Elevation Exclusive Movie Clip - First Attack on the Trio (2024)

Elevation Exclusive Movie Clip - First Attack on the Trio (2024)

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PLOT: A single father and two women venture from the safety of their homes to face monstrous creatures to save the life of a young boy.

RELEASE DATE: November 7, 2024
GENRE: Action, Sci-Fi
STARS: Anthony Mackie

A coincidence of release scheduling has art imitating life in “Elevation,” which depicts America’s near future as simultaneously bleak and fraught with suspenseful peril. This isn’t “Civil War,” however, but a monster movie of sorts — involving mysterious creatures who decimate all humanity living below 8,000 feet.

Playing more like an action film than horror, George Nolfi’s film stars Anthony Mackie as a father whose son’s medical needs force him to venture down into the danger zone. It’s a reasonably taut post-apocalyptic survival tale that makes up for a lack of original ideas with tight pacing and solid craftsmanship. Vertical launches in approximately 1,400 U.S. theaters on Nov. 8, with openings in numerous other territories also scheduled later this year.

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The script by John Glenn, Jacob Roman and Kenny Ryan opens with a stretch of black screen, over which we hear snippets of increasingly panicked news reports. They suggest a catastrophic chain of natural disasters from which people can finally only be urged to seek higher ground.

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“Three Years Later,” onscreen text notes, the Rocky Mountains look as spectacular as ever. But as a boy who strays below the safety boundary — hoping to glimpse people other than those in his isolated settlement — discovers, they too are now host to tank-sized, fast-moving, seemingly indestructible “Reapers.” (These are basically non-flying dino-insects who make noises reminiscent of the critters in the “Alien” and “Predator” films.) Those “giant murder bugs hatched from the ground,” as one character here later puts it, have already killed off most sentient life at lower altitudes. Recklessly curious 8-year-old Hunter (Danny Boyd Jr.) is fortunate to barely avoid that fate.

But he is lonely and unhappy in “Lost Gulch Refuge,” an old mountain town whose 200 or so other current residents include no other children — nor Hunter’s mother, who did not return from an ill-fated sojourn with cranky neighbor Nina (Morena Baccarin) some time ago. That’s just one thing his father Will (Mackie) holds against Nina, a misanthropic scientist who’d persuaded his wife to accompany her in hopes of reaching a Boulder laboratory where she might devise a lethal solution to mankind’s pest problem.

Having more or less reverted to frontier times, complete with candlelight as primary illumination after dark, this hamlet is more or less self-sustaining. But despite his adventurous streak, Hunter has periodic, serious respiration issues, and Will has just used the last filter needed to operate the oxygen machine that saves him during these unpredictable attacks. Like it or not, dad must venture down to Boulder in search of a fresh supply. Nina, as the only person who fought the monsters and lived, reluctantly agrees to accompany him, fueled by stubborn belief she can concoct a “magic bullet” that overrides their defenses. Inviting herself along in addition is Katie (Maddie Hasson), a younger woman who’s very fond of Will — and dislikes the antagonistic Nina even more than he does.

What Katie terms “Earth’s new apex predators” soon sense fresh prey once the trio cross the elevation line. Their first narrow escape is via a ski lift they’re able to render functional in the nick of time. Will has figured out a way to minimize exposure by traveling partly through old mining tunnels — but it turns out the Reapers are there too. Not everyone lives to reach the ruined city, though ultimately there is hope for our species … even if a tag sequence, keeping the door open to a possible sequel, suggests more bad news might be incoming from outer space.

Making his fourth directorial feature after contributing to the screenplays of “The Bourne Ultimatum” and “Ocean’s Twelve,” among others, Nolfi maximizes medium-scale resources to give “Elevation” a fairly expansive feel. Cinematographer Shelly Johnson takes full widescreen advantage of the magnificent Colorado scenery, while visual effects supervisor Nathan McGuinness’ nasty four-legged nemeses are seen enough to satisfy, albeit mostly held in eye-blink reserve by editor Joel Viertel. H. Scott Salinas’ big orchestral score also helps pump up a movie whose global-crisis premise is somewhat belied by the relative modesty of onscreen spectacle.

Performances are likewise a notch above the formulaic monster movie mean, with Mackie (who also starred in Nolfi’s superior 2020 drama “The Banker”) bringing his usual charisma and conviction. Baccarin pulls off a character who proves more relatable than she initially appears, while Hasson sympathetically fills out a less-defined role.

