Ahidous tizwit de kelaat mgouna

This lyrical art has been in the Middle Atlas region since ancient times. It is an art that has been linked since its emergence in the natural and geographical milieu of the Middle Atlas, where forests, water, plantations, mountains and resorts rich in greenery and sources. This art, which first appeared in its circular form, consisting of women and men alike, and in its semi-circular shape, was an expression of the collective joys, delights and joys that accompany the human revival of his mountainous and agricultural life in the plains and borders of the Middle Atlas. [2]

Ahidous is usually known for dances and collective body expressions that we sometimes find even in areas whose inhabitants do not speak Berber, but researchers, interested people and scholars agree that his original home is the Middle Atlas, the natural and geographical field in which the components of poetry, song, dance and rhythm are complete.

The bender (or tambourine) is the "talont" the only musical instrument or instrument used in the rhythm. It is accompanied by beating on the palms of female and male voices in a coherent circular shape made up of shoulders sometimes and hands at other times. It is designed for its dances and performances.

Ahydos poetry modified
Ahidous’s poetry and words are derived from the daily life that the Atlantic man lives and lives, and it goes beyond this geographical area at times to include some national, regional and international events. The number of groups involved in this art in the Kingdom of Morocco reaches more than 80 groups, in which the young element forms the backbone