chase”, a true story of an event that occurred during the North American Civil War, extracted and adapted from the memoirs of William Pittenger (1889): The Great Locomotive Chase. The film stars Buster Keaton, who also co-directed it with Clyde Bruckman. The entire film was edited with Scott Joplin's music, one of the best North American composer of the 19th century. In 1954, the film entered the public domain in the United States because its claimant did not renew its copyright registration in the 28th year after publication.

The Good, The Bad & The Ugly - 1966: Music Intro. "The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, literally "The good, the ugly, the bad") is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly".[9] Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni, and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati),[10] based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score, including its main theme. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain." Wikipedia