In the end, “Elevation” doesn’t have the novel or distinctive qualities to be truly memorable, even amongst individual setpieces — it’s conceptually a mashup of elements from “Pitch Black,” “Jurassic Park,” and the myriad dystopian-future screen visions that grow more numerous every month. But it is polished and exciting enough to make a virtue of that familiarity, at least for an entertaining hour and a half.
Elevation

Theatrical release poster
Directed by George Nolfi
Written by
John Glenn
Jacob Roman
Kenny Ryan
Produced by
Brad Fuller
John Glenn
George Nolfi
Joel Viertel
Jeremy Kipp Walker
Natalie Sellers
Alexander Black
Anthony Mackie
Starring
Anthony Mackie
Morena Baccarin
Maddie Hasson
Cinematography Shelly Johnson
Edited by Joel Viertel
Music by H. Scott Salinas
Production
companies
Lyrical Media
Grinder Monkey
John Glenn Entertainment
Distributed by Vertical
Release date
November 8, 2024
Running time 92 minutes[1]
Country United States
Language English
Budget $18 million[2]
Box office $3.3 million[3][4]
Elevation is a 2024 American post-apocalyptic action thriller film directed by George Nolfi and written by Kenny Ryan and Jacob Roman. It stars Anthony Mackie, Morena Baccarin, and Maddie Hasson.

Elevation was released in the United States on November 8, 2024.

Plot
Three years prior to the events of the film, mysterious apex predators called Reapers emerged from sinkholes underground and exterminated humanity, with 95% killed in the first month. Survivors live in pocketed communities 8,000 feet or more above sea level - elevations that the creatures do not venture into.

One of the pocket communities is Lost Gulch Refuge in Front Range, Colorado, where a single father, Will, lives with his son, Hunter, who has a lung disease. Will is haunted by the death of his wife, Tara, who was killed by Reapers during an expedition with Nina, a former scientist, to find their weaknesses. Hunter becomes irritated after months of isolation; neighboring communities have turned off their radios to conserve their remaining electricity and use flags to communicate instead. Will learns that he is running out of oxygen filters for Hunter. Nina tries to dissuade Will from journeying to Boulder, Colorado in order to find more filters, but Will convinces her to come with him in order to reach her old laboratory and find a way to kill the Reapers.

Katie joins them, and they enter the Elba Fire Road that leads them to a mine below the safety line. Nina has a compass device she invented that can detect a nearby Reaper due to their high bioelectromagnetic pulses. They gather supplies along the way, including a grenade launcher, and follow the road leading them to a former ski area. They are spotted by a Reaper, but Will turns on the ski lift's backup generators, allowing the group to narrowly escape the Reaper above the safety line. They rest at the old lodge, where Nina explains that the Reapers don't eat or sleep, theorizing that they are not biological creatures.

The next morning, the group comes to a former mining tunnel Will knows from when he was a miner; however, the mines' lower levels dip below the safety line, and if they enter, Nina's compass won't warn them of nearby Reapers since it does not function underground. As they enter the mines, they find that the level above the safety line was welded shut during the initial invasion, forcing them to enter the lower levels. The group is then attacked by a Reaper, and Katie is killed by its tendrils. Nina and Will manage to escape and make it back to the surface above the safety line.

Nina wants to return to her lab for her stockpile of magnesium oxide, hypothesizing that the Reaper's impenetrable scales produce magnetic defense mechanisms and if one of the bullets is laced with a magnesium mineral, it will penetrate and kill the creature through internal combustion. They proceed to Boulder and manage to find oxygen filters in an abandoned hospital. A Reaper attacks them, but Will shoots at gas canisters to stall it, giving them enough time to escape. Will wants to get back to his son, but Nina convinces him to help her return to her former laboratory at the U.S. Department of Energy. Will learns that Nina lost her family to a Reaper attack. Nina lets Will go back to his son while she researches how to kill the creatures. After several attempts, Nina successfully kills a Reaper that breaks into the lab with a bullet laced in a magnesium/cobalt mixture.

Will leaves in a pickup truck, but his tires pop, forcing him to run to the safety line while pursued by Reapers. The Reapers corner him, but Nina arrives just in time and kills the Reapers with her Co/Mg-laced bullets, causing them to explode from internal combustion upon impact. They realize that the Reapers are not biological, but machines built using advanced alien technology, proving Nina's theory correct.

They return to Lost Gulch and Will reunites with Hunter. Nina raises a pirate flag for other nearby communities in the Rocky Mountains, signifying that a Reaper has been killed. The communities resume radio contact and start arming themselves with Co/Mg-coated bullets to fight back against the Reapers.

Sometime later, Nina looks through a telescope with Will at her side as three greenish 'meteorites' enter orbit.

