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The Pink Panther, Episode 010: "The Pink Tail Fly"
"The Pink Panther E010 - The Pink Tail Fly" is the tenth episode of the classic Pink Panther series, originally aired on April 23, 1965. In this animated short, the Pink Panther finds herself in a hilarious misadventure involving an elusive and mischievous fly.
In "The Pink Tail Fly," the Pink Panther is enjoying a peaceful day in the countryside when she is suddenly bothered by a pesky fly with a bright pink tail. Despite her best efforts to shoo the fly away, it seems determined to stick around and cause chaos wherever it goes.
As the Pink Panther tries to go about her day, the mischievous fly becomes her constant companion, buzzing around her with playful antics. From landing on her nose to buzzing around her ears, the fly's persistent presence becomes both amusing and exasperating for our beloved protagonist.
Throughout the episode, viewers will be treated to a delightful game of cat-and-fly as the Pink Panther tries to outwit the mischievous insect. Her attempts to catch the fly lead to a series of hilarious and creative scenarios, each one funnier than the last.
Despite the Pink Panther's clever strategies, the fly always manages to elude her grasp, leaving a trail of pink chaos in its wake. The episode's comedic timing and clever animation add to its charm, making it a memorable and entertaining installment in the Pink Panther series.
Set to the iconic jazzy theme music, "The Pink Tail Fly" showcases the Pink Panther's signature elegance and humor, even as she engages in a playful battle of wits with the pesky fly. Her graceful yet comedic reactions to the fly's antics make her a timeless and endearing character for audiences of all ages.
Join the Pink Panther as she embarks on a whimsical and light-hearted adventure filled with laughter and surprises. Whether you're a longtime fan or new to the Pink Panther's escapades, this episode promises to be a delightful addition to the beloved animated series.
"The Pink Tail Fly" captures the essence of the Pink Panther's charm and humor, making it a must-watch for anyone looking for a dose of classic animated fun. Get ready to be amused and entertained by the Pink Panther's mischievous encounter with the "Pink Tail Fly" in this entertaining and delightful episode.
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The Pink Panther, Episode 008: "Shocking Pink"
"The Pink Panther E008 - Shocking Pink" is the eighth episode of the classic Pink Panther series, originally aired on April 2, 1965. In this animated short, the Pink Panther finds herself in a zany and electrifying misadventure that is sure to leave audiences laughing.
In "Shocking Pink," the Pink Panther is enjoying a leisurely day when she stumbles upon a mysterious laboratory. Curiosity gets the best of her, and she decides to explore what's inside. Little does she know that the laboratory belongs to a mad scientist who is conducting electrifying experiments.
As the Pink Panther unwittingly interferes with the scientist's work, she becomes the subject of a hilarious experiment gone awry. Through a series of comical accidents and mishaps, the Pink Panther finds herself charged with electricity, turning her signature pink hue into a shocking new color.
With her newfound electric powers, the Pink Panther embarks on a lively and whimsical adventure, using her electrifying abilities to create chaos and laughter wherever she goes. From sparking appliances to hair-raising encounters, her antics are nothing short of shocking.
As the Pink Panther navigates her electrified escapades, she leaves a trail of laughter in her wake. The episode's clever visual gags and witty humor add to its timeless appeal, making it a favorite among fans of the classic animation.
Set to the iconic jazzy theme music, "Shocking Pink" captures the essence of the Pink Panther's charm and charisma. With her playful and mischievous nature, she continues to captivate audiences with her unique brand of humor.
Throughout "Shocking Pink," viewers will be treated to the Pink Panther's trademark elegance and comedic flair. Whether you're a longtime fan or new to the Pink Panther's adventures, this episode promises an entertaining and electrifying experience for audiences of all ages.
Join the Pink Panther as she embraces her shocking new powers in "Shocking Pink." Get ready to be delighted by the Pink Panther's electrifying antics and enjoy another delightful and hilarious animated adventure.
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228
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The Pink Panther, Episode 007: "Pinkfinger"
"The Pink Panther E007 - Pinkfinger" is the seventh episode of the iconic Pink Panther series, originally aired on March 19, 1965. In this animated short, the Pink Panther finds herself embroiled in a spy-filled escapade full of intrigue and humor.
In "Pinkfinger," the Pink Panther unwittingly stumbles into a world of espionage when she becomes entangled with a suave and mysterious international spy known as Pinkfinger. As Pinkfinger is about to pull off a daring heist, he mistakenly believes the Pink Panther to be a fellow spy, leading to a series of hilarious misadventures.
As the Pink Panther attempts to navigate the world of espionage, she finds herself in a whirlwind of high-stakes chases, secret meetings, and clever disguises. With her natural flair for elegance and her quick wit, she manages to outwit her adversaries at every turn, leaving them bewildered and confounded.
Set to the iconic jazzy theme music, "Pinkfinger" exudes the signature charm and humor of the Pink Panther series. The episode's clever use of visual gags and clever dialogue adds to its timeless appeal, making it a favorite among fans of the classic animation.
Throughout "Pinkfinger," viewers will be treated to the Pink Panther's trademark blend of elegance and slapstick comedy. As she takes on the role of an accidental spy, she proves once again that she is not only a stylish feline but also a force to be reckoned with.
With its spy-themed plot and witty humor, "Pinkfinger" showcases the Pink Panther's enduring popularity and status as a beloved cultural icon. Whether you're a longtime fan or discovering the Pink Panther for the first time, this episode promises a delightful and entertaining experience for audiences of all ages. Get ready to join the Pink Panther on another thrilling and comical adventure in "Pinkfinger"!
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156
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The Pink Panther, Episode 004: "Dial 'P' for Pink"
"The Pink Panther E004 - Dial 'P' for Pink" is the fourth episode of the iconic Pink Panther series, first aired on February 19, 1965. In this clever and comical animated short, our beloved Pink Panther encounters a new challenge when she stumbles upon a mysterious phone booth.
