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5 Fingers (1952) | American spy film directed by Joseph L. Mankiewicz
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Tonight We Raid Calais (1943) | World War II spy thriller directed by John Brahm
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The House on 92nd Street (1945) | Directed by Henry Hathaway
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David Harding, Counterspy (1950) | Directed by Ray Nazarro
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Sleeping Car to Trieste (1948) | Directed by John Paddy Carstairs
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Cipher Bureau (1938) | Directed by Charles Lamont
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I Was a Spy (1933) | Directed by Victor Saville
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Cloak and Dagger (1946) | A 1946 espionage thriller film starring Gary Cooper and Lilli Palmer
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Notorious (1946) | Directed by Alfred Hitchcock
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Across the Pacific (1942) | Directed by John Huston
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Foreign Correspondent (1940) | Directed by Alfred Hitchcock
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Saboteur (1942) | Directed by Alfred Hitchcock
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They Met in the Dark (1943) | Directed by Carl Lamac
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The Spy in Black (1939) | Directed by Michael Powell
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Underground (1941) | Directed by Vincent Sherman
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Secret Mission (Secret Mission: Casablanca in USA) (1942 | Directed by Harold French
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Walk East on Beacon! (1952) | Directed by Alfred L. Werker
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Saboteur (1942) | Directed by Alfred Hitchcock
"Saboteur" is a 1942 American spy thriller film directed by Alfred Hitchcock. The movie unfolds the story of Barry Kane (played by Robert Cummings), a factory worker who is falsely accused of starting a fire at an aircraft plant during World War II, an act of sabotage that kills his best friend. To clear his name and bring the real culprit to justice, Kane embarks on a cross-country chase that leads him to uncover a deep-seated Nazi spy ring operating within the United States. Along his journey, Kane is joined by Patricia Martin (played by Priscilla Lane), who initially doubts his innocence but eventually aids him in his quest. The film culminates in a dramatic confrontation atop the Statue of Liberty, making for one of Hitchcock's most memorable climaxes.
"Saboteur" is notable for its exploration of themes such as patriotism, trust, and the battle between good and evil, set against the backdrop of a nation at war. While the film does not delve as deeply into the psychological complexity of its characters as some of Hitchcock's later works, it excels in creating a palpable sense of tension and paranoia. The movie's pace is relentless, with a series of set-pieces that showcase Hitchcock's flair for suspense and visual storytelling. The Statue of Liberty finale, in particular, is often cited as a standout moment in Hitchcock's oeuvre.
Despite its somewhat straightforward narrative, "Saboteur" is elevated by its direction and the performances of its leads. Robert Cummings delivers a compelling performance as the everyman hero, while Priscilla Lane provides a strong counterpart as his reluctant companion and love interest. The film's production values, cinematography, and use of iconic American locations also contribute to its status as a noteworthy entry in Hitchcock's early American period.
- Robert Cummings as Barry Kane: A factory worker wrongly accused of sabotage, on the run to prove his innocence.
- Priscilla Lane as Patricia Martin: A young woman who becomes Kane's ally and romantic interest.
- Otto Kruger as Charles Tobin: The suave and sinister mastermind behind the spy ring Kane is trying to expose.
- Alan Baxter as Freeman: One of Tobin's henchmen, who plays a crucial role in the plot against Kane.
- Norman Lloyd as Fry: The saboteur whose actions kickstart the plot, leading to Kane's desperate quest for justice.
"Saboteur" stands as an engaging thriller that effectively captures the wartime atmosphere of suspicion and urgency. While it may not reach the heights of Hitchcock's most acclaimed masterpieces, it remains an essential piece of his filmography, offering insight into his evolving style and thematic interests during his early years in Hollywood.
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