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Transformers X Knight Rider: Has K.I.T.T. Become Autobot Agent Knight ...#unboxing
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Compare Limited Collectors' Edition Batman #C-37 1975 to 2024 All-New Collectors' Edition Foil Facsimile
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MEGA #1 & #2 Stonebot Comics Salvador Sanz #FULLREVIEW Comic Book Review
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#fullreview Star Trek Playmobil USS Enterprise Electronic with Sounds and figures!
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Fantastic Four: Full Circle Hardcover Marvel Comics #FullReview Comic Book Review Alex Ross
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#FullStory Hallmark Keepsake Star Trek Storyteller Ornaments from 2020 thru 2022 Mirror Universe
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Road Trip to Hell #1 Scout Comics #FullReview Comic Review Nicole D'Andria, Monika Maccagni
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Nemesis Reloaded #1 Image Comics #FullReview Comic Book Review Mark Millar, Jorge Jiménez
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Revolvers #1 Top Cow #FullReview Comic Book Review John Zuur Platten, Christian Dibari
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The Penguin Classics Marvel Collection Black Panther Hardcover #fullreview
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The Penguin Classics Marvel Collection Captain America Hardcover #fullreview
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White Savior #1 Dark horse Comics Comic Book Review Scott Burman, Eric Nguyenz #fullreview
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Star Trek Picard Season 3 Episode 2 Does it suck Now Or do we have a good show?
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Tarzan Untold Stories 40th Anniversary! on Kickstarter! Check out this unique campaign!
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Fun with Kirk and Spock: (Star Trek: A Parody) by Robb Pearlman , Gary Shipman 76 pages #FullReview
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Star Trek: Star Fleet Technical Manual 1975/1986 Ballantine Books #fullreview
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Dead by Daylight #1 Titan Comics #FullReview Comic Review Money Shot In Game Code Giveaway Promo
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Review of TASCHEN X-Men. Vol․ 1․ 1963–1966 HardCover #fullreview 11.0 x15.6 in. Stan Lee, Jack Kirby
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Bombshell and TommTomm #1 American Mythology #fullreview Comic Book Review Mark Sparacio
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Rom #1 Facsimile Edition (2023) Foil Variant vs. Rom #1 Newstand 1979 Original #FullReview Marvel
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Batman #1 Facsimile Edition (2023) DC Comics Comic Book Review #fullreview Bill Finger,Bob Kane
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American Psycho #1 Sumerian Comics #fullreview Comic Book Review Michael Calero, Piotr Kowalski
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Saint Seiya: Knights of the Zodiac - Time Odyssey #1 ABlaze #fullreview Masami Kurumada,Dollen,
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A Haunted Girl #1 Image Comics #fullreview Ethan Sacks,Naomi Sacks,Marco Lorenzana
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Nights #1 Image Comics #fullreview Comic Book Review Wyatt Kennedy,Luigi Formisano
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Star Trek: The Classic UK Comics Volume 2 (STAR TREK UK Comics) Hardcover – 2016 #fullreview
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All-Star Comics #3 Facsimile Edition DC Comics #fullreview Gardner Fox,E. E. Hibbard
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Simpsons’ Treehouse of Horror Omnibus Vol. 1 Hardcover Comic Book Review #fullreview
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#FullReview EC Weird Science-Fantasy Hardcover Vol. 1 1982
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#FullReview EC Incredible Science Fiction Hardcover Vol. 2 1982 Reprints issues 30-33 from 1955 and 1956.
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Compare Superman vs. Muhammad Ali 1978 to 2024 All-New Collectors' Edition Foil Facsimile DC Comics
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Comic Book of the week Review! BRZRKR The Lost Book of B #FullReview!
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The Penguin Classics Marvel Collection Captain America Hardcover #fullreview
The Penguin Classics Marvel Collection Captain America Hardcover #fullreview
Collects Captain America Comics #1 (1941); the Captain America stories from Tales of Suspense #59, #63-68, #75-81, #92-95, #110-113 (1964-1969); “Captain America…Commie Smasher” from Captain America #78 (1954). It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.
Writer-editor Stan Lee (1922–2018) and artist Jack Kirby made comic book history in 1961 with The Fantastic Four #1. The success of its new style inspired Lee and his many collaborators to develop a number of new super heroes, including, with Jack Kirby, the Incredible Hulk and the X‑Men; with Steve Ditko, the Amazing Spider-Man and Doctor Strange; and with Bill Everett, Daredevil. Lee oversaw the adventures of these creations for more than a decade before handing over the editorial reins at Marvel to others and focusing on developing Marvel’s properties in other media. For the remainder of his long life, he continued to serve as a creative figurehead at Marvel and as an ambassador for the comics medium as a whole. In his final years, Lee’s signature cameo appearances in Marvel’s films established him as one of the world’s most famous faces.
While sharing a studio with Jack Kirby, artist Joe Simon co‑created Captain America, a stirring symbol of American idealism and pride during the war-torn 1940s. Simon and Kirby would go on to form one of the most productive partnerships of the early American comic book industry. The two men co‑created comics in every genre—crime, war, horror, science fiction, Western, humor, and romance—for numerous different publishers between 1940 and 1954. Noted characters and series included the Sandman and the Newsboy Legion for DC Comics, Young Romance for Crestwood, and Boys’ Ranch for Harvey. Simon also wrote two autobiographies—The Comic Book Makers (1990), coauthored with his son, Jim Simon, and Joe Simon: My Life in Comics (2011)— essential reading for any historian of comic book history and culture.
Jim Steranko rocked the comic book world in the late 1960s with a revolutionary approach to design and narrative, influenced by the contemporary worlds of both commercial and fine art. Steranko produced very little comics work after the 1970s, but his illustrations would grace the covers of numerous science fiction and fantasy novels, as well as film posters and record album sleeves. He has also produced character designs for a number of filmmakers, including George Lucas, Steven Spielberg, and Francis Ford Coppola. His two- volume History of Comics was one of the first modern works of comics scholarship, and his film industry magazine Prevue enjoyed an impressive twenty- five- year run. Steranko was inducted into the Eisner Hall of Fame in 2006.
John Romita Sr. was born in Brooklyn in 1930 and attended Manhattan’s School of Industrial Art before entering the comic book industry in 1949. He drew many comics for Marvel (then known as Timely or Atlas) during the early 1950s before moving to DC Comics in 1958, where he established a reputation as a master of romance comics. In 1965 he returned to Marvel, inking Don Heck’s pencils on an issue of the Avengers. After a short stint penciling Daredevil, Romita Sr. was tapped by Stan Lee to take over The Amazing Spider-Man when original artist Steve Ditko left the book. Romita Sr. brought a new emotional warmth to the series, while his slick, clean craftsmanship took the title to even greater commercial heights.
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