Canned Laughter March 21, 2021 By Anna Von Reitz

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Canned Laughter March 21, 2021 By Anna Von Reitz

Another reason I stopped watching television years ago is the use of canned laughter. I hate canned laughter and I can always discern it; it grates on my nerves and makes me feel oddly cross.

Imagine waking up one morning and you are the only one left alive, so you are listening to old reruns of ancient television shows to pass the time, hearing the canned laughter and knowing those people are dead and still cut off too abruptly in time for the next one-liner.

To me, it has always felt like someone was standing in the background manipulating me and “telling” me when to laugh and when to be silent and I naturally question that.

Why should it be necessary (or desirable) to trigger laughter?

It turns out that laughter triggers endorphins and other “feel good” chemicals. By inducing laughter the Svengali behind the screen gives us the idea that we are having a good time —- whether or not we really are. That brings us back for more. That encourages us to sit through boring commercials. That keeps us “tuned in”.

There is an entire science committed to triggering our physical responses in order to induce mental states. They have formulas for how to induce every emotion you can imagine. The easiest emotion to provoke is fear and the hardest to trigger is love, but within that wide spectrum they labor to play you like a stringed instrument.

They even tune their programming to a “target resonance” trying to keep the audience in a specific range of “response states”. So, yes, Virginia, there is a reason why PBS has its own feel and why Fox News comes across as having more conservative values when in fact it is delivering much of the same prepackaged drivel as the others.

Things have gotten so far advanced that actors and actresses are rated and paid according to their ability to provoke your emotions—- good or bad, and by their ability to provoke a variety of responses or their ability to provoke one consistent response.

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