Cast
Anthony Mackie as Will
Morena Baccarin as Nina
Maddie Hasson as Katie
Shauna Earp as Hannah, a townsperson
Rachel Nicks as Tara, Will's Wife
Danny Boyd Jr. as Hunter, Will and Tara's son
Tyler Grey as Tim
Production
In October 2022, it was announced that a post-apocalyptic action thriller film titled Elevation was in development, with George Nolfi hired to direct and Kenny Ryan and Jacob Roman writing the screenplay. Anthony Mackie, Morena Baccarin, and Maddie Hasson were set to star.[5] Principal photography began by November 2022, in Colorado,[6] and had wrapped by late March 2023.[7]

Release
In May 2024, Vertical acquired rights to the film.[8] Elevation was released in the United States on November 8, 2024.[9]

Reception
Box office
In the United States and Canada, Elevation was released alongside Heretic, The Best Christmas Pageant Ever, Weekend in Taipei, and the wide expansion of Anora. The film debuted with $1.2 million from 1,416 theaters in its opening weekend, finishing 11th at the box office.[10]

Critical response
On the review aggregator website Rotten Tomatoes, 53% of 45 critics' reviews are positive, with an average rating of 5.3/10. The website's consensus reads: "Beautiful scenery and a solid star turn from Anthony Mackie raise Elevation up to an extent, but this sci-fi thriller is too derivative to reach the peak of its potential."[11] Metacritic, which uses a weighted average, assigned the film a score of 49 out of 100, based on eight critics, indicating "mixed or average" reviews.[12]

Zachary Lee of RogerEbert.com gave the film two and a half out of four stars and wrote, "[W]hile Elevation may never rise above its genre trappings or escape the shadow of its influences, it never stoops so low as to be mindlessly vapid. Simply executed at ninety minutes, it's escapism of the highest order, offering perils at a screen's distance of safety."[13]

References
"Elevation (15)". British Board of Film Classification. December 18, 2024. Retrieved December 19, 2024.
Wenzel, John (October 28, 2024). "Watch: "Elevation," an Anthony Mackie movie filmed in Boulder, gets first trailer". Broomfield Enterprise.
"Elevation – Financial Information". The Numbers. Retrieved December 6, 2024.
"Elevation (2024)". Box Office Mojo. Nash Information Services. Retrieved December 6, 2024.
Kroll, Justin (October 13, 2022). "Anthony Mackie, Morena Baccarin And Maddie Hasson To Star In George Nolfi's 'Elevation' From Lyrical Media And Producer Brad Fuller". Deadline Hollywood. Retrieved March 22, 2023.
Wiseman, Andreas (November 10, 2022). "Anthony Mackie Post-Apocalyptic Thriller 'Elevation' Pre-Sells Out Of AFM To 25+ Territories Including France, Germany, UK, Spain, Lat Am, Korea & Australia". Deadline Hollywood. Retrieved March 22, 2023.
Michael Rosenbaum (April 4, 2023). Morena Baccarin: Deadpool Situation, Impostor Syndrome, Chaos with Ben McKenzie & Firefly Reunion. Archived from the original on April 4, 2023. Retrieved April 4, 2023 – via YouTube.
Grobar, Matt (May 16, 2024). "Vertical Acquires Post-Apocalyptic Sci-Fi Thriller 'Elevation' Starring Anthony Mackie & Morena Baccarin". Deadline Hollywood.
"Elevation: Exclusive Teaser Trailer". IGN. September 26, 2024. Retrieved September 26, 2024.
"Domestic 2024 Weekend 45". Box Office Mojo. Retrieved November 14, 2024.
"Elevation". Rotten Tomatoes. Fandango Media. Retrieved December 31, 2024.
"Elevation". Metacritic. Fandom, Inc. Retrieved November 12, 2024.
Lee, Zachary (November 9, 2024). "Elevation". RogerEbert.com. Retrieved November 9, 2024.
External links
Elevation at IMDb Edit this at Wikidata
vte
Films directed by George Nolfi
The Adjustment Bureau (2011)Birth of the Dragon (2016)The Banker (2020)Elevation (2024)
Categories: 2024 films2024 action thriller films2020s American films2020s English-language filmsAmerican action thriller filmsAmerican post-apocalyptic filmsFilms directed by George NolfiFilms produced by Bradley FullerFilms shot in ColoradoVertical Entertainment filmsEnglish-language action thriller films
Massive Attack
The band onstage
3D and Daddy G performing in Saint Petersburg, Russia in 2010
Background information
Also known as Massive[a]
Origin Bristol, England
Genres
Trip hopelectronic
Years active 1988–present
Labels
Wild BunchCircaVirgin
Spinoff of The Wild Bunch
Members
Robert "3D" Del Naja[2]
Grant "Daddy G" Marshall
Past members
Adrian "Tricky" Thaws
Andrew "Mushroom" Vowles
Website massiveattack.co.uk
Massive Attack are an English trip hop collective formed in 1988 in Bristol, England by Robert "3D" Del Naja, Grant "Daddy G" Marshall, Adrian "Tricky" Thaws and Andrew "Mushroom" Vowles. The group currently consists of Del Naja and Marshall.