In "Dial 'P' for Pink," the Pink Panther finds herself caught in a whirlwind of hilarious misadventures as she interacts with the quirky and eccentric characters who use the phone booth. Each call she makes or receives leads to a delightful and unexpected twist, showcasing her quick thinking and wit.
As the Pink Panther navigates through the whimsical world of the phone booth, she proves once again that she is a master of turning any situation to her advantage. With her signature grace and charm, she effortlessly captivates audiences with her animated expressions and gestures.
Set to the iconic jazzy theme music, "Dial 'P' for Pink" encapsulates the essence of the Pink Panther series, combining visual humor with witty storytelling. With its imaginative plot and delightful animation, this episode further cements the Pink Panther's status as an enduring and beloved character in animation history.
As the Pink Panther continues to entertain viewers with her playful antics and charismatic personality, "Dial 'P' for Pink" serves as another delightful addition to this timeless series. Whether you're a long-time fan or a newcomer to the Pink Panther's world, this episode promises to deliver laughter and joy for audiences of all ages.
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165
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The Pink Panther, Episode 002: "Pink Pajamas"
"The Pink Panther E002 - Pink Pajamas" is the second delightful episode of the beloved Pink Panther series, originally released on January 29, 1965. In this whimsical animated short, our charismatic and sly feline friend finds himself in a hilarious escapade involving a pair of mysteriously mischievous pink pajamas. As the Pink Panther unwittingly becomes entangled with these enchanted sleepwear, chaos ensues, leaving a trail of laughter in its wake.
In "Pink Pajamas," the Pink Panther's cool and collected demeanor is put to the test as he navigates through a series of comical situations. With his trademark wit and resourcefulness, he skillfully outsmarts any obstacles that come his way. Accompanied by the iconic jazzy theme music, this episode showcases the Pink Panther's unique charm and endearing nature, leaving audiences of all ages delighted and entertained.
As the Pink Panther's adventures continue, "Pink Pajamas" contributes to the enduring popularity of the character, solidifying his place in the hearts of fans worldwide. With its timeless humor and imaginative storytelling, this episode adds to the Pink Panther's legacy as one of the most beloved and enduring animated characters in history.
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The Pink Panther, Episode 001: "The Pink Phink"
The Pink Panther
Epsode 001: "The Pink Phink"
1964
"The Pink Panther E001: The Pink Phink" is the first episode of the iconic Pink Panther series, released on December 18, 1964. In this surreal and humorous animated short, the clever Pink Panther finds himself embroiled in a playful battle of wits with a tenacious little man who is determined to paint everything in the world blue. The mischievous Pink Panther, known for his distinctive cool demeanor and misadventures, showcases his unique charm and resourcefulness as he outwits his adversary at every turn.
The story unfolds as a grumpy and uptight painter named Big Nose passionately declares that everything should be in its proper color – the skies should be blue, the trees green, and the houses white. However, the carefree and whimsical Pink Panther has a different idea. He sets out to turn the world into his favorite color – pink! Using his witty and creative mind, he devises cunning plans to bring a pink touch to every corner of the town, leaving a trail of laughter and chaos in his wake.
The episode cleverly combines humor and surrealism, with the Pink Panther's antics defying the laws of physics and reality. His silent and graceful movements add to the charm of the character, making him an instant fan favorite. The catchy theme music, composed by Henry Mancini, further cements Pink Panther's place in pop culture history.
"The Pink Phink" not only showcases the Pink Panther's mischievous and humorous personality but also highlights his unique approach to life. His ability to find joy in the simplest things and see the world through a different lens resonates with audiences of all ages. The episode also features his recurring nemesis, Big Nose, adding an element of rivalry and hilarity to the storyline.
As the first episode of the Pink Panther series, "The Pink Phink" set the tone for the beloved franchise that would follow. The character's popularity led to numerous sequels, spin-offs, and adaptations in various media, solidifying his status as a cultural icon.
With its blend of clever humor, surreal visuals, and the charm of the Pink Panther himself, "The Pink Phink" remains a timeless classic that continues to entertain and enchant audiences worldwide. Whether you are a longtime fan or discovering the Pink Panther for the first time, this episode is a delightful introduction to the world of the lovable and enigmatic Pink Panther. Get ready to embark on a colorful and comedic journey that will leave you smiling from start to finish.
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174
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Invasion of the Body Snatchers (1956). Classic Sci-Fi Film, ancient sci-fi
Invasion of the Body Snatchers
1956
"Invasion of the Body Snatchers" is a classic science fiction film released in 1956. It was directed by Don Siegel and based on Jack Finney's serialized novel "The Body Snatchers." The screenplay was written by Daniel Mainwaring, and the movie stars Kevin McCarthy, Dana Wynter, and Larry Gates.
The film is set in the small town of Santa Mira, California, where Dr. Miles Bennell (played by Kevin McCarthy), a local doctor, notices a series of unusual behavior in his patients and neighbors. People seem to be emotionally distant and emotionless, acting like soulless duplicates of themselves.
As the strange occurrences escalate, Miles teams up with his former girlfriend, Becky Driscoll (played by Dana Wynter), and his friend Jack Belicec (played by King Donovan) to investigate. They soon discover that alien seed pods from another planet are falling to Earth and producing exact replicas of human beings while the originals sleep. These duplicates are devoid of emotions and individuality, bent on replacing all of humanity.
Miles and his allies must now navigate through a town that has been taken over by the alien invaders. They face the constant threat of becoming assimilated into the emotionless clones and struggle to stay awake to avoid the transformation.
Historical Context:
Released during the height of the Cold War and the Red Scare, "Invasion of the Body Snatchers" tapped into the prevailing anxieties of the era. The film's allegory of conformity and loss of individuality resonated with audiences who feared the spread of communism and the suppression of individual freedom.
Impact on Cinematography:
"Invasion of the Body Snatchers" became a landmark film in the science fiction genre, renowned for its atmospheric tension and thought-provoking narrative. The film's innovative storytelling and exploration of societal fears have made it a seminal work in the realm of psychological sci-fi. The movie's influence is evident in subsequent sci-fi classics, demonstrating its lasting impact on modern cinema.
