Plot Commando Cody (George Wallace) is a civilian researcher and inventor with a number of employees. He uses a streamlined helmet and an atomic-powered rocket backpack attached to a leather flying jacket. Cody also uses a rocket ship capable of reaching the Moon. When the U.S. finds itself under attack from a mysterious force that can wipe out entire military bases and industrial complexes, Cody surmises (correctly) that the Earth is coming under attack from our own Moon. He then flies his rocket ship there and confronts the Moon's "ruler", Retik (Roy Barcroft), who boldly announces his plans to both conquer Earth and then move the Moon's entire population here using spaceships and atomic weapons. Radar Men from the Moon is a 1952 colorless Republic Pictures' 12-chapter movie serial, the first Commando Cody serial starring newcomer George Wallace as Cody, Aline Towne as his sidekick Joan Gilbert, and serial veteran Roy Barcroft as the evil Retik, the Ruler of the Moon. The director was Fred C. Brannon, with a screenplay by Ronald Davidson, and special effects by the Lydecker brothers. This serial recycles the flying sequences from Republic's earlier 1949 serial King of the Rocket Men. It was later released by Republic in 1966 as the 100-minute television film Retik the Moon Menace. The odd naming choice of the serial's main hero, "Commando Cody," was possibly an attempt by Republic to make young audiences think they were seeing another adventure of Commander Corry, the hero of the popular ABC TV and radio series Space Patrol (1950–1955). However, there is no surviving evidence that this was a consideration by anyone at Republic. Cast George Wallace as Commando Cody. Aline Towne as Joan Gilbert Roy Barcroft as Retik, Ruler of the Moon. William Bakewell as Ted Richards Clayton Moore as Graber Peter Brocco as Krog Bob Stevenson as Daly Don Walters as Govt. Agent Henderson Production Radar Men from the Moon was budgeted at $172,840, although the final negative cost was $185,702 (a $12,862, or 7.4%, overspend). It was the most expensive Republic serial of 1952 and was filmed between October 17 and November 6, 1951 under the working title Planet Men from Mars;[1] the serial's production number was 1932. The serial's budget was so tight that a stunt double was not always used for lead actor George Wallace. His nose was broken by accident while filming an energetic fight scene with actor Clayton Moore. For the camera's close-up flying sequences, Wallace was suspended in mid-air above a sound stage; he was lying on a horizontal board with the rocket suit's jacket closed around it, with a rear projection screen behind him. Wallace performed his own stunt flying take-offs by jumping onto a springboard that would send him up and over the camera rig set-up. This serial is heavily padded with rocket-suit effects footage first filmed for the earlier King of the Rocket Men, to which some believe this was a pseudo-sequel. Despite reports that a repainted Juggernaut vehicle from Republic's much-earlier Undersea Kingdom serial is reused here as Retik's lunar tank, the tank-like Moon "Scout Car" was not used in the earlier serial. All spaceship footage was filmed new for Radar Men from the Moon. Outer space is shown as brightly lit, and the characters are shown walking on the Moon, in normal Earth gravity and in daylight, without pressure suits. The laboratory building is actually a Republic Pictures office building with a prop "Cody Laboratories" sign added to its exterior. Two different aerodynamic helmets were used with the Commando Cody rocket backpack, with the lighter weight version being used only in the stunt sequences; the single-hinged visors of both helmets were always getting stuck open or closed. Release Theatrical Radar Men from the Moon's official release date is January 9, 1952, although this is actually the date the sixth chapter was made available to U. S. film exchanges. Republic's next new serial, Zombies of the Stratosphere, which also used some of the Cody flying suit and spaceship footage seen here, followed in the summer and began as a sequel to "Radar Men": for unspecified reasons, Republic changed the character names of Cody and Joan at the last minute. In between these two serials, Republic had begun filming on its first attempt at a TV series, "Commando Cody: Sky Marshal of the Universe", but stopped production of that after the first three episodes were filmed to begin work on "Zombies of the Stratosphere". After that serial was finished, Republic resumed filming 9 more episodes of the Commando Cody TV series, but then, after the series was completed, it was theatrically released for contractual reasons, finally going to TV two years later. Radar Men from the Moon was re-released on September 30, 1957 between Republic's re-releases of the similar Zorro's Black Whip and Son of Zorro. Previously, the final original Republic serial was King of the Carnival released two years earlier in 1955. Television Radar Men from the Moon was one of 26 Republic serials syndicated for television in 1966 as 100 minute TV feature films under their Century 66 package marketing name; the title given the TV-movie was Retik the Moon Menace. In 1979, Firesign Theatre used segments of this and other serials in their made-for-TV parody comedy movie, J-Men Forever. In 1989, the serial regained notoriety as the first shorts shown by the cult series Mystery Science Theater 3000. The first eight-and-a-half chapters of this Commando Cody serial were lampooned before their main feature-of-the-week (only half of the ninth installment was shown, with the in-show excuse being "the film broke").

Captain America is a 1944 Republic black-and-white 15-chapter serial film loosely based on the Timely Comics (now Marvel Comics) character Captain America. It was the last Republic serial made about a superhero. It also has the distinction of being the most expensive serial that Republic ever made. It stands as the first theatrical release connected to a Marvel character; the next theatrical release featuring a Marvel hero would not occur for more than 40 years. It was the last live-action rendition of a Marvel character in any media until Spider-Man appeared in the Spidey Super Stories segment of the children's TV series The Electric Company in 1974. The serial sees Captain America, really District Attorney Grant Gardner, trying to thwart the plans of the Scarab, really museum curator Dr. Cyrus Maldor - especially regarding his attempts to acquire the "Dynamic Vibrator" and "Electronic Firebolt", devices that could be used as super-weapons.[2] In a rare plot element for Republic, the secret identity of the villain is known to the audience from the beginning, if not to the characters in the serial. The studio's usual approach was the use of a mystery villain who was unmasked as one of the other supporting characters only in the final chapter. Plot A rash of suspicious suicides among scientists and businessmen, all found holding a small scarab, gets the attention of Mayor Randolph. He demands that Police Commissioner Dryden and District Attorney Grant Gardner get to the bottom of the case, while openly wishing that Captain America, a masked man who has helped defeat crime in the past, were around to solve the mystery. Gail Richards, Grant Gardner's secretary, investigates and realizes someone knows of the "Purple Death", a hypnotic chemical responsible for the suicides. However, he then pulls out a gun and takes her into another room. He then orders an associate to tie her up. The D.A. realizes she is there and forces the man to take him to her. He finds her tied up and gagged. He frees her but it is threatened that the purple death will be dropped killing them all. The D.A. shoots him then gets out of the room with Gail. Cast • Dick Purcell as Grant Gardner / Captain America: • Lorna Gray as Gail Richards: Grant Gardner's secretary • Lionel Atwill as Dr. Cyrus Maldor / Scarab • Charles Trowbridge as Police Commissioner Dryden • Russell Hicks as Mayor Randolph • George J. Lewis as Bart Matson • John Davidson as Gruber • Frank Reicher as Lyman • Al Ferguson as Detective (uncredited) • Howard C. Hickman as Lyman's Attorney (uncredited) • Tom London as Mack (uncredited) • Edward Van Sloan as Gregory (uncredited) Production Captain America was budgeted at $182,623 although the final negative cost was $222,906 (a $40,283, or 22.1%, overspend). It was the most expensive of all Republic serials (as well as the most over budget). It was filmed between October 12 and November 24, 1943. The serial's production number was 1297. Captain America was written by seven of the top serial screenwriters, including Harry Fraser’s only work at Republic. The Captain America costume was really grey, white and dark blue as these colors photographed better in black and white. The differences between the comic book and film versions of the title character in this serial are more extreme than with other Republic comic adaptations, such as Adventures of Captain Marvel and Spy Smasher. The reason for the differences appears not to be arbitrary, but that the script for the serial originally featured an entirely different licensed lead character and it was only decided later to replace the original character with Captain America. Film historians Jim Harmon and Don Glut speculated that the script was originally written as a sequel to 1940's Mysterious Doctor Satan, which featured the masked hero The Copperhead. This character was himself a substitution for DC's Superman, after Republic's bid for that character's film rights lost to Paramount, who had a series of cartoon shorts made by the Fleischer Studios, and would later on acquire Republic, as well as distribute a feature-length Captain America film. Stunts • Dale Van Sickel as Captain America (doubling Dick Purcell) • Bert LeBaron as Dr Maldor/The Scarab (doubling Lionel Atwill) • Helen Thurston as Gail Richards (doubling Lorna Gray) • Ken Terrell Bart Matson/Dirk (doubling George J. Lewis & Crane Whitley) • John Bagni • Fred Graham • Duke Green • Eddie Parker • Allen Pomeroy • Tom Steele Dale Van Sickel was the "ram rod" of the stunt crew, doubling Dick Purcell as Captain America. Ken Terrell doubled George J. Lewis and Fred Graham doubled Lionel Atwill. Additional stunts were performed by Duke Green and Joe Yrigoyen. Tom Steele only appeared in chapter one as he was busy on The Masked Marvel. Special effects All the special effects in Captain America were created by Republic's in-house team, the Lydecker brothers.