In 1991, they released their debut album, Blue Lines, which has been included on numerous best-of lists and is generally considered the first album of the 'trip-hop' genre.[3] The single "Unfinished Sympathy" was a chart hit in Europe, including number one on the Dutch Top 40, and was later voted the 63rd-greatest song of all time in a poll by NME.[4] In 1994, they released their second album Protection. Thaws left the band later that year to pursue a solo career. In 1998, they released their third album, Mezzanine, giving them their first number one on the UK Albums Chart. Mezzanine also contains the top-10 single "Teardrop", which earned further recognition as the opening theme of the American television series House.[5] In 1999, Vowles left the band, with Del Naja and Marshall continuing as a duo. They further released the albums 100th Window (2003) and Heligoland (2010).

Both Blue Lines and Mezzanine feature in Rolling Stone's list of the 500 Greatest Albums of All Time.[3][6] The group have collaborated with several recurring guest vocalists, including Horace Andy, Shara Nelson, Tracey Thorn, Elizabeth Fraser, Sinéad O'Connor, Damon Albarn and Hope Sandoval.

Massive Attack's awards include a Brit Award for Best British Dance Act, two MTV Europe Music Awards, and two Q Awards.[7][8] Their five studio albums have sold over 13 million copies worldwide.[9] Massive Attack are also known for supporting several political, human rights and environmental causes.

History
The Wild Bunch and "Any Love" (1980s–1990)
In the early 1980s, DJs Daddy G and Mushroom, and rappers Tricky and 3D met as members of partying collective the Wild Bunch. One of the first homegrown soundsystems in the UK, the Wild Bunch became dominant on the Bristol club scene in the mid-1980s.[9]

In 1988, Massive Attack was created as a spin-off quartet. Unsigned, the group (Mushroom, Daddy G, 3D and Tricky) put out "Any Love" as a single.[10] It was co-produced by Bristol double-act Smith & Mighty and featured the falsetto-voiced singer-songwriter Carlton McCarthy. In 1990, they committed to deliver six studio albums and a "best of" compilation to Circa Records. This record label became a subsidiary of, and was later subsumed into, Virgin Records, which in turn was acquired by EMI.[11][12][13]

Blue Lines and "Unfinished Sympathy" (1991–1993)
Main article: Blue Lines

Robert Del Naja at Barcelona 2007
In 1989, 3D co-wrote Neneh Cherry's Manchild.[14] This working relationship continued with Cherry helping Massive Attack to record their first album Blue Lines. Cherry's partner Cameron McVey was an executive producer of the album and became the group's first manager.[15][16] Cherry and McVey provided financial support, via the Cherry Bear organisation, and the album was partly recorded in their house.[17] The band used guest vocalists, interspersed with their own sprechgesang stylings, on top of what became regarded as an essentially British creative sampling production; a trademark sound that fused hip hop, soul, reggae and other eclectic references, both musical and lyrical.[11] The album used vocalists including Horace Andy and Shara Nelson, a former Wild Bunch cohort.[18] MC Willie Wee, also once part of the Wild Bunch, featured. Neneh Cherry sang backing vocals on environmentalist anthem, "Hymn of the Big Wheel".[19] Co-production was also provided by Jonny Dollar.

Blue Lines was released on 8 April 1991 on Virgin Records.[19] The album has been retrospectively considered the first of the "trip-hop" genre and received critical acclaim.

That year they released "Unfinished Sympathy" as a single, a string-arranged track at Abbey Road studio, scored by Will Malone.[20] The group temporarily shortened their name to "Massive" on the advice of McVey to avoid controversy relating to the Gulf War.[21] They returned to being "Massive Attack" for their next single, "Safe from Harm".

Protection and Melankolic (1994–1997)
Main article: Protection (Massive Attack album)
For their second album, the band brought in Everything but the Girl's Tracey Thorn[11] and Nicolette as vocalists and released "Protection" on 26 September 1994.

With McVey out of the picture,[clarification needed] Massive Attack enlisted the production talents of former Wild Bunch Nellee Hooper to co-produce some songs on it, with Mushroom. Other tracks were co-produced by the Insects and 3D. A dub version, No Protection, was released the following year by Mad Professor. Protection won a Brit award for Best Dance Act.[22] The other collaborators on Protection were Marius de Vries and Craig Armstrong,[23] a Scottish classical pianist.

