A Million Miles Away Rory Gallagher

Rory Gallagher
A Million Miles Away

In the years that have passed since Rory Gallagher’s death, aged 47 on June 14 1995, his true stature has become ever more clear. This soft spoken Irishman, characterized by his flowing locks and trademark working man stage clothes, was far from ordinary. Gallagher was a self taught virtuoso who forged a musical revolution in his native land, shunned the traps of fame and stardom yet became a universally acclaimed international folk hero.

Rory’s rock solid devotion to his calling never wavered and the respect of his musical peers was universal. Eric Clapton credited Gallagher with “getting me back into the blues”, The Rolling Stones tried to get him to replace Mick Taylor.

Rory’s influence spread through the generations – from Slash to Johnny Marr, from U2’s The Edge to Queen’s Brian May, and onto The Manics’ James Dean Bradfield – any aspiring player who encountered him was bound to be energized or transformed.

Of all the guitar greats who emerged in the post war era Rory Gallagher was predestined to become a Celtic Warrior King. He shared his name with Ireland’s last native monarch, was born (to rock) at Rock Hospital in Ballyshannon, Donegal (March 2nd 1948) while his father was employed constructing a hydro electric power plant on the nearby Erne river.

In due course, whether using electric firepower or acoustic mastery, the unassuming Gallagher would be transformed into a musical giant, yet he always maintained the most human feeling, eschewing extraneous FX and gizmos in favour of his own raw, primitive, string-bending genius. Acknowledged as ‘the people’s guitarist’ Rory would amass 20 million sales but the emotive connection he made with audiences across the globe was greater than statistics could show. Gallagher’s fire in the fingertips feel was the thrilling result of hard work and dexterity, tireless energy and dynamic drive.

As a pre-teen growing up in 1950s Cork, in a home with no record player, the single-minded determination that would hallmark Rory’s career quickly became apparent. The discovery of Elvis and early rock n rollers lead him to seek out blues masters on American Forces radio such as later collaborator, Muddy Waters. “The more I heard the more I got addicted,” he later recalled. He was already a local, talent show-winning star, brandishing a cheap guitar, when the first down payment was made on the celebrated 1961Sunburst Fender Stratocaster that would – its paintwork stripped by his own highly alkaline sweat – become a lifelong totemic tool of his trade.

In early 60s Ireland opportunities for a guitar God waiting to shine were constricted by the only available outlet : identically suited showbands. Rory pushed against the envelope when he hit the road with The Fontana and later The Impact challenging the accepted routines of the day.

Playing in show bands was a stepping stone and Rory realized he was “only passing through”. But, like Jimi Hendrix when he escaped the chitlin circuit, the skills established as a restricted sideman would explode in the years ahead when Rory became the main attraction. After enjoying the release of playing in Hamburg clubs, Rory seized the opportunity to get off the show band leash back home, putting himself centre stage in the power trio, Taste.

Establishing a base in the thriving Blues scene that had built around Van Morrison’s Them at Belfast’s Maritime, Taste became an instant sensation. A residency at London’s Marquee club in 1968, where John Lennon joined an ever growing fervent following, lead to support slots with Cream and Blind Faith. Taste’s formidable presence was captured on two great studio albums and two outstanding live albums including their Live At Isle of Wight album, recorded at the 1970 festival. Then, with their world seemingly at their feet Taste, torn apart by management disputes, imploded, playing their farewell show in Belfast on New Years Eve 1970.