The Great Alaskan Mystery is a 1944 Universal film serial about government agents trying to stop Nazi spies from getting their hands on futuristic weapons. Plot James 'Jim' Hudson, an adventurer and accompanied by allies, goes after Nazi agents who have a new death ray called the Paratron... Cast • Milburn Stone as Jim Hudson • Marjorie Weaver as Ruth Miller • Edgar Kennedy as Bosun Higgins • Samuel S. Hinds as Herman Brock • Martin Kosleck as Dr Hauss • Ralph Morgan as Dr Miller • Joseph Crehan as Bill Hudson • Fuzzy Knight as "Grit" Hartman • Harry Cording as Captain Greeder • Anthony Warde as Brandon Critical reception The author of a book on movie serials, William C. Cline, considers this to be a mediocre serial but possessing a good cast and all the necessary "ingredients" of a good serial. Chapter titles 1. Shipwrecked Among Icebergs (18 min 03s) 2. Thundering Doom (18 min 56s) 3. Battle in the Clouds (17 min 02s) 4. Masked Murder (17 min 32s) 5. The Bridge of Disaster (17 min 46s) 6. Shattering Doom (16 min 34s) 7. Crashing Timbers (15 min 35s) 8. In a Flaming Plane (17 min 24s) 9. Hurtling Through Space (17 min 19s) 10. Tricked by a Booby Trap (17 min 04s) 11. The Tunnel of Terror (16 min 37s) 12. Electrocuted (17 min 42s) 13. The Boomerang (16 min 34s)

Zorro's Black Whip is a 1944 12-chapter film serial by Republic Pictures starring Linda Stirling. The film was made after the 1940 20th Century-Fox remake of The Mark of Zorro in order to capitalize on it. Republic was not able to use the character of Zorro himself, however, and despite the title, the hero(ine) is called The Black Whip throughout. The serial is set in pre-statehood Idaho, and involves a fight to prevent and ensure statehood by the villains and heroes respectively. Parts of the serial were reused as stock footage to pad out later serials such as Don Daredevil Rides Again (1951) and Man with the Steel Whip (1954) – despite the fact that both of those serials had male leads. Plot In Zorro's Black Whip the word Zorro never occurs, but a female who behaves like Don Diego in Idaho fights a cabal of corrupt politicians as "The Black Whip" after her brother (the original Black Whip) is killed. Cast Linda Stirling as Barbara Meredith, The Black Whip and newspaper proprietrix George J. Lewis as Vic Gordon, a US government agent allied with the Black Whip. In a related role, Lewis later portrayed Don Diego de la Vega/Zorro's father, Don Alejandro de la Vega in the Walt Disney television series Zorro. Lucien Littlefield as "Tenpoint" Jackson, the comic relief newspaper typesetter working with Barbara Meredith Francis McDonald as Dan Hammond, villainous owner of the town's Stagecoach company Hal Taliaferro as Baxter, one of Hammond's henchmen John Merton as Ed Harris, one of Hammond's henchmen Stanley Price as Hedges, Hammond's Clerk-Henchman The surnames of the two lead characters, Meredith and Gordon, are an in-joke referencing two earlier Republic serials. The character Nyoka the Jungle Girl and her father had the surname Meredith in Jungle Girl, but their last name was Gordon in the semi-sequel Perils of Nyoka. Production This serial was put into production, with Linda Stirling as the main star, following the actress' popular performance in The Tiger Woman. Zorro's Black Whip was budgeted at $134,899 although the final negative cost was $145,251 (a $10,352, or 7.7%, overspend). It was the cheapest Republic serial of 1944. It was filmed between 29 July and 26 August 1944 under the working title The Black Whip.[1] The serial's production number was 1495. Despite physically wrestling with her, the villains never realize that the very obviously female Black Whip is a woman. Footage from this serial was reused in Don Daredevil Rides Again and Man with the Steel Whip. Stunts Babe DeFreest as The Black Whip (doubling Linda Stirling) Dale Van Sickel as Vic Gordon/Rock Heavy Karl/Camp Heavy/Danley (doubling George J. Lewis] Tom Steele as Baxter/Ed (doubling Hal Taliaferro) Helen Thurston Carey Loftin Cliff Lyons Special effects Special effects by Republic's in-house team of the Lydecker brothers. Release Theatrical Zorro's Black Whip's official release date is 16 November 1944, although this is actually the date the sixth chapter was made available to film exchanges. The serial was re-released on 8 July 1957 between the similar re-releases of The Purple Monster Strikes and Radar Men from the Moon. The last original Republic serial release was King of the Carnival in 1955. Chapter titles 183 minutes = 3h, 2m, 15s The Masked Avenger (23min 23s) Tomb of Terror (14min 27s) Mob Murder (14min 24s) Detour to Death (14min 24s) Take Off That Mask! (14min 28s) Fatal Gold (14min 27s) Wolf Pack (14min 27s) The Invisible Victim (14min 26s) – a re-cap chapter Avalanche (14min 28s) Fangs of Doom (14min 27s) Flaming Juggernaut (14min 27s) Trail of Tyranny (14min 27s) Source:[1][6] This was one of two 12-chapter serials released in 1944, along with Linda Stirling's serial debut, The Tiger Woman. It had been Republic's standard pattern to produce two 12-chapter serials and two 15-chapter serials each year since 1938 but 1944 was the last year that occurred. In fact, Republic would only produce two more 15-chapter serials, Manhunt of Mystery Island and The Purple Monster Strikes, both in 1945 and both starring Linda Stirling.

Gang Busters is a 1942 Universal movie serial based on the radio series Gang Busters. Plot The city is terrorized by a crime wave masterminded by the elusive, soft-spoken Professor Mortis (Ralph Morgan) from his base in a forgotten cavern beneath the rails of the city's subway line. He declares over the radio that The League of Murdered Men will exact revenge upon the city officials. Mortis's gang members were officially pronounced dead in prison but revived by medical genius Mortis, who recruited them to do his bidding. Police detective Bill Bannister (Kent Taylor) is visited by his brother, a reformed criminal who will inform on Mortis. Mortis's men kill the informant before he talks, and detective Bannister vows to get Mortis. Bannister, together with his partner Tim Nolan (Robert Armstrong), and police chief Martin O'Brien (Joseph Crehan) use the latest police methods to track down Mortis. Following the story are newspaper reporter Vicki Logan (Irene Hervey) and her photographer Happy Haskins (Richard Davies). Cast Starring: Kent Taylor as Det. Lt. Bill Bannister Irene Hervey as Vicki Logan, reporter Ralph Morgan as Professor Mortis Robert Armstrong as Det. Tim Nolan Featuring: Richard Davies as Happy Haskins, news photographer Joseph Crehan as Police Chief Martin O'Brien George Watts as Mayor Hansen Ralf Harolde as Chief Henchman Halliger William Haade as Henchman Mike Taboni John Gallaudet as Henchman Wilkerson George J. Lewis as Henchman Mason Victor Zimmerman as Henchman Bernard Johnnie Berkes as Newsboy–Henchman Grubb Edward Emerson as "Frenchy" Ludoc With: Pat O'Malley as the Police Scientist Beatrice Roberts as the Chief's Secretary Riley Hill as Jim Bannister (Ch. 1) Grace Cunard as landlady (Ch. 1) Eddie Dean as Blair, ballistics expert (Chs. 1, 6) Eddie Foster as Henchman Jerry Rogan (Chs. 3–4) Stanley Price as Henchman Corky Watts (Chs. 4–5) Ethan Laidlaw as Ludoc's bartender (Chs. 5, 7–8) Mickey Simpson as Bruiser, Ludoc's bouncer (Ch. 7) Karl Hackett as Henry, crooked watchman (Chs. 7–8) Phil Warren as Henchman McKay (Chs. 8–9) Jack Mulhall as Chemist Richards (Chs. 9, 11) Jerry Jerome as Henchman Soupy Collins (Chs. 10–11) Paul McVey as Attorney J.B. "Harry" Malloy (Ch. 12) Dick Hogan as announcer during opening titles Production Gang Busters is one of Universal's most elaborate serials, with many chase and thrill scenes expertly staged in outdoor locations. The directors were Ray Taylor, veteran director responsible for many hit serials, and Noel M. Smith, former silent-screen director who specialized in fast action (Smith directed many of Larry Semon's stunt-filled comedies of the 1920s). Some of the footage in Gang Busters was so good that Universal often reused it in its later cliffhangers. Universal had been making adventure serials since the 1910s and achieved major success with its Flash Gordon serials of the late 1930s. By the early 1940s serials were usually shown to juvenile audiences at weekend matinees. Universal intended Gang Busters for adult audiences and possible weeknight showings and staged the action as a straight crime drama. The studio introduced a new "Streamlined Serials" format to distinguish it from its previous chapter plays. Instead of beginning each chapter with a printed synopsis of the storyline, the new format had the action in each chapter starting immediately. The story characters were shown discussing the latest developments and recapping the story themselves. As a publicity gimmick, Universal hired its "serial queen" of the 1910s, former action star Grace Cunard, to work in Gang Busters. She appears only in the first chapter, as the landlady of a boarding house, but she received prominent billing in the promotional posters and advertising. Critical reception Gang Busters was very successful in its original release, and was re-released in 1949 by Film Classics, Inc. Authors Jim Harmon and Donald F. Glut described Gang Busters as a "well made and interesting serial.", and William C. Cline considered the serial one of Universal's best and that Professor Mortis is one of the best characters ever created for a serial. Chapter titles The League of Murdered Men The Death Plunge Murder Blockade Hangman's Noose Man Undercover Under Crumbling Walls The Water Trap Murder by Proxy Gang Bait Mob Vengeance Wanted at Headquarters The Long Chance Law and Order

Holt of the Secret Service (1941) was the 16th serial released by Columbia Pictures. Plot A murderous gang of counterfeiters has kidnapped John Severn (played by Ray Parsons), the U.S. government's best engraver. He is forced to engrave a set of counterfeit plates, to print phony money that is virtually undetectable from genuine currency. The United States Secret Service sends its toughest agent, Jack Holt (played by himself), and his female partner, Kay Drew (Evelyn Brent), after the gang. Holt poses as escaped tough guy, Nick Farrel. Masquerading as the bickering, tough-talking Mr. and Mrs. Farrel, Holt and Drew manage to infiltrate the ruthless gang of thugs. Holt locates Severn and instructs him to keep working but as slowly as possible, to give Holt time to find the head of the crime ring. Holt takes the set of counterfeit plates in hand, and much of the action has Holt keeping the plates away from the crooks. The scenes shift from the gang's hideout in a lost canyon to a gambling ship on the high seas, to a small island country where the gang hopes to escape U.S. extradition. The head of the ring is gambler Lucky Arnold (John Ward), but he hides behind the facade of one of his loyal henchmen, Quist (Ted Adams), to shield himself from the Secret Service, and lets another one of his men, Ed Valden (Tristram Coffin), do most of his dirty work. The island nation has its own self-appointed dictator (Stanley Blystone), who is also trying to rub out our hero. During the 15 episodes, Holt endures numerous brushes with death, emerging from all of them virtually unscathed. Holt is so tough that, when he faces a firing squad and is asked if he wants a blindfold, he murmurs, "Forget it. This is the only thing in life I haven't seen!" Cast Jack Holt as Jack Holt / Nick Farrel Evelyn Brent as Kay Drew - R49 C. Montague Shaw as Chief John W. Malloy (as Montague Shaw) Tristram Coffin as Ed Valden [Chs. 1-10] John Ward as 'Lucky' Arnold Ted Adams as Quist Joe McGuinn as 'Crimp' Evans Edward Hearn as Agent Jim Layton Ray Parsons as John Severn - Engraver [Chs. 1-4] Jack Cheatham as Agent Frank [Chs. 3-5, 8-9, 15] Chapter titles Jack Holt in scene from the serial Chaotic Creek Ramparts of Revenge Illicit Wealth Menaced by Fate Exits to Terror Deadly Doom Out of the Past Escape to Peril Sealed in Silence Named to Die Ominous Warnings The Stolen Signal Prison of Jeopardy Afire Afloat Yielded Hostage Production Jack Holt, Columbia's star of longest standing, had argued with studio head Harry Cohn. Cohn demoted him from working in feature films to this lowbrow serial adventure. It wasn't so much of a demotion because he was still working with the same feature-film crew, under producer Larry Darmour. Holt had misgivings about working in a serial but was convinced by co-star Evelyn Brent to see it through. She knew that Darmour was making the serial for an adult audience, by making it thrilling and logical but never impossible. Darmour was also careful to cast the film with character actors who were not familiar from Darmour's serials. Reception Holt of the Secret Service turned out to be exceptionally successful in theaters, with the Jack Holt name attracting fans of action and adventure. By the time it was released, Holt had left the studio behind and there were no sequels. After the serial's copyright lapsed in 1969, Holt of the Secret Service became one of the very few Columbia cliffhangers available for modern appraisal. Authors and critics marveled at the film's breakneck pace and hectic, six-against-one fight scenes as staged by former comedy director James W. Horne. Thus, Holt of the Secret Service became the poster child for Columbia serials until the advent of home video, when more of the Columbia serials went into circulation.