In 1995, Tricky decided to end his involvement with the band in order to pursue a solo career.[11] The crediting of Tricky's contribution for Blue Lines was also a source of friction.[24] This was also the period of the release of Tricky's Maxinquaye and Portishead's Dummy. The term "trip hop" was coined and was referred to by the media as part of the "Bristol scene".[25][26]

In 1995, Massive Attack started a label distributed by Virgin/EMI, Melankolic, and signed Craig Armstrong and a number of other artists such as Horace Andy, Lewis Parker, Alpha, Sunna, and Day One. The group espoused a non-interference philosophy that allowed the artists to make their albums in the way they wanted.[27]

The same year the Insects became unavailable for co-production and having parted ways with Nellee Hooper, the band were introduced to Neil Davidge,[28] a relatively unknown producer who had an association with anonymous dance-pop outfit DNA. The first track they worked on was "The Hunter Gets Captured by the Game", a cover version sung by Tracey Thorn for the Batman Forever soundtrack. Initially, Davidge was brought in as engineer, but soon became producer.[29]

The group increasingly fractured in the lead-up to the third album, Davidge having to co-produce the three producers' ideas separately. Mushroom was reported to be unhappy with the degree of the post-punk direction in which 3D, increasingly filling the production vacuum, was taking the band.[28]

In 1997, the group contributed to the film soundtrack of The Jackal, recording "Superpredators (Metal Postcard)", a song containing a sample of Siouxsie and the Banshees' "Mittageisen"[30] and "Dissolved Girl", a new song with vocals by Sarah Jay (that was later remixed for the next album), which was featured at the beginning of the 1999 film The Matrix, although it was not on the official soundtrack.

Later that year they released a single, "Risingson", from what would be their third album, Mezzanine.[31]

Mezzanine, "Teardrop", Vowles's departure and Marshall's absence (1997–2001)
Main article: Mezzanine (album)
In 1997, 3D became the band's main producer in the recording sessions that made Mezzanine, Massive Attack's most commercially successful album,[32] selling nearly four million copies. It featured Neil Davidge as a sound engineer and co-producer, and Horace Andy and Elizabeth Fraser as the main guest vocalists. During recording, Angelo Bruschini became their permanent lead guitarist both in a session capacity and live.[31]

The lead single, after "Risingson", was "Teardrop", sung by Fraser of Cocteau Twins. The song was accompanied by a video directed by Walter Stern, of an animatronic singing fetus. Horace Andy sang on three songs, including "Angel". A track the band made for the film The Jackal, "Dissolved Girl", sung by Sarah Jay, was remixed for inclusion on the record.

Mezzanine went on to win a Q Award for Best Album[33] as well as being nominated for a Mercury Prize.[34]

Touring extensively, friction between Mushroom and the other band members came to a head. Mushroom was unhappy with the direction of the group and having to appear on tour. In 1999, Mushroom left the band.[35]

Around this time, 3D, with Davidge decamped into Ridge Farm studio with friends and band members of Lupine Howl (made up of former members of the band Spiritualized, including Damon Reece, who went on to be Massive Attack's permanent session drummer and one of two live drummers) towards a fourth Massive Attack LP, taking things even further into a rock direction.[15] 2001 also saw the release of Eleven Promos, a DVD of Massive Attack's 11 music videos thus far, including "Angel", a £100,000+ promo.[36]

Despite having taken 3D's side after Mushroom's departure and participating in a webcast as a duo in 2000, Daddy G took a personal break from the band in 2001.

100th Window, Marshall's return and Collected (2002–2006)
Main article: 100th Window

Grant Marshall at the Eurockéennes Festival 2008
With Daddy G temporarily no longer involved in the studio, Davidge and 3D steered "LP4" on their own. Enlisting the vocals of Sinéad O'Connor and Horace Andy, 100th Window was mastered in August 2002 and released in February 2003.[37] Featuring no samples or cover versions, 100th Window was not as critically well received in Britain as the other records, although the album received a warmer reception internationally, scoring a 75 out of 100 on review aggregation site Metacritic.[38] The group collaborated with Mos Def on the track "I Against I", which appeared on the "Special Cases" single and the soundtrack for Blade II. "I Against I" is also notable as the only track from the 100th Window sessions that features a writing credit from Daddy G. 100th Window sold over one million copies and was toured extensively (including Queen Square, Bristol—a one-off sell out concert set up in the city centre park, which was seen as a homecoming).[39]

Also in 2003, 3D was arrested on allegations involving child pornography, which were reported widely in the media.[40] 3D was soon eliminated as a suspect[41] (although he was charged with ecstasy possession and unable to get a U.S. visa for a while) with Daddy G and fans offering their support. The arrest affected the beginning of the 100th Window tour schedule.

