Right Perspective Radio with Davis Lurmann [T] #243 11-Mar-2025

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The role of Davis Lurmann’s ‘Right Perspective’ is to question and deconstruct conventional narratives, unpack current events using key soundbites, proffer media analysis and commentary, provide historical context, deconstruct contemporary and historic atrocity propaganda, and forecast what’s to come.

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An explanation for the offended: ‘This is your country on Jews’ & the mirror of reality
Davis Lurmann (referred to in the first person for clarity)
To all who are offended by the intro theme music for Right Perspective Radio (RPR) that includes samples of an adult female saying “daddy”, as well as other theme music that includes shocking content (while juxtaposing the ‘Davis Lurmann’ liner announcement), this is an explanation.
By late 2024 the ‘piss-streamers’ were in full-effect, such that early references to Gahary’s supposed ‘control’ of FTJ hosts were being advanced by the proto-Trogs. Before ‘King Sand Nigger’ was a handle, the piss-streamers were calling Dave Gahary, our ‘E-Daddy’. This inspired Davis Lurmann to create a custom New Years’ show ‘intro’ & ‘outro’ using the ‘daddy’ theme (even trading upon the equivocation that both Dave G. and Davis Lurmann were codename: ‘Daddy’). I sent this theme to Dave Gahary and others - all recipients ‘got it’.
For those who read some illicit perversion into the ‘daddy’ RPR theme song, some even suggesting that this is evidence of ‘pedo-shit’, the woman saying ‘daddy’ is a fully grown female actress from the film ‘The Wolf of Wall Street’. It’s you, not me.
It needs to be mentioned that many hosts on many platforms use video/audio montages in their show introductions that present all manner of disgusting content: social media trannies, niggers beating whites, absurdist commentary from news or politicians. Why is it no one has suggested that these montages are collages that advocate something? In fact, most viewers seem to get it. They seem to understand that the media-collages illustrate the absolute state of America as ruled by the illegitimate power of Jews. So, the only time there’s confusion regarding that which is illustrative versus that which is advocacy is when Davis Lurmann does something similar with audio? I’m not so sure I’m buying that. I’ll reserve any conclusions beyond these: (A) If you hear a grown woman saying ‘daddy’ in an audio collage and you think about touching children, then you need to get help. It’s you – not me; and (B) yes, our culture is so Jewed-up that this disgusting shit saturates every aspect of the larger media ecosystem (one way to comment upon that is to juxtapose samples plucked from the media landscape in such a way as to make people think… and if you think pedo-shit, that’s on you, not me).
The latest batch of RPR intro’s feature more of the ‘mirror of reality’ (that is to say, a reflection of the state of our culture as demonstrated through audio samples juxtaposed to either make a point or to entertain). Some are insistent that everyone make their intro/breaks with stuffy, classical music, and aspirational, canned, predictable liners. There is an approach other than aspirational... and that’s confrontational. That’s the approach I take. Confrontation.
If you’re offended by an audio collage that confronts listeners with the stark reality of what Jews have done to our culture, while juxtaposing clips in such a way as to shock the listener, then good, you’re supposed to be. RPR intro’s & produced breaks only expose what ‘content’ is freely available out there, feral, for all to access on YouTube and elsewhere, with no age filter. This is your country on Jews. This confrontational approach to highlighting the fallen state of America, and much of the West, was never meant to be advocacy for the clips included in the audio collages, of course, and it’s surprising this material could ever be taken that way. Theme music that includes shocking content is not advocacy for said shocking content. The mirror of reality includes your reflection too.