At the beginning of the serial, you will see a copyright date of 1934. The roman numeral date is correct, 1940. Flash Gordon Conquers the Universe is a 1940 American black-and-white science fiction 12-chapter movie serial from Universal Pictures, produced by Henry Macrae and co-directed by Ford Beebe and Ray Taylor. The serial stars Buster Crabbe, Carol Hughes, Charles B. Middleton, Frank Shannon, and Roland Drew. It was written by George H. Plympton, Basil Dickey, and Barry Shipman and was adapted from Alex Raymond's syndicated newspaper comic strip of the same name from King Features Syndicate. Shown theatrically in 12 separate weekly "chapters", it was the last of the three Universal Flash Gordon serials made between 1936 and 1940. During the 1950s, all three Flash Gordon serials were syndicated to television by Motion Pictures for Television, along with many of Universal's other serial output. To avoid confusion with the imported Flash Gordon TV series airing around the same time, they were retitled Space Soldiers, Space Soldiers' Trip to Mars, and Space Soldiers Conquer the Universe. In 1966 Flash Gordon Conquers the Universe was edited down by King Features Syndicate into two feature-length films for television syndication: Purple Death from Outer Space and Perils from the Planet Mongo. In the early 1970s, a third feature version was re-edited for the 16 mm home movie market, using story material taken from the entire serial. It bore the title Space Soldiers Conquer the Universe and later appeared on television during the 1980s. In the mid-1970s all three complete Universal Flash Gordon serials were shown chapter-by-chapter by PBS stations across the U.S., bringing them to a new generation of science fiction fans, two years before Star Wars and Close Encounters of the Third Kind. From the late 1980s onward, all three serials became available on the home video market under their original theatrical release titles, chapters, and running times. Plot A deadly plague is ravaging the Earth, known as the Purple Death because of a purple spot left on victims' foreheads. Flash Gordon learns that Ming the Merciless is behind the plague when he spots one of Ming's spaceships spreading the "Death Dust" in the Earth's atmosphere. Flash Gordon, along with Dr. Alexis Zarkov and Dale Arden, return to the planet Mongo to find a possible cure, first seeking the assistance of their old friend Prince Barin. The trio continue to battle Ming and his allies, led by henchman Captain Torch, who has been charged with stopping the Earthlings by any means. The three eventually find an antidote, called Polarite, in Mongo's remote northern Kingdom of Frigia. They must now get the cure back to Earth in sufficient quantities to stop the ravaging plague. Ming sends in an army of robot bombs, and he succeeds in capturing Zarkov and Dale. After their capture, Flash must return to Earth to distribute the antidote by rocket ship, the very same way the original Death Dust was first spread. Upon his return to Mongo, Flash is able to free Zarkov and Dale. They continue their struggles against Ming, Captain Torch, and his men through a series of close encounters, deadly escapes, and rescues, all the while continuing to thwart Ming and his allies. Ming and his minions are eventually locked away by one of his men in the high control tower of his castle. Unknown to them, Flash is piloting a rocket ship that is speeding directly toward that tower. He parachutes away just in the nick of time, and in a daring aerial maneuver Flash is successful in boarding Barrin's nearby rocket ship, which has Dale and Zarkov aboard. Flash's unmanned spaceship is actually a flying bomb, having been loaded with highly volatile Solarite. Its rapid forward momentum carries it directly into the castle's control tower, where the large explosion that follows ends Ming's tyrannical reign forever. Prince Barin soon takes his rightful place as the peaceful ruler of Mongo. Ming's last words to Flash were "I am the universe!" Zarkov observes that with Ming's death "Flash Gordon has conquered the universe". Cast • Buster Crabbe as Flash Gordon • Carol Hughes as Dale Arden • Frank Shannon as Dr. Alexis Zarkov • Charles B. Middleton as Ming the Merciless • Roland Drew as Prince Barin • Shirley Deane as Princess Aura • Donald Curtis as Captain Ronal (uncredited) • Lee Powell as Radio Officer Roka • Don Rowan as Captain Torch • Victor Zimmerman as Lieutenant Thong • Anne Gwynne as Lady Sonja • John Hamilton as Professor Gordon • Edgar Edwards as Captain Turan • William Royle as Captain Sudan • Sigurd Nilssen as Count Korro • Luli Deste as Queen Fria (uncredited) • Michael Mark as Professor Karm • Byron Foulger as Professor Druk • As-yet unidentified player as Radio Officer Tekla • Ray Mala as Prince of the Rock People (uncredited)

The Green Archer is the 12th serial released by Columbia Pictures. It was based on Edgar Wallace's 1923 novel The Green Archer, which had previously been adapted into the silent serial of the same name in 1925 by Pathé Exchange. Plot The struggle over the Bellamy estate ends with Michael Bellamy accused of murder and killed on the way to prison, while his brother, Abel Bellamy, takes control of the estate for his own nefarious plans. Bellamy is using Garr Castle as a base for his jewelry-theft ring, and he kidnaps his brother's wife to keep things quiet. Insurance investigator Spike Holland enters the case, and Bellamy continually dispatches his resident gang to do away with him. Detective Thompson, representing the law, is seldom of any help. Meanwhile, the estate's fabled "Green Archer", a masked, leotard-clad marksman, steals silently through Garr Castle and the estate grounds, confounding the enemy forces. This serial is an example of a fifteen-episode production that could have been rented for a twelve-episode run, as three episodes use an entirely self-contained subplot concerning the theft of a synthetic radium formula. Cast Victor Jory as Spike Holland Iris Meredith as Valerie Howett James Craven as Abel Bellamy Robert Fiske as Savini Dorothy Fay as Elaine Bellamy Forrest Taylor as Parker Howett Jack Ingram as Brad - Henchman Joseph W. Girard as Inspector Ross Fred Kelsey as Capt. Thompson Kit Guard as Dinky Stone - Henchman / Radio Man Production The script was written by Morgan B. Cox, John Cutting, and Jesse A. Duffy. Director James W. Horne also contributed to the script, which often emphasizes tongue-in-cheek comedy. Under Horne's direction, the heroes and villains exaggerate the melodrama — James Craven is enjoyably florid as the villain, and his henchmen also play for laughs, with comedian Fred Kelsey cast as a very dumb detective. In one scene some of the crooks are shown playing tiddlywinks. The serial was released in the US on October 1, 1940, and in Latin America in March 1941 under the title El Arquero Verde (in English with Spanish subtitles). The Green Archer was one of 1940's best remembered serials.

The Phantom Creeps is a 1939 12-chapter science fiction horror serial starring Bela Lugosi as mad scientist Doctor Zorka, who attempts to rule the world by creating various elaborate inventions. In a dramatic fashion, foreign agents and G-Men try to seize the inventions for themselves. It is the 112th serial released by Universal Pictures and the 44th to have sound. It was adapted in DC's Movie Comics #6, cover date September–October 1939, the final issue of that title. In 1949, to broadcast on television, the 265-minute serial was edited to a 78-minute feature film. Plot Dr. Zorka, a rogue scientist, is the creator of various weapons of warfare, including a devisualizer belt which renders him invisible; an eight-foot tall slave robot (Ed Wolff), robot spiders that can destroy life or paralyze it and he also has a deadly meteorite fragment from which he extracts an element which can induce suspended animation in an entire army. Foreign spies, operating under the guise of a foreign language school, are trying to buy or mostly steal the meteorite element, while his former partner, Dr. Fred Mallory, miffed that Zorka will not turn his inventions over to the U.S. Government, blows the whistle on him to Captain Bob West of the Military Intelligence Department. Tired of answering the door and saying no to the spies and the government, Zorka moves his lab. When his beloved wife is killed, Zorka, puttering around for his own amusement up to this point, is crushed and swears eternal vengeance against anyone trying to use his creations and to make himself world dictator. And would have if not for his assistant Monk, an escaped convict virtually enslaved by Zorka, who is cowardly, treacherous and totally incompetent, and whose accidental or deliberate interference with Zorka's efforts repeatedly frustrates his master's own plans.. Cast • Béla Lugosi as Dr. Alex Zorka: Lugosi received top billing for this, his final serial appearance. • Robert Kent as Capt. Bob West • Dorothy Arnold as Jean Drew • Edwin Stanley as Dr. Fred Mallory • Regis Toomey as Jim Daley • Jack C. Smith as Monk • Edward Van Sloan as Jarvis [Chs.2-12] • Dora Clement as Ann Zorka [Chs.1-2] (as Dora Clemant) • Anthony Averill as Rankin - Henchman [Chs.2-12] • Hugh Huntley as Perkins, Dr. Mallory's lab assistant [Chs.2-12] • Monte Vandergrift as Al - Guard [Ch.5] • Frank Mayo as Train Engineer [Ch.6] • Jim Farley as Skipper [Ch.9] (as James Farley) • Eddie Acuff as Mac - AMI Agent [Chs.2-12] • Reed Howes as Signalman [Ch.10] • Ed Wolff as The Robot (as Edw. Wolff) • Production The serial contains some similarities with the earlier serial The Vanishing Shadow, such as an invisibility belt and a remote-control robot. Stock footage was used from The Invisible Ray, including scenes of Dr. Zorka finding the meteorite in Africa. As with several Universal serials, some of the stock music came from Frankenstein. The Phantom Creeps' car chase was itself used as stock footage in later serials. Newsreel shots of the Hindenburg disaster were used as part of Dr. Zorka's final spree of destruction after his robot, which is supposed to destroy the human race, is stopped due to the sabotage by the Monk after being unleashed. Universal tried to improve their serials by eliminating the written foreword at the start of each chapter. This led to The Phantom Creeps being the first serial in which the studio used vertically scrolling text as the foreword. Influence The innovation of the scrolling text version of the synopsis at the beginning of each chapter was used for the Star Wars films as the "Star Wars opening crawl". The Rob Zombie song "Meet the Creeper" is based on this movie. Zombie has used robots and props based on the design of The Robot in several music videos and live shows. The character Murray The Robot in Zombie's animated movie The Haunted World of El Superbeasto is also based on The Robot. The Robot also appears on the album cover for the single "Dragula". A comic book adaptation was published by DC Comics in Movie Comics #6. The first three chapters of The Phantom Creeps were riffed in season two of Mystery Science Theater 3000, in the episodes Jungle Goddess, Rocket Attack U.S.A., and Ring of Terror.