In 2005, 3D and Davidge agreed to an offer from director Louis Leterrier to score the entire soundtrack for Danny the Dog, starring Jet Li. Dot Allison, who had sung with the band on the 100th Window tour, sang the end title track, "Aftersun". 3D and Davidge also scored the soundtrack for the Bullet Boy film, with 3D on the end title vocals.

In 2005, Daddy G started coming into the studio, although little came of the material. He decided to instead work with a production duo, Robot Club, in another studio, feeling that he would be more free to develop tracks in the way he wanted. Meanwhile, 3D and Davidge recorded with a number of different singers as well as creating a track named "Twilight", for UNKLE's War Stories album. Later that year, Massive Attack decided to release their contractually obliged compilation album Collected in 2006. They released it with a second disc, made up of previously released non-album songs and unreleased sketches.[37]

"Weather Underground" / Heligoland (2007–2011)
Main article: Heligoland (album)
In 2007, 3D and Davidge scored three soundtracks, In Prison My Whole Life (which featured a track called "Calling Mumia" with vocals by American rapper Snoop Dogg), Battle in Seattle and Trouble the Water.

In February 2007, Massive Attack hosted a charity benefit for the Hoping Foundation, a charity for Palestinian children. In 2008, it was announced that Massive Attack were to curate the UK's Southbank Meltdown, a week-long event. It was suggested in interviews that this event would inspire Massive Attack back into action, having spent several years drifting towards the completion of their fifth studio album.[42]

Later that year, 3D and Daddy G headed to Damon Albarn's studios for some writing and jamming. Around this time, Davidge scored the soundtrack for a Paul McGuigan film, Push and in December, 3D completed the score for 44 Inch Chest with the Insects and Angelo Badalamenti.

Davidge and 3D got back together in 2009 with Daddy G to finish the fifth album, incorporating bits of the Albarn material. Later it was announced that the band were to headline the 2009 Bestival festival,[43] and soon after that they were to tour the UK and Europe. In May, 3D's instrumental "Herculaneum", featured in the film Gomorra, won an Italian award for Best Song. Later that month, 3D and Daddy G picked up a special Ivor Novello award for Outstanding Contribution to British Music.[44]

On 29 May 2009, Jonny Dollar died of cancer aged 45, survived by his wife and four children. Dollar was the programmer and hands-on producer behind Blue Lines, writing some of the melodies that were the basis for the string arrangements in "Unfinished Sympathy".[45]

On 25 August 2009 their new EP, Splitting the Atom, was announced. The other new tracks on the EP were Tunde Adebimpe's "Pray For Rain", Martina Topley-Bird's "Psyche" and Guy Garvey's "Bulletproof Love". The latter two tracks appear as remixes of the album versions.

The fifth album was released on 12 November 2009, called Heligoland, after the German archipelago of Heligoland, after a previous project called "Weather Underground" was abandoned.[9] 3D said "I think it's got definitely a more organic feel".[46] The opening track, "Pray For Rain" featured guest vocals of TV on the Radio's Tunde Adebimpe. Damon Albarn, Martina Topley-Bird and Mazzy Star frontwoman Hope Sandoval also provide guest vocals on the album. 3D said in October 2010, to the Spinner website, that his plans were now for "unorthodox" releases of several EPs in 2011, rather than an album.[47]

Ritual Spirit EP and working with Tricky again (2013–2019)
In a 2013 interview for his first solo art show since 2008, 3D confirmed that not only was new Massive Attack material in the works, but that rumours of a reunion with Tricky were true.[48] Tricky had not been featured on a Massive Attack album since 1994's Protection.

"The idea is to put a record out next year", he says. "We actually get on really well at the moment because we don't spend time in the studio together", he says with a wry grin. "Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet – but that was fun. They should be on the next album."

— Robert "3D" Del Naja, Metro, 23 May 2013[48]
On 5 February 2014, it was confirmed that Massive Attack would headline at Secret Solstice, a new music festival in Reykjavík in June.[49] On 21 February 2015, it was confirmed through the Massive Attack Facebook page that they would be collaborating with Run the Jewels.[50][51][52]

On 21 January 2016, the iPhone application "Fantom" was released. The application was developed by a team including 3D and let users hear parts of four new songs by remixing them in real time, using the phone's location, movement, clock, heartbeat, and camera.[citation needed]

On 28 January 2016, Massive Attack released a new EP, Ritual Spirit, which includes the four songs released on Fantom. The EP was written and produced by 3D and new collaborator, Euan Dickinson.