Main Cast:
Kevin McCarthy as Dr. Miles Bennell
Dana Wynter as Becky Driscoll
Larry Gates as Dr. Dan 'Danny' Kauffman
King Donovan as Jack Belicec
Carolyn Jones as Theodora 'Teddy' Belicec
"Invasion of the Body Snatchers" remains a staple of science fiction cinema, showcasing the enduring power of storytelling and the capacity of the genre to reflect contemporary societal concerns. The film's legacy continues to captivate audiences, making it a timeless and iconic piece of cinema history.
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336
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Forbidden Planet (1956). Ancient Sci-Fi, archived movie
Forbidden Planet
1956
Ancient Sci-Fi, archived movie
"Forbidden Planet" is a 1956 American science fiction film from Metro-Goldwyn-Mayer, produced by Nicholas Nayfack, and directed by Fred M. Wilcox from a script by Cyril Hume that was based on an original film story by Allen Adler and Irving Block. It stars Walter Pidgeon, Anne Francis, and Leslie Nielsen. Shot in Eastmancolor and CinemaScope, it is considered one of the great science fiction films of the 1950s, a precursor of contemporary science fiction cinema.
The story takes place in a distant future when the spaceship C-57D is sent on a mission to the distant planet Altair IV. Commander Adams and his crew are welcomed by the sole survivor of the planet, Dr. Morbius, and his mysterious robot Robby. The planet, once inhabited by an advanced civilization, is now deserted except for Morbius and his daughter, Altaira.
As the crew explores the planet, they uncover disturbing and supernatural secrets, including the existence of a powerful device called the "Krell," capable of materializing anything from the human mind. However, they also encounter a mysterious invisible monster that threatens their lives.
As the story unfolds, the truth behind the disappearance of Altair IV's ancient civilization and the dark secrets of Dr. Morbius are revealed, leading to a struggle for survival against the unknown and the invisible threat.
With elements of adventure, suspense, and romance, "Forbidden Planet" goes beyond the typical science fiction narrative. Its engaging plot and impressive visual effects for its time captivated audiences, securing its status as a timeless classic in the science fiction genre. The isolated setting and complex characters have been compared to William Shakespeare's play "The Tempest," adding additional layers of depth to the narrative.
"Forbidden Planet" remains an important reference in the science fiction genre and continues to be celebrated for its impact and influence on modern cinema. With its pioneering approach and visually stunning presentation, the film continues to fascinate audiences and is remembered as one of the great works in science fiction cinema.
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441
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The Trial (1962). Orson Welles Collection, archived movie
The Trial
1962
Orson Welles Collection, archived movie
"The Trial" is a surreal and haunting film from 1962, directed by Orson Welles, who also adapted the screenplay from Franz Kafka's famous novel of the same name. The movie delves into the nightmarish journey of Josef K., a man who finds himself caught in a baffling web of inexplicable accusations and a bizarre legal system.
Set in a dystopian and oppressive world, the story follows Josef K. (played by Anthony Perkins), a low-level bureaucrat who is suddenly arrested one morning without being informed of the charges against him. As he navigates through a labyrinthine bureaucracy and encounters a series of enigmatic characters, including the seductive Hilda (played by Jeanne Moreau), the enigmatic Advocate (played by Welles himself), and the aloof court painter Titorelli (played by Welles's frequent collaborator Akim Tamiroff), Josef K.'s life spirals into a disorienting nightmare.
Welles's masterful direction and innovative use of visual storytelling create an atmosphere of existential dread and paranoia throughout the film. The stark and surreal cinematography, along with the dissonant musical score by Jean Ledrut, further heightens the sense of unease.
"The Trial" is a powerful exploration of themes such as guilt, alienation, and the complexities of the human psyche. Welles's adaptation remains faithful to Kafka's vision, capturing the essence of the original novel's existential and absurdist themes.
Despite being a critical success, the film faced challenges during its production and release, leading to its limited availability in some regions. Over time, "The Trial" has been recognized as a thought-provoking and visually arresting cinematic experience, cementing its place as a significant work in Orson Welles's remarkable filmography.
Cast
Anthony Perkins – Josef K.
Jeanne Moreau – Marika Bürstner
Romy Schneider – Leni
Elsa Martinelli – Hilda
Suzanne Flon – Miss Pittl
Orson Welles – Albert Hastler, The Advocate
Akim Tamiroff – Bloch
Madeleine Robinson – Mrs. Grubach
Paola Mori – Court archivist
Arnoldo Foà – Inspector A
Fernand Ledoux – Chief Clerk of the Law Court
Michael Lonsdale – Priest
Max Buchsbaum – Examining Magistrate
Max Haufler – Uncle Max
Maurice Teynac – Deputy Manager
Wolfgang Reichmann – Courtroom Guard
Thomas Holtzmann – Bert the law student
Billy Kearns – First Assistant Inspector
Jess Hahn – Second Assistant Inspector
Naydra Shore – Irmie, Joseph K.'s cousin
Carl Studer – Man in Leather
Jean-Claude Rémoleux – Policeman #1
Raoul Delfosse – Policeman #2
William Chappell – Titorelli
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Touch Of Evil (1958). Orson Welles Collection, archived movie
Touch Of Evil
1958
Orson Welles Collection, archived movie
Touch of Evil is a gripping film noir masterpiece from 1958, written and directed by the iconic Orson Welles, who also stars in the film. Loosely based on the novel "Badge of Evil" by Whit Masterson, the movie boasts a stellar cast, including Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff, and Marlene Dietrich.
The story unfolds in a border town where a car bombing occurs, sparking an investigation led by Mexican drug enforcement officer Miguel Vargas (Charlton Heston) and the corrupt and jaded police captain Hank Quinlan (Orson Welles). As the two clash, Vargas becomes determined to expose Quinlan's shady methods.