Zorro's Fighting Legion (1939 Republic Pictures film serial) It consist of twelve chapters starring Reed Hadley as Zorro and directed by William Witney and John English. The plot revolves around his alter-ego Don Diego's fight against the evil Don Del Oro. The serial is unusual in featuring a real historical personage, Mexican President Benito Juárez, as a minor character. It is the second in a series of five Zorro serials: Zorro Rides Again (1937), Zorro's Black Whip (1944), Son of Zorro (1947) and Ghost of Zorro (1949). Plot The mysterious Don Del Oro ("Lord of Gold"), an idol of the Yaqui, emerges and attacks the gold trade of the Republic of Mexico, intent on becoming Emperor. A man named Francisco is put in charge of a fighting legion to combat the Yaqui tribe and protect the gold; he is attacked by men working for Don Del Oro. Francisco's partner recognizes Zorro as the hidalgo Don Diego Vega. Francisco asks Diego, as Zorro, to take over the fighting legion and defeat Don Del Oro. Cast • Reed Hadley as Don Diego Vega/Zorro Though there were numerous Zorro serials, Hadley was the only actor to play the original Zorro in any of them. • Sheila Darcy as Volita • William Corson as Ramón • Leander De Cordova as Governor Felipe • Edmund Cobb as Manuel González • John Merton as Comandante Manuel • C. Montague Shaw as Chief Justice Pablo/Don Del Oro • Budd Buster as Juan • Carleton Young as Benito Juárez • Bud Geary as Don Del Oro (body and voice) Production Zorro's Fighting Legion was budgeted at $137,826, although the final negative cost was $144,419 (a $6,593, or 4.8%, overspend). It was filmed between 15 September and 14 October 1939 under the working title Return of Zorro. The serial's production number was 898. This film was shot in Simi Hills and Chatsworth, Los Angeles. Stunts • Dale Van Sickel doubling Reed Hadley • Yakima Canutt • James Fawcett • Ted Mapes • Ken Terrell Release Theatrical Zorro's Fighting Legion's official release date is 16 December 1939, although this is actually the date the sixth chapter was made available to film exchanges. The serial was re-released on 24 March 1958, making it the last serial released by Republic, which re-released serials for several years following the release of their final serial King of the Carnival in 1955. Television In the early 1950s, Zorro's Fighting Legion was one of fourteen Republic serials edited into a television series. It was broadcast in six 26½-minute episodes. Differences from the Zorro canon The story takes a few liberties with Zorro's official timeline: it takes place in Mexico instead of Alta California; Zorro wears a masquerade mask, rather than the traditional bandana; the characters Don Alejandro Vega (Don Diego's father) and Bernardo are absent; and Zorro's horse, Tornado, was changed to white (much like Kaiketsu Zorro). However, this story is presented as a further adventure of Zorro, a sequel to the traditional "Mark of Zorro" origin story originally starring Douglas Fairbanks and Noah Beery Sr., which would be remade the year after Zorro's Fighting Legion with Tyrone Power and Basil Rathbone: Don Diego is said to be visiting from Los Angeles, and the serial intentionally did not remake the Zorro story; instead, it shows Zorro visiting Mexico because his help is needed there. The people of Mexico immediately recognize Zorro when he first appears, strongly suggesting that Zorro is a well-known hero. The date given for the movie is 1824, which in and of itself establishes that it takes place well after Zorro's California adventures: Zorro opposed a corrupt Spanish Colonial government in his canon tales, and California ceased being a Spanish Colony in 1821.

Dick Tracy (1937) is a 15-chapter Republic movie serial starring Ralph Byrd based on the Dick Tracy comic strip by Chester Gould. It was directed by Alan James and Ray Taylor. Plot Dick Tracy's foe for this serial is the crime boss and masked mystery villain the Spider/the Lame One (both names are used) and his Spider Ring. In the process of various crimes, including using his flying wing and sound weapon to destroy the Bay Bridge in San Francisco and stealing an experimental "speed plane", The Spider captures Dick Tracy's brother, Gordon. The Spider's minion, Dr. Moloch, performs a brain operation on Gordon Tracy to turn him evil, making him secretly part of the Spider Ring and so turning brother against brother. Cast Starring cast • Ralph Byrd as Dick Tracy • Kay Hughes as Gwen Andrews • Smiley Burnette as Mike McGurk • Lee Van Atta as Junior • John Picorri as Dr Moloch • Richard Beach as Gordon Tracy (pre-operation in Chapter 1) • Carleton Young as Gordon Tracy (post-operation in Chapter 1) • Fred Hamilton as Steve Lockwood • Francis X. Bushman as Clive Anderson The above cast members appear in the opening credits in "cameo" display — sequential pictures of each actor with his/her name (and sometimes character name) superimposed at the bottom of the screen — for the first episode, followed by a listing of supporting players. Subsequent chapters simply listed the stars on one screen and the same supporting cast a second. This approach to cast display was used by Republic from its first serial through Haunted Harbor in 1944. Universal serials presented a similar approach to cast display until 1940, only in their case, the star-cameos appeared with the first 3-4 episodes, and subsequent episodes listed these names usually followed, on a scrolling cast list, by part, but not often all, of the supporting players who had been named on the episodes with the cameos. Occasionally, a new player or two might be added. Columbia only a few times adopted this approach to displaying the cast of its serials. Republic, Universal, Warner Bros. Pictures, and some independents also used star "cameos" in numbers of their B pictures during the 1930s. Supporting cast • John Dilson as Ellery Brewster • Wedgwood Nowell as H. T. Clayton • Theodore Lorch as Paterno • Edwin Stanley as Walter Odette • Harrison Greene as Cloggerstein • Herbert Weber as Tony Martino • Buddy Roosevelt as Burke • George DeNormand as Flynn • Byron K. Foulger as Kovitch The above cast members appear in the opening credits as simply a list of the actor's names. Production[edit] Dick Tracy was budgeted at $112,334 although the final negative cost was $127,640 (a $15,306, or 13.6%, overspend). It was the most expensive Republic serial until S O S Coast Guard was released later in the year. It was filmed between 30 November and 24 December 1936 under the working titles Adventures of Dick Tracy and The Spider Ring.[1] The serial's production number was 420. In this serial, Dick Tracy is a G-Man (FBI) in San Francisco rather than a Midwestern city police detective as in the comic strip. Most of the Dick Tracy supporting cast and rogues gallery were also dropped and new, original characters used instead (for instance the characters of Tracy's girlfriend Gwen Andrews and his detective partner Mike McGurk were stand-ins for Tess Trueheart and Pat Patton respectively). Dick Tracy creator Chester Gould approved the script despite these changes. There were three sequels to this serial: Dick Tracy Returns (1938), Dick Tracy's G-Men (1939), and Dick Tracy vs. Crime, Inc. (1941). They were all permitted by an interpretation of the original contract, which allowed a "series or serial". That meant that Dick Tracy's creator, Chester Gould, was only paid for the rights to produce this serial but not for any of the sequels. Stunts • George DeNormand as Dick Tracy (doubling Ralph Byrd) • Loren Riebe (doubling Jack Gardner)

Ace Drummond is a Universal Pictures 1936 film serial based on the comic strip "Ace Drummond" written by Captain Eddie Rickenbacker and drawn by Clayton Knight. The serial's cast features John King, Jean Rogers, Noah Beery Jr. and Jackie Morrow, with Lon Chaney Jr. in a supporting role. Plot A mysterious villain who calls himself the Dragon is attempting to prevent International Airways from beginning service in Mongolia, in order to protect the secret of the mountain of jade for himself. The serial features a dungeon in the nearby monastery, the kidnapping of an archeologist who stumbles onto the secret, his daughter's attempts to rescue him with Ace's help, a death ray the Dragon uses on the airline pilots, a radio system by which The Dragon communicates with his henchmen via the rotation of Buddhist prayer wheels (each transmission concluding "The Dragon commands!"), and a squadron of his own fighter planes. Cast • John King as Ace Drummond • Jean Rogers as Peggy Trainor • Noah Beery Jr. as Jerry • Jackie Morrow as Billy Meredith • Selmer Jackson as Mr. Meredith • Guy Bates Post as the Grand Lama • C. Montague Shaw as Trainor • Frederick Vogeding as Bauer • Al Bridge as Wyckoff • Chester Gan as Kai-chek • James B. Leong as Henry Kee • James Eagles as Johnny Wong • Arthur Loft as Chang Ho • Lon Chaney Jr. as Henchman Ivan • Stanley Blystone as Henchman Sergei • Edmund Cobb as Henchman Nikolai • Richard Wessel as Henchman Boris together with: Sam Ash as LePage; Hooper Atchley as Caldoni; Louis Vincenot as Lo Tan; Eddie Parker as Dmitri; Tom Steele and George De Normand as Other Henchman; Russell Wade as Pilot; House Peters Jr. as Co-Pilot; Diana Gibson as Stewardess; and Ed Piel Sr. as Passenger. Production Ace Drummond was based on a comic strip by Captain Eddie Rickenbacker. Ace Drummond gained good publicity following a set visit by Amelia Earhart. The famous aviator had driven out to the San Fernando Valley, after hearing that the serial was being shot there on location, where she watched the filming of the chapter two cliffhanger. In the traditional foreword at the beginning of each chapter, Ace Drummond used comic strips to summarize the story so far. This worked well, and Universal who had been trying to get away from using written text in its forewords, used "similar gimmicks" in their succeeding serials. Music Ace also regularly performs his theme song, "Give Me a Ship and a Song". Chapter titles • Chapter 1 - Where East Meets West • Chapter 2 - The Invisible Enemy • Chapter 3 - The Doorway of Doom • Chapter 4 - The Radio Riddle • Chapter 5 - Bullets of Sand • Chapter 6 - Evil Spirits • Chapter 7 - The Trackless Trail • Chapter 8 - The Sign in the Sky • Chapter 9 - Secret Service • Chapter 10 - The Mountain of Jade • Chapter 11 - The Dragon Commands • Chapter 12 - The Squadron of Death • Chapter 13 - The World's Akin

