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Cicero on Oratory - XXVII XXVIII
Cicero on Oratory - XXVII XXVIII
In this discussion, Cicero explores the anxieties of accomplished orators when preparing to speak, highlighting the pressure of public expectation and the unique challenges in oratory compared to other arts. He reflects on the importance of natural talent alongside learned skill in becoming a consummate orator, advocating for the need of a diverse skill set in oratory that not everyone possesses. Additionally, he critiques the harsh judgments faced by speakers and the disparities in expectations between orators and performers in other fields.
Key Points:
Timidity in Great Orators
Cicero observes that even the most skilled orators experience agitation before speaking. He identifies two main reasons: the unpredictability of public speeches, even for the best, and the harsh judgments society places on speakers, contrasting this with the relative leniency towards failures in other arts.
Natural Talent vs. Learned Skill
Cicero agrees with a fellow speaker's notion that mastery in oratory heavily relies on innate qualities and that a teacher should recognize this. He admires Apollonius of Alanda for guiding students towards arts that suit their natural abilities rather than forcing them into oratory if they lack the inherent talent.
High Standards for Orators
The video highlights that orators are held to the highest standards, requiring a combination of advanced skills such as logic, wisdom, poetic language, memory, and charisma. Cicero stresses the rarity of finding a consummate orator who excels in all these areas.
Harsh Judgments in Oratory
Cicero points out that orators receive lasting negative perceptions from any mistakes they make, unlike actors who can recover from slip-ups. This highlights the severe consequences of failure in oratory and the significant effort required for excellence.
Influence of Performance Standards
Cicero draws a comparison between orators and stage performers, acknowledging the ease with which actors achieve grace and perfection in their art. He expresses a desire for that same level of skill in oratory, while also recognizing his own shortcomings.
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