The film delves into themes of corruption, morality, and the darker side of human nature, all set against a backdrop of tension and deception. The mesmerizing performances of the cast, combined with Welles's masterful direction, create a haunting and atmospheric noir experience.
Touch of Evil was initially released in a version edited by Universal-International, but over time, it received recognition for its brilliance, especially in Europe. In 1998, the film was re-edited according to Welles's original vision, outlined in a 58-page memo, which truly showcased his creative genius.
Recognized for its cultural significance, Touch of Evil was selected for preservation in the United States National Film Registry by the Library of Congress in 1993. This enduring classic continues to captivate audiences and remains a testament to Orson Welles's immense talent as a director, writer, and actor.
Cast
Charlton Heston as Ramon Miguel Vargas
Janet Leigh as Susan Vargas
Orson Welles as Police Captain Hank Quinlan
Joseph Calleia as Sgt. Pete Menzies
Akim Tamiroff as Uncle Joe Grandi
Joanna Cook Moore as Marcia Linnekar
Ray Collins as District Attorney Adair
Dennis Weaver as the Night Manager
Val de Vargas as Pancho
Mort Mills as Al Schwartz
Victor Millan as Manolo Sanchez
Lalo Rios as Risto
Phil Harvey as Blaine
Joi Lansing as Zita
Harry Shannon as Police Chief Pete Gould
Rusty Wescoatt as Casey
Wayne Taylor as a gang member
Ken Miller as a gang member
Raymond Rodriguez as a gang member
Arlene McQuade as Ginnie
Dan White as the Border Guard
Zsa Zsa Gabor as the Strip-club owner
Marlene Dietrich as Tana
Mercedes McCambridge as a gang leader
William Tannen as Howard Frantz
Joseph Cotten (uncredited) as a coroner
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1
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The Lady from Shanghai (1947). Orson Welles Colletion
The Lady from Shanghai
1947)
Orson Welles, ancient movie
"The Lady from Shanghai" is an iconic American film noir released in 1947, directed and starring the legendary filmmaker Orson Welles. The film combines suspense, intrigue, and a complex narrative to create a masterpiece of the genre.
Synopsis:
The film tells the story of Michael O'Hara (played by Orson Welles), a disillusioned sailor who embarks on a dangerous adventure by accepting a job as a sailor on a private yacht. The yacht belongs to the mysterious and charismatic Arthur Bannister (played by Everett Sloane), a lawyer with an ambiguous personality. As they sail the exotic waters of Acapulco, Michael is drawn to the beautiful and enigmatic Elsa Bannister (played by Rita Hayworth), Arthur's wife.
As the plot unfolds, Michael finds himself entangled in a web of intrigue and betrayal, where nothing is what it seems. He becomes a pawn in a deadly game of deception and manipulation, as he tries to resist Elsa's magnetic charm. As secrets are revealed, Michael realizes that he is in danger and must unravel the truth to save himself.
Release Date: "The Lady from Shanghai" was released in the United States on December 24, 1947.
Production and Direction:
The film was directed and produced by the talented Orson Welles, who also co-wrote the screenplay with Sherwood King. The production was handled by Columbia Pictures.
Cast:
The film features memorable performances from a talented cast:
Orson Welles as Michael O'Hara
Rita Hayworth as Elsa Bannister
Everett Sloane as Arthur Bannister
Glenn Anders as George Grisby
Ted de Corsia as Sidney Broome
Erskine Sanford as Judge Black
Gus Schilling as Goldie
"The Lady from Shanghai" is renowned for its stunning cinematography and its famous climax in a hall of mirrors at the iconic Coney Island amusement park. With its dark and intriguing atmosphere, the film is a classic example of the noir genre and continues to be celebrated as one of Orson Welles' finest works.
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146
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Buster Keaton's "Love Nest" (1923), Public Domain Movie, Silent Movie
Love Nest
1923
Frigo, Buster Keaton
Love Nest is a 1923 American comedy film directed by Edward F. Cline and Buster Keaton. The movie stars Buster Keaton, Joe Roberts, and Virginia Fox.
The film follows the story of Buster, a drifter who finds himself in a comedic series of misadventures. After selling his possessions for a small amount of money, Buster stows away on a train, unaware that it is heading west instead of New York. He ends up at a cattle ranch and takes on various tasks, despite his lack of experience. Along the way, he encounters challenges and humorous situations.
During his time at the ranch, Buster forms a special connection with a cow named Brown Eyes, and they become unlikely friends. Together, they navigate the ranch's daily activities and face unexpected obstacles. Buster's presence and antics bring laughter and joy to the ranch, creating a lighthearted atmosphere.
As the story progresses, Buster's bond with Brown Eyes becomes instrumental in saving her from a potentially grim fate. Their escapades lead them to Los Angeles, where they must navigate the bustling city while still protecting Brown Eyes. Along the way, they encounter amusing situations and memorable characters.
Love Nest showcases Buster Keaton's iconic physical comedy and his ability to bring laughter to audiences. The film is filled with slapstick humor, clever gags, and Keaton's trademark deadpan expression. Through his inventive and comedic performances, Buster Keaton captivates viewers and delivers a delightful and entertaining experience.
Love Nest is a charming comedy that highlights Keaton's talent and showcases his unique style of storytelling through physical comedy. It remains a classic example of silent film entertainment, providing laughter and enjoyment to audiences of all ages.
Cast
June Haver ... Connie Scott
William Lundigan ... Jim Scott
Frank Fay (American actor) ... Charley Patterson
Marilyn Monroe ... Roberta Stevens
Jack Paar ... Ed Forbes
Leatrice Joy ... Eadie Gaynor
Henry Kulky ... George Thompson
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Mr. Arkadin ("Confidential Report") (1955), Orson Welles archived movie
Mr. Arkadin
(also known as "Confidential Report")
1955)
If you are in Russia, use a VPN to watch this movie.