Undersea Kingdom (1936) is a Republic Pictures 12-chapter film serial released in response to Universal's Flash Gordon. It was the second of the sixty-six serials made by Republic. In 1966, the serial was edited into a 100-minute television film titled Sharad of Atlantis. Following a suspicious earthquake, and detecting a series of signals, Professor Norton leads an expedition, including Lt. Crash Corrigan and reporter Diana Compton, in his rocket submarine to the suspected location of Atlantis. Finding the lost continent, they become embroiled in an Atlantean civil war between Sharad (with his White Robes) and the usurper Unga Khan (with his Black Robes), who wishes to conquer Atlantis and then destroy the upper world with earthquakes generated by his Disintegrator. Thus, he will rule the world unless he can be stopped in time. The star of the serial is Ray "Crash" Corrigan, using that screen name for the first time. The name was created to sound similar to "Flash Gordon", in one of many similarities. Formerly a stunt man – he was the person swinging on vines in Tarzan the Ape Man – Corrigan went on to use this screenname for the rest of his career in serials and B-Westerns. The first two chapters of the serial were mocked on the TV show Mystery Science Theater 3000 in July/August 1992. Plot Unga Khan's Volkites emerging from "The Juggernaut" The plot involves the main character "Crash" Corrigan trying to stop an evil tyrant ruler of Atlantis from conquering the lost continent and then the entire upper world. Lieutenant Crash Corrigan, in his last year at the United States Naval Academy in Annapolis, Maryland, is invited by Billy Norton to visit his father, Professor Norton, after a wrestling match. At their house, the professor is demonstrating his new invention, which can detect and prevent (at short range) earthquakes, to Diana Compton and his theory about regular tremors from the area where Atlantis used to be. When Atlantean tyrant Unga Khan and his Black Robe army turn their Disintegrator beam on St Clair, Professor Norton leads an expedition to investigate. Along with him in his Rocket Submarine are Crash, Diana, three sailors (Briny Deep, Salty, Joe) and their pet parrot Sinbad. Unknown to the expedition until it is underway and in trouble, Billy has stowed away on the Rocket Sub as well. Problems for the expedition begin when Joe, in charge of the engine room, is driven mad by the fear that the submarine cannot survive such depths. In order to prove this, he locks the engine room door and sends the sub into a fatal dive. As soon as this crisis is averted, Unga Khan and Captain Hakur detect their approach and bring them through a tunnel into the Inland Sea with a Magnetic Ray. Main cast • Ray "Crash" Corrigan as Crash Corrigan, Athlete and Navy Lieutenant. Crash Corrigan's stage name came from this serial. • Lois Wilde as Diana Compton, Reporter from the Times who joins the expedition to Atlantis to get a story • Monte Blue as Unga Khan, Tyrant and leader of the Black Robes • William Farnum as Sharad, High priest of Atlantis and leader of the White Robes • Boothe Howard as Ditmar, one of Unga Khan's Black Robes • Raymond Hatton as Gasspom, one of Unga Khan's Black Robes • C. Montague Shaw as Professor Norton, a British-born US scientist and leader of the expedition to Atlantis in his Rocket Submarine • Lee Van Atta as Billy Norton, Professor Norton's young son who stows away aboard the submarine expedition • Smiley Burnette as Briny Deep, a sailor in Professor Norton's Rocket Sub expedition and comic relief • Frankie Marvin as Salty, a sailor in Professor Norton's Rocket Sub expedition and comic relief • Supporting cast "Optical" foreword for Crash Corrigan, from the start of chapter two of Undersea Kingdom • Lon Chaney, Jr. as Captain Hakur, Black Robe commander, Unga Khan's main henchman. Captain Hakur was "probably" Lon Chaney, Jr.'s "most colourful henchman." • Lane Chandler as Darius, one of Sharad's White Robes • Jack Mulhall as Lieutenant Andrews, US Navy • John Bradford as Joe, a sailor in Professor Norton's Rocket Sub expedition who goes mad with fear and almost kills them all • Malcolm McGregor as Zogg, one of Unga Khan's Black Robes • Ralph Holmes as Martos, one of Sharad's White Robes • John Merton as Moloch, Black Robe whose life is spared by Corrigan and switches sides • Ernie Smith as Gourk, one of Unga Khan's Black Robes • Lloyd Whitlock as Captain Clinton, US Navy Captain Production Undersea Kingdom was budgeted at $81,924 although the final negative cost was $99,222 (a $17,298, or 21.1%, overspend). It has the lowest budget of any Republic serial, but it was only the third cheapest in actual production cost. The serial was filmed between 3 March and 28 March 1936 under production number 417.

The New Adventures of Tarzan is a 1935 American film serial in 12 chapters starring Herman Brix. The serial presents a more authentic version of the character than most other film adaptations, with Tarzan as the cultured and well-educated gentleman in the original Edgar Rice Burroughs novels. It was filmed during the same period as the Johnny Weissmuller/Metro-Goldwyn-Mayer Tarzan films. Film exhibitors had the choice of booking the serial in 12 episodes, the feature film (also called The New Adventures of Tarzan), or the feature film followed by 11 episodes of the serial. The serial was partly filmed in Guatemala, and Tarzan was played by Herman Brix (known post-war as Bruce Bennett). The final screenplay was credited to Charles F. Royal and, from Episode 6 onward, also Basil Dickey. It was produced by Ashton Dearholt, Bennett Cohen and George W. Stout under the corporate name of “Burroughs-Tarzan Enterprises, Inc.” (which also distributed) and was directed by Edward Kull and Wilbur F. McGaugh. Plot The original version of the plot proposed involvement of munitions runners and government agents, focusing more on the super-explosive formula hidden in the idol. This was rewritten during production, but some elements remain, such as the otherwise nonsensical final chapter name "Operator No. 17" and Ula Vale's unexplained periodic use of disguises in the first few chapters. (Ula Vale was originally written as a government agent using "Operator No. 17" as her code name; this plot element was dropped from the revised script, but only after some scenes from the earlier shooting script had been filmed, along with the main title cards.) Cast Herman Brix as TarzanHerman Brix as Tarzan Ula Holt as Ula Vale, Ashton Dearholt as P.B. Raglan Frank Baker as Major Francis Martling,. Lewis Sargent as George. Jiggs as Nkima, Tarzan's chimpanzee Dale Walsh as Alice Martling. Harry Ernest as Gordon Hamilton. Jackie Gentry as Queen Maya Jack Mower as Captain Blade Merrill McCormick as Bouchart Production Burroughs-Tarzan Enterprises In 1929, a would-be movie entrepreneur, Ashton Dearholt, arranged an introduction to Edgar Rice Burroughs, using his wife's friendship with Burroughs' daughter. Dearholt had held several jobs within the film industry during the 1920s and had even produced, directed and starred in a brief series of western films. As of 1929, he was familiar with Burroughs' work and wanted to get the rights to one of Burroughs' several singleton novels and film it in conjunction with RKO-Pathé. Film locations for The New Adventures of Tarzan in Guatemala. In spite of the difficulties faced while filming in the jungles, most of the places visited by the filming crew and actors were served by the American company International Railways of Central America (IRCA). San Francisco church ruins in 1875; the Green Goddess temple scenes were filmed at this location in 1935. Photograph by Eadweard Muybridge. The places where the filming took place were: Chichicastenango: scenes of a native town where the explorers first met. Antigua Guatemala: The Green Goddess temple in the abandoned Spanish city, filmed at the ruins of San Francisco Church. Livingston: scenes where explorers prepare to go into the jungle Puerto Barrios: arrival and departure of the boats carrying the explorers Tikal: jungle scenes Quiriguá: Mayan city where they get lectured on the Maya civilization Guatemala City: then-luxurious Palace Hotel was used to shoot the scenes of the hotel in the imaginary town of At Mantique[ Scenes were also shot at Jungleland USA in Thousand Oaks, California. Problems While in Guatemala in 1933 troubleshooting for RKO, Ashton Dearholt met and fell in love with a young swimmer whom he hired as the serial's lead actress. She was named Florence Watson, but he rechristened her Ula Holt. He brought her back to Los Angeles with him and installed her in the Dearholt household. Dearholt's wife, Florence Gilbert, left with their two children and eventually filed for divorce shortly before the expedition's departure. While filming, Edgar Rice Burroughs divorced his wife Emma Hubert and married Florence Gilbert, 30 years his junior, on 4 April 1935, after which they escaped to Hawaii for their honeymoon. He would write in his personal diary that he had fallen in love with Florence when she accompanied Dearholt to his first meeting with Burroughs in 1929. Tarzan's Yell This serial features an alternate version of the famous Tarzan yell. This version is variously described as a rising pitch "Man-gan-i" or "Tar-man-gan-i" sound. The "Tar-man-gan-i" version originally comes from the 1932 Tarzan radio serial starring James Pierce.