It was their first release since the 2011 Four Walls / Paradise Circus collaboration with Burial, and the first time since 1994 that Tricky had been featured on Massive Attack content. Scottish hip-hop group Young Fathers, London rapper Roots Manuva and singer Azekel also featured on the EP.[53]

On 26 July 2016, Massive Attack previewed three new songs: "Come Near Me", "The Spoils", and "Dear Friend" on the Fantom iPhone application on which they previously previewed the four songs from the Ritual Spirit EP.[54]

On 29 July 2016, they released a new EP, "The Spoils", which includes "The Spoils" and "Come Near Me", both previewed on Fantom. The EP was written and produced by Daddy G, without 3D's involvement. "The Spoils" features vocals from American singer-songwriter Hope Sandoval, and "Come Near Me" features British vocalist Ghostpoet. A music video for "Come Near Me", directed by Ed Morris, and featuring Kosovan actress Arta Dobroshi, was released the same day as the single.[55] The video for "The Spoils", featuring Cate Blanchett and directed by Australian director John Hillcoat, was released on 9 August 2016.[56]

On 13 July 2018, Massive Attack cancelled their appearance at the Mad Cool festival in Madrid because of sound bleed from Franz Ferdinand on a neighbouring stage. The festival offered several solutions to accommodate the band, but Massive Attack rejected them all.[57]

In 2019, Massive Attack went on tour to promote the 20th anniversary rerelease of Mezzanine, billed as "Mezzanine XX1". The American tour dates, originally scheduled for April, were postponed to September due to illness in the band.[58]

Eutopia EP and audiovisual releases (2020–present)
In July 2020, Massive Attack released a political audiovisual EP called Eutopia.[59] The three-track fusion was created across five cities during the COVID-19 global lockdown period, and was partly formed by generative algorithmic visuals from AI art pioneer Mario Klingemann and collaborations with Algiers, Young Fathers and US poet Saul Williams.[60] The conceptual project, co-written and produced by 3D and documentary filmmaker Mark Donne, featured strong arguments for global system change from UN Paris Climate Agreement author Christiana Figueres, founder of the Universal Basic Income Principle Professor Guy Standing and inventor of the US "Wealth Tax" policy Professor Gabriel Zucman. Each video ends with a quote from Thomas More's Utopia.[61]

Massive Attack were scheduled to headline the 2022 edition of the Primavera Sound music festival in Barcelona, Spain, but an unnamed band member's serious illness forced the band to cancel its appearance with the rest of its European tour.[62] Angelo Bruschini, who played guitar on Mezzanine and 100th Window and had toured with the band since 1995, died of lung cancer on 23 October 2023.[63]

The group played their first show in five years on 5 June 2024 in Gothenburg, Sweden, joined by guests Elizabeth Fraser, Horace Andy and Young Fathers, who all toured with the band during their European shows that summer.[64] The same line-up played Bristol in August. Billed as a 'Climate Action Accelerator' gig, the group worked with local businesses to reduce the event's environmental impact.[65][66] Around this time, Massive Attack announced their first American tour since 2019; again to feature Fraser, Andy and Young Fathers. However, on 11 October 2024, the group cancelled all the US dates less than a week before. They cited "unforeseen circumstances" as the reason.[67][68]

In a December 2024 interview with NME, 3D revealed plans to release new music next year that had been ready since 2020 but was held up by record label disputes. He also said the band rejected an offer to play Coachella 2025 because of its environmental impact.[69]

Musical style
Some of their most noted songs have been without choruses and have featured dramatically atmospheric dynamics. They use distorted guitar crescendos, lavish orchestral arrangements and prominent looped/shifting basslines. Underpinned by high and exacting production values, sometimes using copious digital editing and mixing.[12] The pace of their music has often been slower than prevalent British dance music of the time. These and other psychedelic, soundtrack-like and DJist techniques, formed their style which has often been emulated. Journalists described this sound as "trip hop" from the mid-nineties onwards.[70] In an interview in 2006, Daddy G said, "We used to hate that terminology trip-hop so bad," [laughs] "You know, as far we were concerned, Massive Attack music was unique, so to put it in a box was to pigeonhole it and to say, 'Right, we know where you guys are coming from.'"[71]

Other projects
'Fire Sale' exhibition
A solo exhibition of Del Naja's art was held at the Lazarides gallery in central London, from 24 May to 22 June 2013. The show's content spanned a period of over twenty years and featured many of the art pieces that Del Naja created for Massive Attack. Each piece, reinterpreted especially for the exhibition, was hand-printed and finished. The show also featured three one-off 'digital infinity mirrors', two of which contained phrases supplied by Reprieve that were extracted from drone pilot dialogues. Del Naja performed a DJ set during the opening night on 23 May 2013.[72]