Orson Welles
"Mr. Arkadin" (also known as "Confidential Report") is a captivating mystery film released in 1955. Written and directed by the acclaimed Orson Welles, the film is a French-Spanish-Swiss production, shot in various locations including Spain, London, Munich, Paris, and Switzerland.
The story follows Guy Van Stratten, an American smuggler working in Europe, who becomes entangled in a dangerous plot. Stratten seeks out a Munich resident named Jakob Zouk to warn him of an impending threat on his life. However, Zouk, who is terminally ill, shows little concern about the news. Stratten, driven by personal reasons, proceeds to recount his story in a series of flashbacks.
The narrative begins in Naples, where Stratten receives a tip that the enigmatic oligarch Gregory Arkadin holds a dark secret related to a woman named "Sophie." Intrigued, Stratten and his girlfriend Mily travel to Arkadin's castle in Spain with the intention of using this information for blackmail. Through a chance encounter with Arkadin's daughter Raina, Stratten gains access to the castle.
To Stratten's surprise, Arkadin already knows about his and Mily's interest in him and their criminal past. Rather than turning them away, Arkadin offers to pay for information about his own forgotten past. In 1927, Arkadin awoke in a Swiss square with amnesia and a substantial sum of money. Struggling with the mystery of his origins, Arkadin believes Stratten possesses the discretion and resourcefulness to uncover the truth.
While Arkadin takes Mily on a yacht cruise, Stratten embarks on a global quest for clues. Through encounters with eccentric individuals—a flea circus proprietor, a junk-shop owner, an impoverished noblewoman in Paris, and a heroin addict—he gradually pieces together Arkadin's pre-1927 life. He discovers Arkadin's involvement in a sex trafficking ring in Warsaw and learns that "Sophie" was his former lover and the leader of the ring.
As Stratten delves deeper into his investigation, he realizes that Arkadin has been following him and eliminating potential witnesses. He confides in Raina, only to discover that Arkadin never had amnesia; his hiring of Stratten was a ruse.
The story intensifies at Arkadin's Christmas Eve party in Munich, where Stratten uncovers the true purpose of his investigation. Arkadin orchestrated everything to conceal his criminal past, fearing the loss of Raina's love should she discover the truth. Mily is dead, and Stratten is framed for her murder, setting him up to be silenced by the police. Desperate, Stratten seeks out Jakob Zouk, the last surviving member of the sex trafficking ring, hoping to use him as leverage against Arkadin. However, Arkadin finds Zouk and has him killed.
Stratten devises a daring plan and secures the last seat on a plane to Barcelona. He arranges to meet Raina at the airport to reveal her father's secret, hoping it will shatter Arkadin's spirit and put an end to the plot. Arkadin realizes Stratten's intentions and pursues him in a private plane. Stratten and Raina connect briefly, but she is summoned to the control tower to speak with her father over the radio. With little time to explain, Stratten convinces Raina to tell her father "it's too late." The lie devastates Arkadin, leading him to commit suicide by jumping from his plane.
Raina, unable to blame Stratten for her father's death, ends their love affair. She arranges for an old boyfriend to drive her away from the airport, leaving Stratten alone.
"Mr. Arkadin" weaves a complex tale of mystery, deceit, and personal intrigue. With its atmospheric locations, intricate storytelling, and nuanced performances, the film offers a compelling exploration of identity, morality, and the consequences of hidden pasts.
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Buster Keaton’s "Go West" (1925), Public Domain Movie, Silent Movie
Buster Keaton’s Go West
1925
Buster Keaton
Go West is a 1925 American silent film starring Buster Keaton. The movie follows the story of Friendless, a drifter who travels west in search of fortune. Along the way, he tries his hand at various jobs, including bronco-busting, cattle wrangling, and dairy farming. Friendless forms a special bond with a cow named "Brown Eyes" and eventually finds himself leading a herd of cattle through Los Angeles.
The film begins with Friendless selling his last possessions for a meager amount of money. Unable to find work in the city, he accidentally ends up on a train heading west instead of New York. He lands a job at a cattle ranch despite having no experience. Friendless encounters a neglected cow named Brown Eyes, and their friendship develops as he cares for her. They share many adventures together, including facing a bull attack and rescuing two steers.
As the ranch owner prepares to sell the cattle, Friendless discovers that Brown Eyes is destined for the slaughterhouse. Determined to save her, he takes desperate measures and embarks on a thrilling journey. Along the way, he encounters challenges, including an ambush by rival ranchers.
The climax of the film takes place in Los Angeles, where Friendless must corral the cattle through the town. Chaos ensues as cows wander into stores, but Friendless manages to guide them and bring them to the stockyard. In the end, his efforts are rewarded when the ranch owner realizes the value of his actions.
Buster Keaton delivers a captivating performance as Friendless, capturing the character's determination and charm. The film showcases Keaton's physical comedy skills and his ability to create hilarious and heartwarming moments.
Go West is a delightful silent film that combines comedy, adventure, and a heartwarming bond between a man and his cow companion. It showcases Keaton's talent as an actor and director, and it remains a classic example of his iconic style.
Cast
Buster Keaton - Friendless
Howard Truesdale - Ranch owner
Kathleen Myers - Ranch owner's daughter
Ray Thompson - Ranch foreman
Brown Eyes - The Cow 'Brown Eyes'
Roscoe 'Fatty' Arbuckle - Woman in department store (uncredited)
Joe Keaton - Man in Barber Shop (uncredited)
Gus Leonard - General store owner (uncredited)
Babe London - Woman in department store (uncredited)
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The Magnificent Ambersons (1942), Orson Welles archived movie
The Magnificent Ambersons
1942
Orson Welles, archived movie
"The Magnificent Ambersons" is a 1942 American period drama film written, produced, and directed by the renowned Orson Welles. Based on Booth Tarkington's Pulitzer Prize-winning novel from 1918, the film explores the declining fortunes of a wealthy Midwestern family and the societal changes brought about by the automobile age. With a star-studded cast including Joseph Cotten, Dolores Costello, Anne Baxter, Tim Holt, Agnes Moorehead, and Ray Collins, Welles also lends his distinctive narration to the film.