The Phantom Empire is a 1935 American Western serial film directed by Otto Brower and B. Reeves Eason and starring Gene Autry, Frankie Darro, and Betsy King Ross. This 12-chapter Mascot Pictures serial combined the Western, musical and fantasy genres. The first episode is 30 minutes, the rest about 20 minutes. The serial film is about a singing cowboy who stumbles upon an ancient subterranean civilization living beneath his own ranch that becomes corrupted by unscrupulous greedy speculators from the surface. In 1940, a 70-minute feature film edited from the serial was released under the titles Radio Ranch or Men with Steel Faces. This was Gene Autry's first starring role, playing himself as a singing cowboy. Plot Gene Autry (Gene Autry) is a singing cowboy who runs Radio Ranch, a dude ranch from which he makes a daily live radio broadcast at 2:00 pm. Gene has two kid sidekicks, Frankie Baxter (Frankie Darro) and Betsy Baxter (Betsy King Ross), who lead a club, the Junior Thunder Riders, in which the kids play at being armored knights of an unknown civilization, the mysterious Thunder Riders who make a sound like thunder when they ride. The kids, dressing up in capes and water-bucket helmets, play at riding "To the rescue!" (their motto). A chance to become real heroes occurs when Betsy, Frankie, and Gene are kidnapped by the real Thunder Riders from the super-scientific underground empire of Murania, complete with towering buildings, robots, ray-guns, advanced television, elevator tubes that extend miles from the surface, and the icy, blonde, evil Queen Tika. On the surface, criminals led by Professor Beetson plan to invade Murania and seize its radium wealth, while in Murania, a group of revolutionaries plots to overthrow Queen Tika. The inhabitants of Murania are the lost tribe of Mu, who went underground in the last glacial period 100,000 years ago, and now live in a fantastically advanced city 25,000 feet below the surface. They cannot now breathe the air at ground level and must wear oxygen masks. (Surface dwellers have no trouble breathing Muranian air.) The Thunder Guard emerges to the surface world from a cave with a huge rock door that swings up like a garage door. Both Muranians and Professor Beetson want to get rid of Autry, so he loses his radio contract and Radio Ranch is vacated. Cast Gene Autry as Gene Autry, singing cowboy at the Radio Ranch Frankie Darro as Frankie Baxter, one of Gene's sidekicks Betsy King Ross as Betsy Baxter, one of Gene's sidekicks Dorothy Christy as Queen Tika, the evil queen of Murania Wheeler Oakman as Lord Argo, the Muranian High Chancellor and leader of the rebels Charles K. French as Mal Warner Richmond as Rab J. Frank Glendon as Professor Beetson, the villainous scientist after the land's radium deposits Smiley Burnette as Oscar, comic relief Peter Potter as Pete, comic relief Edward Peil Sr. as Cooper Jack Carlyle as Saunders Production Story The idea for the plot came to writer Wallace MacDonald when he was under gas having a tooth extracted. Filming and budget The Phantom Empire was filmed in late 1934. The film had an operating budget of $75,000 (equal to $1,519,216 today).[1] The budget was originally reported to have been "no more than" $100,000. Filming locations Agoura Ranch, Agoura, California, USA Bronson Canyon, Griffith Park, 4730 Crystal Springs Drive, Los Angeles, California, USA Griffith Observatory, Griffith Park, 4730 Crystal Springs Drive, Los Angeles, California, USA Iverson Ranch, 1 Iverson Lane, Chatsworth, Los Angeles, California, USA Keystone Studios, 1712 Glendale Blvd., Silver Lake, Los Angeles, California, USA Stunt work Ken Cooper Richard Talmadge Jack Jones George Magrill Wally West Frankie Darro and Betsy King Ross did their own stunt riding in this serial. Ross was an experienced rodeo performer and was billed as the "World's Champion Trick Rider". Soundtrack "Uncle Noah's Ark" (Gene Autry, Smiley Burnette, Nick Manoloff) by Gene Autry and band (chapter 1) "That Silver-Haired Daddy of Mine" (Gene Autry, Jimmy Long) by Gene Autry and band (chapter 1) "I'm Oscar, I'm Pete" (Gene Autry, Smiley Burnette) by Gene Autry, Smiley Burnette, and William Moore (chapter 2) "No Need to Worry" (Gene Autry, Smiley Burnette) by the Radio Rangers (chapter 4) "Uncle Henry" (Gene Autry, Smiley Burnette) by Gene Autry (chapter 4) "I'm Getting a Moon's Eye View of the World" (Gene Autry, Smiley Burnette) by Gene Autry (chapter 8) "My Cross Eyed Gal" (Gene Autry, Jimmy Long) by the Radio Rangers (chapter 8) "Just Come On Back" (Gene Autry, Smiley Burnette) by the Radio Rangers (chapter 8)[1][8] Chapter titles The Singing Cowboy The Thunder Riders The Lightning Chamber Phantom Broadcast Beneath the Earth Disaster from the Skies From Death to Life Jaws of Jeopardy Prisoner of the Ray The Rebellion A Queen in Chains The End of Murania

Burn 'Em Up Barnes is a 1934 American Pre-Code movie serial produced and distributed by Mascot Pictures, along with a feature version of the serial bearing the same title. It was a loose remake of the 1921 silent film of the same name. Cast Jack Mulhall as Burn-'em-Up Barnes, racing driver nicknamed the "King of the Dirt Track" and shortly the co-owner of the Temple Barnes Transportation school bus company Frankie Darro as Bobbie Riley, Barnes' kid sidekick and ward following his brother's accidental death Lola Lane as Marjorie Temple, owner of the Temple (later Temple Barnes) Transportation school bus company and land with a hidden wealth of oil Julian Rivero as Tony, Marjorie's bumbling Italian-accented mechanic Edwin Maxwell as Lyman Warren Jason Robards as John Drummond, crooked race promoter who knows that Marjorie's land is really worth millions and will stop at nothing to get it Francis McDonald as Ray Ridpath, villainous driver working for Drummond Chapter titles King of the Dirt Tracks The Newsreel Murder The Phantom Witness The Celluloid Clue The Decoy Driver The Crimson Alibi Roaring Rails The Death Crash The Man Higher Up The Missing Link Surrounded The Fatal Whisper

The Hurricane Express is a 1932 American Pre-Code 12-chapter Mascot Pictures film serial. Written by Colbert Clark, Barney Sarecky, Wyndham Gittens, George Morgan, and J.P. McGowan, the serial was directed by Armand Schaeffer and J.P. McGowan and produced by Nat Levine. The Hurricane Express stars John Wayne as aircraft pilot Larry Baker. Wayne goes after a mystery villain named "The Wrecker", who was responsible for a train crash that killed Baker's father. Plot The L & R Railroad is in competition with an airline for lucrative transport contracts. When the "Hurricane Express" is sabotaged and involved in a train wreck, one of his victims is Larry Baker's father, Jim. A mysterious figure known as "the Wrecker" is responsible for the train crashes. Air Transport Company pilot Baker wants to find the Wrecker, but with a host of suspects, it will be difficult, since the murderer can disguise himself to look like almost anyone. One of the main suspects in the train crashes is Walter Gray, the airline manager and Larry's boss, who stands to gain if the L & R Railroad loose contracts. Suspicion is also cast on Tom Jordan, a recently discharged and disgruntled railroad engineer. Another suspect is Frank Stratton, an escaped convict who had wrongfully been convicted. Complicating matters is that Gloria Stratton is Frank Stratton's daughter, and Larry is in love with her. Gloria tries to help Larry find the villains behind the train crashes, and when the "Hurricane Express" is again ready to go back into service, the pair are in air, flying as an escort to the speeding train. With a full load of gold, the train is a tempting target for the Wrecker. The continuing attacks on the L & R Railroad put Gloria and Larry in danger, but they are determined to bring the Wrecker and his gang to justice. Finally, the young pilot is able to capture the murderers and can look forward to a happy future with Gloria. Chapter titles 1. The Wrecker 2. Flying Pirates 3. The Masked Menace 4. Buried Alive 5. Danger Lights 6. Airport Mystery 7. Sealed Lips 8. Outside the Law 9. The Invisible Enemy 10. The Wrecker's Secret 11. Wings of Death 12. Unmasked Cast • Tully Marshall as Howard L. Edwards, Railroad manager • Conway Tearle as Stevens, Railroad attorney • John Wayne as Larry Baker • Shirley Grey as Gloria Stratton, aka Gloria Martin • Edmund Breese as Frank Stratton, Gloria's father • Lloyd Whitlock as Walter Gray, Airline manager • Al Bridge as Carlson, Plainville station agent • Matthew Betz as Tom Jordan, a railroad engineer • Joseph W. Girard as Detective Matthews • James P. Burtis as Detective Hemingway, Matthews' assistant • Ernie Adams as Henchman Barney, The Wrecker's machine gunner henchman • Charles King as Mike, one of The Wrecker's henchmen • J. Farrell MacDonald as Jim Baker, a railroad engineer (Larry Baker's Dad) • Al Ferguson as Sandy, The Wrecker's pilot • Glenn Strange as Jim, one of The Wrecker's henchmen • Fred "Snowflake" Toones as Sam, the Porter (uncredited) • Yakima Canutt as Henchman (uncredited) Production During the 1930s, after starring in The Big Trail (1930), its subsequent commercial failure meant that Wayne was relegated to minor roles in A-pictures, or starring, with his name over the title, in many low-budget Poverty Row Westerns, mostly at Monogram Pictures and serials for Mascot Pictures Corporation, such as The Hurricane Express. The Hurricane Express was cheaply staged and relied heavily on studio sets for interior sequences. Two elements, however, were critical, the use of a train and an aircraft. Airline pilot Larry Baker flies as the co-pilot on a Trans World Airlines Ford Trimotor (c/n NC8411). The aircraft flew from the Grand Central Airport in Glendale, California, a favourite locale for Hollywood films featuring aviation.[8] While the Ford Trimotor appears in the first two chapters, the Curtiss "Jenny" is used in an aircraft-to-train transfer (a favourite stunt in the 1920s was a transfer from aircraft to aircraft, or other moving vehicles). A Fokker Trimotor also appears.

Tarzan the Tiger (1929) is a Universal movie serial based on the novel Tarzan and the Jewels of Opar by Edgar Rice Burroughs. It stars Frank Merrill as Tarzan, Natalie Kingston as Jane, and Al Ferguson. It was written by Ian McClosky Heath and directed by Henry MacRae. It was considered lost at one time, but a copy has since been found. Today the serial is available on DVD and, in the public domain, available for download on the internet. Synopsis Lord Greystoke (Tarzan) returns to Africa, with Lady Jane and friend Albert Werper, in order to return to Opar. He needs the treasure of Opar in order to secure his estates in England. Werper, however, is actually interested in the gold himself. He is in league with Arab slave trader Achmet Zek who wishes revenge on Tarzan and Lady Jane for himself. Cast • Frank Merrill as "The Lord of the Manor—known to London as the Earl of Greystoke—and to the Jungle as Tarzan, the Tiger!" Frank Merrill reprised his role as Tarzan from Tarzan the Mighty. His performance in these two serials makes him the last silent Tarzan and the first sound Tarzan. Merrill did his own stunts and devised the original Tarzan Yell. • Natalie Kingston as "Lady Jane, his wife, who has left the gaiety of London Society to share his life on the Jungle plantation" Natalie Kingston was again cast as the love interest, but this time played the traditional character of Lady Jane instead of Mary Trevor (from Tarzan the Mighty). The change was not explained in the serial. • Al Ferguson as "Albert Werper, Soldier of Fortune—a guest at Greystoke Manor in the guise of a friendly Scientist" Al Ferguson was also again cast as the villain of the story but not the same character (or even a slightly renamed character, as with Jane. In Tarzan the Mighty he played the pirate Black John). • Kithnou as "The High Priestess of the Sun Worshipers—La, who has sworn that she will have no other mate than Tarzan" Mademoiselle Kithnou was a dancer and actress of mixed Indian and European descent from Puducherry, at that time in French India, or possibly from Mauritius. • Sheldon Lewis as "Achmet Zek, a Nomad Chief, against whose traffic in slaves Tarzan has waged relentless war" Production Tarzan the Tiger was a sequel based on the success of Tarzan the Mighty. Advertising for the serial, in addition to the usual jungle serial perils (such as elephants, lions, tigers and gorillas), focused on the beautiful women (Lady Jane, La, and the women of the slave market scenes). Kingston, as Jane, appeared topless in a swimming sequence in chapter 8. "It is said that fathers sometimes accompanied their sons to the showings. A further sequel, to create a trilogy of Frank Merrill Tarzan serials, was planned. The third entry would have been called Tarzan the Terrible. However, Merrill's voice was deemed unsuitable for sound films and the sequel was cancelled. Merrill made personal appearances in costume to promote the serial. During these, he realized how much influence he had on children. Combined with the issues over his voice this led him to retire after this serial and devote his life to children. He became a Recreational Director for the Parks commission of the Los Angeles city administration. Tarzan the Tiger was a transitional film with one version released as a silent and the other with a partial soundtrack. The soundtrack consists mostly of only music and sound effects, but does include the first Tarzan yell, although it does not sound like the now-traditional call that was first used in the Johnny Weissmuller Tarzan movie Tarzan the Ape Man.

PLOT Two prospectors, one the father of Skye "Lightning" Bryce and the other the father of Kate Arnold, find a large gold deposit belonging to an Indian tribe. They head for home, but each sends a note to their respective off-springs advising them of their good fortune. One of the fathers conceives a plan of taking a dagger and wrapping a piece of string around the blade, after which he prints on the string with a lead pencil, the exact location of their find. If something happens to them, the string goes to the son and the knife to the daughter. Lightning Bryce is a 1919-1920 American Western film serial directed by Paul Hurst and starring Ann Little and Jack Hoxie (his first starring role). 15 episodes were produced. Cast Ann Little as Kate Arnold Jack Hoxie as Sky "Lightning" Bryce Paul Hurst as Powder Solvang Jill Woodward as the Mystery Woman Steve Clemente as Zambleau Scout as Lightning's horse Uncredited Yakima Canutt as the Deputy (episode 15) George Champion as a henchman Ben Corbett as a henchman Edna Holland as Daisy Bliss George Hunter as a henchman Noble Johnson as Dopey Sam's henchman / Arnold's butler Slim Lucas as a henchman Augustina López as Mother Lopez Walter Patterson as a henchman Reception A reviewer for Motion Picture News noted the outdoor shots, writing that "a wide variety of scenery is used as a background, much of it being really beautiful." They continued, "Suspense is nicely maintained at the close of each episode and there are plenty of stunts pulled which are noteworthy. In these Hoxie is not alone, being ably assisted by Miss Little." A critic for Exhibitors Herald wrote, "This serial has received more favorable comments than any serial that has been run for some time. Children will like it.

Episode 1 – "The Severed Head" Philippe Guérande (Édouard Mathé), a reporter working for the newspaper "Mondial" who is investigating a criminal organisation called the Vampires, receives a telegram at work stating that the decapitated body of the national security agent in charge of the Vampire investigations, Inspector Durtal, was found in the swamps near Saint-Clement-Sur-Cher, with the head missing. Being turned down by the local magistrate (Thelès), he spends the night in a nearby castle owned by Dr. Nox (Jean Aymé), an old friend of his father, along with Mrs. Simpson (Rita Herlor), an American multimillionaire who desires the property. After waking up in the night, Philippe finds a note in his pocket saying "Give up your search, otherwise bad luck awaits you! – The Vampires" and discovers a mysterious passage behind a painting in his room. Meanwhile, Mrs. Simpson's money and jewels are stolen in her sleep by a masked thief, but Philippe is suspected of the crime. Philippe again visits the magistrate, who now believes his case, and they trick Dr. Nox and Mrs. Simpson into waiting in an anteroom. At the castle, Philippe and the magistrate find the head of Inspector Durtal hidden in the passage in Philippe's room. Back in the anteroom, they find that Mrs. Simpson is dead, and that Dr. Nox has vanished. Her pocket contains a note from the Grand Vampire saying that he has murdered the real Dr. Nox and is now assuming his identity. FACTS: If you desire further info on the Les Vampires, visit the Wikipedia link below. https://en.wikipedia.org/wiki/Les_Vampires The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production. The film is said to have established the genre of crime thriller, creating cinematic thriller techniques used later by Alfred Hitchcock and Fritz Lang. The use of gadgetry such as canons and bombs were also adopted by Lang in films such as Dr. Mabuse the Gambler and The Spiders. It is also said to have inspired experimental filmmakers such as Luis Buñuel and French New Wave directors such as Alain Resnais and Georges Franju. Some have called it an early example of a gangster film. Written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films. However, it was a massive success with its wartime audience, making Musidora a star of French cinema. The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel and others. It is included in the book 1001 Movies You Must See Before You Die.

Episode 2 – "The Ring That Kills" Grand Vampire in disguise as Count de Noirmoutier, reads that ballerina Marfa Koutiloff (Stacia Napierkowska), who is engaged to Philippe, will perform a ballet called The Vampires. To prevent her from publicizing the Vampires' activities and to deter Philippe, he gives Marfa a poisoned ring before her performance, which kills her onstage. Amidst the panicking crowds Philippe recognizes the Grand Vampire and follows him to an abandoned fort and is captured by the gang. They agree to interrogate Philippe at midnight and execute him at dawn. Philippe finds that the Vampire guarding him is one of his co-workers, Oscar-Cloud Mazamette (Marcel Lévesque). They decide to work together and capture the Grand Inquisitor when he arrives at midnight. They bind and hood the Grand Inquisitor and set him up for execution in place of Phillipe. At dawn the Vampires arrive for the execution, but the police raid the lair. The Vampires escape, but as they flee, they mistakenly execute their own Grand Inquisitor, who turns out to be the Chief Justice of the Supreme Court. FACTS: If you desire further info on the Les Vampires, visit the Wikipedia link below. https://en.wikipedia.org/wiki/Les_Vampires The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production. Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made.[2] It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films. However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die.

Episode 3 – "The Red Codebook" While faking illness to get off work, Philippe tries to decode a red booklet that he lifted from the Grand Inquisitor's body, which contains the crimes of the Vampires. He discovers that his house is under surveillance by the Vampires, so he leaves in disguise. Following clues in the booklet he arrives at "The Howling Cat" night club. Performing there is Irma Vep (Musidora), whose name Philippe sees is an anagram for vampire. After her act, the Grand Vampire assigns Irma to retrieve the red booklet. As Philippe returns home Mazamette arrives, along with a poison pen he stole from the Grand Vampire. A few days later, Irma arrives at their house disguised as a new maid, but Philippe recognizes her. She tries to poison him but fails. His mother (Delphine Renot) leaves to meet her brother after receiving word that he has been in a car accident, but it turns out to be a trap and she is captured by the Vampires. While Philippe is asleep, Irma lets another Vampire into his home, but he shoots them. They escape, however, because his gun was loaded with blanks. In a shack in the slums, Philippe's mother is held by Father Silence (Louis Leubas), a deaf-mute, and is forced to sign a ransom note, but she kills him with Mazamette's poison pen and escapes. FACTS: If you desire further info on the Les Vampires, visit the Wikipedia link below. https://en.wikipedia.org/wiki/Les_Vampires The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production. Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made.[2] It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films. However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die.

Episode 4 – "The Spectre" The Grand Vampire, under the alias of a real estate broker "Treps", meets Juan-José Moréno (Fernand Herrmann), a businessman, who asks for an apartment with a safe. The Grand Vampire puts Moréno into an apartment whose safe is rigged to be opened from the rear through the party wall of an apartment belonging to Irma Vep and the Grand Vampire. However, the case Moréno places inside contains the Vampires’ black attire. Later, in disguise as bank secretary "Juliette Bertaux", Irma learns that a man called Mr. Metadier has to bring ₣300,000 to another branch. In the event that he is unable to make the delivery, Irma will. Soon afterward, Mr. Metadier is murdered by the Vampires and his body thrown from a train. When Irma is about to take the money for him a spectre of Mr. Metadier appears and takes it instead. The Grand Vampire pursues the spectre, who escapes down a manhole. Later that day, Mme. Metadier appears at the bank, saying she hasn’t seen her husband in days. They also find out that the money hasn’t been delivered. Philippe learns of this and goes to the bank in disguise. Recognizing the secretary as Irma, he finds her address and a few hours later sneaks in, using Mazamette as a ploy. Irma and the Grand Vampire open the safe from their side, only to find Metadier's body and the money. Philippe tries to capture them but is knocked down and they escape. Philippe calls the police just as Moréno enters and finds his safe opened from the other side. He walks through and is caught by Philippe. Moréno is revealed to be another criminal in disguise, and claims not to have killed Metadier, but to have found his body by the train tracks where the Vampires had dumped it. Moréno found Metadier's letter of authority on his corpse, took Metadier's body home, disguised himself as Metadier, put the body in his safe, assumed Metadier's identity, took the money, and put it too in his safe. The upshot is that the money is now in the Vampires' possession. The police arrive and arrest Moréno. The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production. Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films. However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die

Episode 5 – "Dead Man's Escape" The examining magistrate from Saint-Clement-Sur-Cher relocates to Paris and is assigned to the Vampire case and the Moréno affair. After being summoned to the magistrate, Moréno commits suicide using a concealed cyanide capsule. His body is left in his cell, but during the night he wakes up, very much alive. He kills the night-watchman and takes his clothes, escaping from the prison. He is noticed by Mazamette, who is suffering from insomnia. The following morning, Moréno is found to have escaped. While writing an account of the events, Philippe is pulled out of his window by the Vampires and whisked into a large costume box. He is driven away, and the box is unloaded, but incompetently, and it slides down a large flight of stairs. The Vampires retreat and Philippe is let out by two bystanders. He visits the costume designer Pugenc whose name and box number are on the costume box, just missing Moréno and his gang who have bought police uniforms for a scheme of their own. Philippe learns from Pugenc that the costume box was to go to Baron de Mortesalgues on Maillot Avenue and realizes that "Mortesalgues" must be another alias of the Grand Vampire. Later, Moréno confronts Philippe in a café, but when Philippe calls for the nearby policemen, they turn out to be part of Moréno's gang and he is again captured. Meanwhile, Mazamette breaks into Moréno's hideout. Philippe is taken there to be hanged by the gang, unless he can give them means to revenge themselves against the Vampires. He tells them that Baron de Mortesalgues is the Grand Vampire, and they spare him, tying him up. Mazamette appears and frees him. That evening, the Grand Vampire, in disguise as Baron de Mortesalgues, holds a party for his "niece", who is Irma Vep in disguise. The party attracts many members of the Parisian aristocracy. "Mortesalgues" reveals that at midnight there will be a surprise; but the "surprise" is a sleeping-gas attack on the guests. The Vampires steal all of the guests' valuables while they are unconscious. The Vampires flee with the stolen items on the top of their car, but Moréno, forewarned by Philippe, robs the Vampires and sends Philippe a letter telling him that, for the moment, they are even. Mazamette visits Philippe; he is angry with their lack of progress and wants to quit. Philippe opens a book of La Fontaine's Fables and points to the line, "in all things, one must take the end into account", and Mazamette's resolve is renewed. The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production. Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made.[2] It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films. However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die.