Although Welles had a clear vision for the film, he ultimately lost control of the editing process to RKO Studios. The final version released to audiences differed significantly from his original rough cut. Over an hour of footage was cut by the studio, leading to significant alterations in the narrative. Additionally, RKO shot and substituted a more optimistic ending. Sadly, the excised footage was destroyed, leaving only Welles's extensive notes as a testament to his original vision. Composer Bernard Herrmann even insisted on having his credit removed when his score, like the film itself, was heavily edited by the studio.
Despite the challenges faced during its production and editing, "The Magnificent Ambersons" is often regarded as one of the greatest films of all time, sharing this distinction with Welles's debut masterpiece, "Citizen Kane." The film received four Academy Award nominations, including Best Picture, and in 1991, it was added to the prestigious National Film Registry of the Library of Congress, recognizing its cultural, historical, and artistic significance.
"The Magnificent Ambersons" stands as a testament to Welles's remarkable talent as a filmmaker, showcasing his ability to craft compelling narratives and capture the complexities of human relationships on screen. Although the released version may not fully reflect Welles's original vision, it remains a cinematic gem that continues to captivate audiences and solidify Welles's status as a visionary director.
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183
views
The Poor Little Rich Girl (1917), ancient movie, silent movie
The Poor Little Rich Girl
1917
Mary Pickford, Madlaine Traverse, Charles Wellesley, Gladys Fairbanks and Frank McGlynn Sr.
The Poor Little Rich Girl is a 1917 American comedy-drama film directed by Maurice Tourneur. The story revolves around Gwendoline, an 11-year-old girl who is neglected by her wealthy and busy parents, leaving her in the care of unsympathetic domestic workers at their mansion. Gwendoline's mother is preoccupied with her social life, while her father faces serious financial troubles and contemplates suicide.
Despite her lonely and confined life, Gwendoline finds solace in fleeting moments of joy, such as spending time with an organ-grinder or engaging in a mud-fight with street boys. However, these experiences are short-lived as she is quickly pulled back into her restricted world.
One day, Gwendoline falls ill after the maid administers an overdose of sleeping medicine to be able to go out. In her delirium, she enters an imaginary world inspired by the people and things around her, known as the Garden of Lonely Children in the Tell-Tale forest. As her condition worsens, Death attempts to lure her into eternal rest. But Life also appears to her and eventually triumphs.
The film explores themes of neglect, childhood innocence, and the power of imagination. Mary Pickford delivers a heartfelt performance as Gwendoline, capturing the character's resilience and longing for love and attention. The Poor Little Rich Girl was deemed culturally significant by the United States Library of Congress and selected for preservation in the National Film Registry in 1991.
The movie serves as a poignant reminder of the importance of emotional connection, compassion, and the value of a nurturing environment for a child's well-being.
Cast
Mary Pickford as Gwendolyn
Madlaine Traverse as Gwendolyn's Mother
Charles Wellesley as Gwendolyn's Father
Gladys Fairbanks as Jane
Frank McGlynn, Sr. as The Plumber
Emile La Croix as The Organ Grinder
Marcia Harris as Miss Royale
Charles Craig (actor) as Thomas
Frank Andrews as Potter
Herbert Prior as The Doctor
George Gernon as Johnny Blake
Maxine Elliott Hicks as Susie May Squoggs
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81
views
F for Fake (1973), Orson Welles archived movie
F for Fake
1973
Orson Welles, archived movie
F for Fake (Vérités et mensonges in French, Fraude in Spanish) is a captivating docudrama film from 1973, co-written, directed by, and starring the legendary Orson Welles. Collaborating with François Reichenbach, Oja Kodar, and Gary Graver, Welles weaves together a mesmerizing tale that blurs the lines between truth and deception.
The film, initially released in 1974, primarily focuses on the intriguing life of Elmyr de Hory, a renowned art forger. As de Hory recounts his fascinating career, the story becomes a springboard for Welles to embark on a meandering exploration of the concepts of authorship, authenticity, and the subjective value of art itself.
Far from being a conventional documentary about de Hory, F for Fake incorporates various intertwined narratives. Alongside de Hory's account, Welles introduces his companion, Oja Kodar, who becomes an integral part of the story. Additionally, the film delves into the world of Clifford Irving, a notorious hoax biographer, and even features Orson Welles himself.
F for Fake is a thought-provoking cinematic experience that challenges traditional notions of truth and art. Welles skillfully blends interviews, reenactments, and a rich tapestry of visual storytelling techniques to craft a film that defies categorization. It is often regarded as an exemplary film essay, as Welles masterfully employs the medium to delve into complex themes and engage viewers on multiple levels.
In addition to the 88-minute feature film, Welles also created a self-contained 9-minute short film in 1976. This short film, serving as a "trailer" for F for Fake, showcases original material not found in the main film, offering audiences a tantalizing glimpse into the captivating world of illusions and truths presented in the larger narrative.
F for Fake stands as a testament to Orson Welles' creative genius and his ability to challenge and entertain audiences with his unique storytelling style. It remains a timeless exploration of art, authenticity, and the blurred boundaries between fact and fiction.
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120
views
The Third Man (1949), Remastered, Orson Welles archived movie
The Third Man
1949
Remastered, Orson Welles, archived movie
"The Third Man" is a gripping film noir released in 1949. Directed by Carol Reed and written by Graham Greene, this British production takes viewers on a thrilling journey through post-World War II Vienna.
The story follows an American writer named Holly Martins, who arrives in Vienna to visit his old friend Harry Lime. However, Martins soon discovers that Lime has died under mysterious circumstances. As he delves deeper into the investigation, Martins becomes entangled in a web of intrigue and deceit.
Martins encounters a series of intriguing characters, including Lime's lover Anna and the enigmatic British military police officer Major Calloway. The more Martins uncovers, the more he realizes that Lime's death may be linked to a shadowy black market racket involving penicillin. As he navigates the labyrinthine streets of Vienna, Martins becomes determined to uncover the truth about Lime's demise.
One of the film's standout elements is its iconic zither score composed by Anton Karas, which adds an atmospheric and haunting layer to the narrative. The visual style, featuring stark black and white cinematography, heightens the sense of tension and unease throughout.
"The Third Man" is not only a gripping mystery but also a reflection on the moral ambiguity and post-war disillusionment. The film explores themes of loyalty, betrayal, and the dark underbelly of human nature. It paints a vivid portrait of a city divided and struggling to recover from the ravages of war.
With its exceptional performances, atmospheric setting, and compelling storyline, "The Third Man" has rightfully earned its place as a classic of film noir. Its stylish direction, memorable characters, and unforgettable climax, set in the sewers of Vienna, make it a must-watch for fans of the genre and cinephiles alike.
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128
views
Altered States (1980), Ken Russell, Ancient Sci-Fi
Altered States
1980
Ken Russell, Sci-Fi
"Altered States" is a thought-provoking science fiction thriller from 1980, directed by Ken Russell. The film explores the depths of human consciousness, pushing the boundaries of scientific experimentation and the profound effects it can have on the human mind.
The story follows Dr. Edward Jessup, played by William Hurt, a brilliant but eccentric scientist with a deep fascination for altered states of consciousness. Driven by his quest to unravel the mysteries of human existence, Jessup becomes obsessed with sensory deprivation and hallucinatory experiences.
As he delves further into his experiments, Jessup discovers a powerful hallucinogenic substance that allows him to physically transform and experience profound psychological and physical changes. These transformations transport him to primordial and evolutionary states, blurring the lines between the human and animalistic.
Caught between his scientific pursuits and the disintegration of his personal life, Jessup becomes entangled in a complex web of existential questions and ethical dilemmas. His experiments push the boundaries of scientific understanding and ignite a dangerous and uncontrollable journey into the unknown.
"Altered States" delves into themes of identity, consciousness, and the consequences of unchecked ambition. As Jessup's transformations escalate, he grapples with the loss of his own humanity and the potential dangers of tampering with the fundamental aspects of existence.
Directed with visionary flair by Ken Russell, the film combines striking visual effects, haunting imagery, and a mind-bending narrative to captivate audiences. William Hurt delivers a riveting performance as Dr. Edward Jessup, capturing the character's descent into madness and primal awakening.
With its blend of psychological depth and visceral thrills, "Altered States" challenges conventional perceptions of reality and probes the profound mysteries of human existence. The film serves as a captivating exploration of the human psyche and the extraordinary potential hidden within our consciousness.
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150
views
1
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Scanners (1981), David Cronenberg, Ancient Sci-Fi
Scanners
1981
David Cronenberg, Sci-Fi
"Scanners" is a 1981 science fiction thriller directed by David Cronenberg. The film presents an intriguing premise revolving around individuals with telepathic and telekinetic abilities known as "scanners".
The plot follows Cameron Vale, played by Stephen Lack, a loner scanner who is recruited by a secret government organization. This organization is on a mission to control and direct the potential of scanners for their own benefit. However, they soon discover the existence of a rogue scanner named Darryl Revok, portrayed by Michael Ironside, who plans to use his powers to take complete control over society.
As the story unfolds, Cameron Vale finds himself caught up in a dangerous pursuit to locate and stop Revok before he can fulfill his sinister plans. The clash between the two scanners unleashes a series of explosive events and moments of pure tension.
"Scanners" is known for its visceral and graphic depiction of scanner powers. The film is marked by iconic scenes, such as the mental confrontation between Cameron and Revok, where their telepathic abilities manifest in impressive special effects.
In addition to its action-packed and suspenseful sequences, "Scanners" also explores deeper themes such as government control, mind manipulation, and scientific ethics. These elements add layers of complexity to the narrative, elevating the film beyond a mere sci-fi thriller.
With its dark atmosphere and atmospheric soundtrack, "Scanners" creates a sense of constant intrigue and suspense. The talented cast, including Jennifer O'Neill as Kim Obrist, a fellow scanner allied with Cameron, deliver compelling performances, immersing the audience in this dystopian world.
By delving into the untapped potential of the human mind, "Scanners" offers a gripping cinematic experience, balancing action, suspense, and thought-provoking reflection on the powers of the human psyche. The 1981 film continues to be a landmark in the sci-fi genre and is considered a cult classic in cinema.
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173
views
Buster Keaton's "The Butcher Boy" (1917), Public Domain Movie
The Butcher Boy
1917
Buster Keaton, Roscoe Fatty Arbuckle, Fatty Arbuckle, Fatty, Buster, Keaton
"The Butcher Boy" is a 1917 American short comedy film that marks the film debut of both Roscoe Arbuckle (commonly known as Fatty Arbuckle) and Buster Keaton, two iconic figures in silent film history. Directed by Roscoe Arbuckle, the film presents a delightful blend of slapstick humor and charming storytelling.
The plot revolves around Arbuckle's character, who works as a butcher boy in a country store. Smitten by the cashier, played by Josephine Stevens and known as Almondine, Arbuckle's character falls head over heels in love. In an attempt to win her affections, he disguises himself as a female cousin and follows her to an all-girl boarding school.
Once at the boarding school, Arbuckle finds himself amidst a series of comedic misadventures. Keaton, playing the role of Buster, joins in the hilarity, adding his own unique flair to the film. The chemistry between Arbuckle and Keaton is evident, setting the stage for their successful future collaborations.
"The Butcher Boy" showcases the early comedic talents of both Arbuckle and Keaton, capturing their natural comedic timing and physical prowess. The film's runtime is 30 minutes, providing ample opportunity for laughs and surprises.
As a historical treasure, "The Butcher Boy" holds immense significance, serving as the first film appearance of Buster Keaton. It also represents the beginning of Arbuckle's series of films with the Comique Film Corporation. Their collaboration in this film would pave the way for future success and enduring contributions to the world of silent comedy.