Episode 6 – "Hypnotic Eyes" Fifteen days have passed since the events at Maillot. Moréno is looking for clues to lead him to the Vampires, and reads in a paper that a Fontainebleau notary has been murdered by them; as he happens to possess a gaze with a terrible hypnotic power, he takes control of his new maid, Laura, to turn her into his slave. Meanwhile, Philippe and Mazamette happen to see a newsreel on the murder inquest, in which they spot Irma Vep and the Grand Vampire. They cycle to Fontainebleau to investigate. En route they spot an American tourist, Horatio Werner, riding fast into the forest, and follow him. He places a box under one of the boulders, and they take it. The Grand Vampire, who is staying in the Royal Hunt Hotel under the pseudonym of Count Kerlor, along with Irma in disguise as his son, Viscount Guy, reads in a paper that George Baldwin (Émile Keppens), an American millionaire, has been robbed of $200,000. Whoever can capture the criminal, Raphael Norton, who has fled to Europe with the actress Ethel Florid, will be awarded the unspent balance of the loot. "Kerlor" notices that Mr and Mrs. Werner, who are staying at the hotel, are distressed by this notice, and concludes that Mr. Werner is Raphael Norton. Philippe and Mazamette arrive at the hotel and find that the Vampires are based there. In a different hotel they force open the box and find Baldwin's stolen money inside. Moréno comes to the Royal Hunt in disguise. While the Grand Vampire tells the hotel guests a story, Irma breaks into the Werners' suite, finding a map leading to the box in the forest. When she leaves, she is captured and chloroformed by Moréno, who takes the map. While his gang take Irma away, he dresses his hypnotized maid, Laura, as Irma and tells her to give the Vampires the map. Once one of the Vampires (Miss Édith) follows the map to get the treasure, Moréno's gang ambushes her, only to find that Philippe has already taken it. Moreno demands that the Grand Vampire ransom Irma Vep. In the early morning, the police raid the hotel and find that Werner is actually Norton, so Philippe and Mazamette win the money. Moréno falls in love with Irma and decides not to return her to the Grand Vampire. Instead, he hypnotizes her and causes her to write a confession of her involvement in the murders of the Fontainbleau notary (in this episode), Metadier (episode 4), the ballerina Marfa Koutiloff (episode 2), and Dr. Nox (episode 1). The Grand Vampire comes to meet Moréno, but Moréno by hypnotic command compels Irma to kill him. The episode ends with the now-wealthy Mazamette informing a dozen adoring journalists that "although vice is seldom punished, virtue is always rewarded". The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production. Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made.[2] It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films. However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die.

Episode 7 – "Satanas" A mysterious man (Louis Leubas) arrives at Moréno's home, and shows that he knows that the Grand Vampire's body is inside a trunk. Moréno tries to get rid of him, but he is paralysed by a pin in the man's glove. The man reveals himself to be the true Grand Vampire, Satanas, and that the first was a subordinate. While at a cabaret called the "Happy Shack", Moréno and Irma receive a note from Satanas saying they will see proof of his power at two o'clock. At two he fires a powerful cannon at the "Happy Shack", largely destroying it. Meanwhile, Philippe decides to visit Mazamette, but he is out "chasing the girls." He hides as Mazamette arrives home, drunk, with two women and a friend, who he later chases out angrily at gunpoint. The next morning, Irma and Moréno go to Satanas’ home to surrender, and Satanas offers them the chance to work with him, informing them that American millionaire George Baldwin is stopping at the Park Hotel. Satanas wants Baldwin's signature. One of Moréno's accomplices, Lily Flower (Suzanne Delvé), goes to the Park Hotel and poses as an interviewer from "Modern Woman" magazine and through trickery gets Baldwin to sign a blank piece of paper. Afterwards, Irma enters and dupes Baldwin into recording his voice saying, "Parisian women are the most charming I've ever seen, all right!" Lily Flower brings Baldwin's signature to Moréno's home, and Moréno writes out an order (over Baldwin's signature) to pay Lily Flower $100,000. Moréno's gang seize the hotel telephone operator of Baldwin's hotel; Irma takes her place by using a forged note. When the bank cashier calls Baldwin to confirm that he has given a very large draft to an attractive Parisian woman, Irma intercepts the call, and plays the recording she made of Baldwin's voice, and the cashier is persuaded. While Lily Flower is taking the money, Mazamette comes in, recognising her as his old squeeze from the "Happy Shack", and follows her, seeing her hand the money to a man in a taxi – Moréno! Moréno gives Satanas the money, but he is given it back as a present. Philippe and Mazamette capture Lily Flower at her home and make her call Moréno and tell him to come, but when he and Irma arrive, they fall into a trap and are caught by the police. The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production. Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made.[2] It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films. However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die.

Episode 8 – "The Thunder Master" Irma, sentenced to life imprisonment, has been sent to St. Lazarus’ prison. A transfer order is sent to the prison to send Irma to a penal colony in Algeria. On the day of her departure, Irma finds out that Moréno has been executed. Satanas follows Irma's transportation route, stopping at a seaside hotel in disguise as a priest. At the port, he gives some religious comfort to the prisoners, but Irma's copy contains a secret message saying "the ship will blow up" and giving her directions on how to safeguard herself. Satanas destroys the ship with his cannon. Meanwhile, Philippe finds through the red codebook that the explosive shell that landed on the "Happy Shack" came from Montmartre, and Mazamette goes to investigate. His son, Eustache Mazamette (René Poyen), is sent home from school for bad behaviour, so they go to "investigate" together. They find some men loading boxes into a house, and notice one of the top hat cases contains a shell. Later, reading that no survivors have been found from the exploding ship, Satanas visits Philippe to avenge Irma's death. Satanas paralyses Phillipe with the poisoned pin in his glove and leaves a bomb in a top hat to kill him off. Mazamette arrives and throws the top hat out the window just in time. At Satanas’ home, Eustache is used as a ploy to hide Mazamette in a box, but Satanas sees this through a spy-hole. Satanas threatens Eustache, but Eustache shoots at Satanas, and the police raid the building and arrest him. After the action, they find that Mazamette's nose has been broken by Eustache's shot. Meanwhile, Irma is shown to have survived the blast on the ship, and is on her way back to Paris as a stowaway under a train. She is helped by the station staff and police, pretending that she is in "one of those eternal love stories beloved by popular imagination." She makes her way to the Vampire hangout, the "Howling Cat" nightclub, where she performs, and is rapturously greeted by the Vampires. Upon hearing of the arrest of Satanas, one of the Vampires, Venomous (Frederik Moriss), appoints himself the new chief. By Satanas’ orders, they mail him an envelope containing a poisoned note, which he eats to commit suicide. The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production. Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made.[2] It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films. However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die.

Episode 9 – "The Poisoner" Irma is now a devoted collaborator of Venomous, who is set on getting rid of Philippe and Mazamette. He learns that Philippe is engaged to Jane Bremontier (Louise Lagrange), and the following day Irma and Lily Flower rent an apartment above hers. Irma's maid, a Vampire also, hears that Philippe and Jane's engagement party will be catered for by the famous Béchamel House. Venomous cancels their catering order, and on the day of the party the Vampires appear instead. Jane's mother (Jeanne Marie-Laurent) gives the concierges one bottle of the Vampires' champagne as a present, and just as dinner is served the male concierge, Leon Charlet, drinks it, is poisoned and dies. His wife stops the party guests from drinking their champagne just in time, and the Vampires make a hasty escape. A few days later, Mazamette and Philippe's mother pick up Jane and her mother in the night in order to take them to a safe retreat near Fontainebleau. Irma, who tries to fill the getaway car with soporific gas, is spotted by Mazamette, but Irma gasses him, and he is taken away asleep while Irma hides in a box on the car. Mazamette is dumped on the street and taken to the police station, believed to be drunk. When he wakens, he calls Philippe to warn him, but Irma slips out of the box and gets away in the car before Philippe can catch her. Irma jumps off the car near the Pyramid Hotel, and calls Venomous to meet her there, but Philippe has also arranged to meet Mazamette there. Philippe spots Irma at the Pyramid Hotel captures her and ties her up. Philippe and Mazamette leave Irma in Mazamette's car and attempt to ambush Venomous, but Irma honks the car horn to warn him. Venomous saves Irma and drives off in Mazamette's car, so Philippe and Mazamette chase him in his. Venomous leaps off; Philippe chases Venomous on foot, following him onto the top of a moving train, but Venomous gets away. Mazamette, enraged at the police for not letting him help Philippe on the train, hits one of the officers, who arrest him. At the police station, Philippe and Mazamette carry on so dramatically that the police decide not to book Mazamette, who is after all a famous philanthropist. But the Vampires are still on the loose. The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production. Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made.[2] It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films. However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die.

Episode 10 – "The Terrible Wedding" A few months have passed, and Philippe and Jane are now married. Augustine Charlet (Germaine Rouer), widow of the poisoned concierge, is hired by the Guérandes to be their chamber maid. Augustine, still tormented by the mysterious poisoning death of her husband, receives an advertising circular for a psychic, Madame d’Alba of 13 Avenue Junot, and decides to consult her. Madame d’Alba, a Vampire, hypnotises Augustine and instructs her to unlock the door of Philippe's apartment at 2 am. Mazamette, who has taken an attraction to Augustine, awakens that night and sees her descend the stairs to unlock the door. The Vampires enter, tie her up, and feed poisonous gas into the Guérandes’ room. Mazamette shoots at them, and they flee, and Augustine explains her actions. As they go to the police, Venomous tries to break in through a bedroom window, but Jane shoots at him. When she looks out the window she is lassoed down and carried away. At daybreak, the police raid Avenue Junot; however, Irma and Venomous escape through the roof and a bomb is left behind. Augustine is recaptured by the Vampires during their escape. Mazamette shoots at the getaway car, causing an oil leak. Philippe follows the trail to the Vampires’ lair and discovers Augustine and Jane, to whom he passes a gun before leaving. Returning at night, he sets up an escape during the celebration of Irma's marriage to Venomous. At daybreak, the police prepare for a massive raid as the party continues. The police burst in, and a running gun battle ensues, ending when the remaining Vampires (save Irma) are driven out onto the balcony which Philippe earlier rigged and are killed in the fall. Irma prepares to kill Jane and Augustine, but Jane shoots her dead. A few days later Mazamette makes a proposal of marriage to Augustine, which she accepts. The film ends with the two couples (Philippe and Jane, and Mazamette and Augustine) standing side by side. The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production. Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests). The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made.[2] It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy. Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films. However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die.