With its black and white tinted visuals and silent presentation, "The Butcher Boy" encapsulates the charm and humor of early silent cinema. The film's delightful cast, including Alfred St. John as Alum and Arthur Earle as The Manager, contribute to the overall comedic brilliance and entertainment value.
"The Butcher Boy" is a captivating introduction to the comedic talents of Fatty Arbuckle and Buster Keaton, setting the stage for their illustrious careers. It remains a beloved classic in the realm of silent comedy, showcasing the enduring appeal of these iconic performers.
Please note that the information provided above is a fictionalized synopsis based on the given film title and additional details provided.
Cast
Roscoe Arbuckle - Fatty / Saccharine (as 'Fatty' Arbuckle)
Buster Keaton - Buster
Alfred St. John - Alum
Josephine Stevens - Almondine
Arthur Earle - The Manager
Joe Bordeaux - Accomplice (as Joe Bordeau)
Luke the Dog
Charles Dudley - (uncredited)
Alice Lake - (uncredited)
Agnes Neilson - Miss Teachem (uncredited)
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105
views
Buster Keaton's "Convict 13" (1920), Public Domain Movie
Convict 13
1920
Silent, Comedy, Buster Keaton
"Convict 13" is a captivating silent comedy film from 1920, featuring the comedic talents of Buster Keaton. Directed by Keaton and Edward F. Cline, the film takes viewers on a wild and hilarious ride through mistaken identity and outrageous circumstances.
The story follows Buster Keaton, who is playing a leisurely game of golf with his girlfriend, portrayed by Sybil Seely. However, a stroke of misfortune leads to Buster getting knocked out, only to wake up in the midst of chaos. In a case of mistaken identity, an escaped prisoner swaps clothes with Buster, resulting in him being sent to prison.
Once inside the prison walls, Buster discovers to his horror that he is mistaken for a condemned man, sentenced to be hanged. Determined to escape his grim fate, Buster navigates the prison environment with his trademark physical comedy and quick thinking.
As the story unfolds, Buster engages in a series of daring and humorous escapades. He cleverly changes clothes with a guard just as a crazed prisoner, played by Joe Roberts, launches an attack on the guards. With chaos ensuing, Buster seizes the opportunity to avoid his impending doom.
Throughout "Convict 13," Buster Keaton showcases his incredible athleticism and talent for physical comedy. The film features one of his most dangerous and memorable sight gags, as described by Marie Dressler. It involves Buster precariously twirling a basketball tied to a rope while his father attempts to shave with a straight razor, building up to a climactic and uproarious moment.
The cast includes Sybil Seely as the socialite and warden's daughter, Joe Roberts as the crazed prisoner, and Edward F. Cline as the hangman. Buster's parents, Joe Keaton and Louise Keaton, also make appearances in the film.
"Convict 13" combines clever gags, thrilling stunts, and Keaton's impeccable comedic timing to create an entertaining and memorable silent comedy experience. As one of Buster Keaton's early works, it showcases the comedic brilliance that would solidify his status as one of the greatest silent film stars of all time.
With its energetic storytelling and thrilling antics, "Convict 13" remains a testament to Buster Keaton's enduring legacy and his ability to bring laughter to audiences across generations.
Cast
Buster Keaton as Golfer Turned Prisoner, Guard
Sybil Seely as Socialite, Warden's Daughter
Joe Roberts as The Crazed Prisoner
Edward F. Cline as Hangman
Joe Keaton as Prisoner
Louise Keaton
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165
views
Buster Keaton's "The Haunted House" (1921), Public Domain Movie
The Haunted House
1921
Silent, Comedy, short, Buster Keaton
"The Haunted House" is a delightful short comedy film from 1921, starring the comedic genius Buster Keaton. Co-written and directed by Keaton himself, along with Edward F. Cline, the film takes viewers on a hilarious journey filled with mistaken identities and unexpected encounters.
The story revolves around Buster Keaton, who portrays a bank teller falsely accused of being a bank robber. In his attempt to escape the authorities, he finds refuge in a local haunted house, unaware that it is actually a hideout for a gang of counterfeiters. To add to the chaos, the house is also occupied by a troupe of performers fleeing from an angry audience after their disastrous performance of "Faust."
Throughout the film, Keaton's trademark physical comedy shines as he navigates through the absurd situations that arise in the haunted house. From mistaken identities to comical chases, the comedic timing and slapstick humor keep the audience entertained.
One of the most memorable sequences in the film involves Keaton accidentally spilling glue all over his bank counter, reminiscent of a scene from his earlier film, "The Butcher Boy" (1917). This iconic moment showcases Keaton's ability to turn a simple mishap into a hilarious spectacle.
As the story unfolds, Keaton's character finds himself involved in a series of hilarious encounters with the counterfeiters, the theatrical troupe, and even a romantic interest, portrayed by Virginia Fox as the bank president's daughter. The film culminates in a famous sequence where Keaton ascends to heaven and descends to Hades, adding a surreal and unexpected twist to the comedic tale.
With a runtime of 21 minutes, "The Haunted House" delivers non-stop laughs and showcases Buster Keaton's unparalleled talent for physical comedy and inventive storytelling. The film's comedic brilliance, clever gags, and memorable performances make it a must-watch for fans of silent comedy and classic cinema.
In addition to Keaton, the cast includes Joe Roberts as the bank cashier, Edward F. Cline as a customer in the bank, and Natalie Talmadge in an uncredited role as a fainting female bank customer.
"The Haunted House" is a true gem from the silent film era, demonstrating why Buster Keaton remains an iconic figure in comedy history.
Cast
Buster Keaton - Bank Clerk
Virginia Fox - Bank President's Daughter
Joe Roberts - Bank Cashier
Edward F. Cline - Customer in Bank
Natalie Talmadge - Fainting Female Bank Customer (uncredited)
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105
views