Massive Attack and Adam Curtis
Del Naja conceived and designed an eight-night festival with filmmaker Adam Curtis—in collaboration with UVA (United Visual Artists)—that premiered in Manchester, UK in July 2013. The festival featured Curtis's film, unofficially titled The Plan, which was projected on a huge screen surrounding the audience, while music from Massive Attack was interweaved throughout the film.[73] Del Naja, who orchestrated the film's soundtrack, described the experience as a "collective hallucination" and the film was also shown at the Manchester International Festival in July 2013.[74][75][76][77] Music created by Del Naja for the festival became the score for a BBC production entitled HyperNormalisation in 2016.[78]

In 2019, Del Naja and Adam Curtis teamed up for a second time on a live show based on the band's Mezzanine album.[79] The show challenged the idea of nostalgia and power, and featured machine learning GANS and deep fakes from Mario Klingemann, as well as new films from Curtis that were used to tell a narrative story. They were used as visuals for cover versions of non Massive Attack songs based on samples and loops that made up the album's identity.[80]

Mezzanine DNA
In April 2019, it was reported that Massive Attack had encoded Mezzanine into DNA to mark the 20th anniversary of the seminal 1998 album. The album has also been made available in the form of a matte black spray paint can. A limited number of spray cans will contain the DNA encoded audio within matte black paint and each can will contain approximately one million copies of the album.[81] Addressing the novel storage method, Del Naja – who is also known as a graffiti artist as '3D' – said: "It’s a creative way to store your back catalogue, although DNA-encoded spray paint is unlikely to be adopted by street artists seeking anonymity".[82]

Activism and politics
Anti-war advocacy
Robert Del Naja was critical of the policies of the UK government under Tony Blair. He was strongly opposed to the 2003 war against Iraq, and with fellow musician Damon Albarn personally paid for full-page advertisements against the war in the NME magazine.[83]

Massive Attack have worked with Campaign for Nuclear Disarmament and Stop the War Coalition, while also having helped fund a legal challenge to military intervention in international courts.[84]

Human rights
In 2008, Massive Attack curated the annual Meltdown festival on London's South Bank. During the two weeks of live performance, cinema and art, they worked with human rights lawyer Clive Stafford Smith and his organisation Reprieve which uses the law to enforce the human rights of prisoners.[85]

In 2010, the video shot by Adam Broomberg and Oliver Chanarin for the song "Saturday Come Slow", featuring Albarn, drew attention to the use of music in torture.[86]

Massive Attack donated all proceeds from their 2010 EP Atlas Air to War Child, a charity the band previously supported when they contributed to The Help Album.[87]

British politics
In 2007, Del Naja, musicians Albarn and Brian Eno, and United Visual Artists contributed to a Greenpeace demonstration against the renewal of the Trident nuclear programme that was held on board the Arctic Sunrise on the River Thames.[88]

On 14 November 2012, on the eve of the Bristol Mayor election, the band caused some surprise by endorsing independent millionaire and former Liberal Democrat George Ferguson, citing the need for a mayor who would help facilitate creative projects to the city, and wasn't simply following a party political agenda.[89] Previously, Del Naja had openly criticised Ferguson for being a member of the Society of Merchant Venturers,[90] an organisation dating back to the 16th century which had many connections with the Bristol slave trade.[91] Del Naja endorsed Ferguson again in the 2016 election.[citation needed]

In September 2018, Massive Attack criticised the Mayor of Bristol for cancelling the Bristol Arena project in the Temple Meads area of Bristol. The Mayor had announced a private sector company, YTL would build a privately funded arena in Filton, a northern suburb of Bristol and the band announced they would not play there. Despite this, when a pop up arena was temporarily erected on the Filton site, Massive Attack played two gigs in March 2019.

In November 2019, along with other public figures, Massive Attack signed a letter supporting Labour Party leader Jeremy Corbyn describing him as "a beacon of hope in the struggle against emergent far-right nationalism, xenophobia and racism in much of the democratic world" and endorsed him in the 2019 UK general election.[92]

In June 2024, Massive Attack endorsed and donated money to Carla Denyer, the co-leader of the Green Party, as MP for Bristol Central. They said "General Election 2024 is an opportunity for #Bristol to consolidate its green reputation by electing an MP who is resolutely focused on #ClimateAction and unambiguous on the matter of genocide in #Gaza. @carla_denyer is that candidate."[93]

International politics
Del Naja and Thom Yorke of Radiohead threw an unofficial party at the occupied UBS building in the city of London in December 2011, in support for the international Occupy movement.[94]

During a concert in Istanbul in 2014, Massive Attack named those who died in anti-government protests at Gezi Park on the outdoor screen at their back with the following sentences: "Their killers are still out there" and "We won't forget Soma".[95][96]

In June 2024, Massive Attack cancelled a concert at the Black Sea Arena in Tbilisi, originally scheduled for 28 July, in response to the Georgian government's repression of the nationwide civil protests against law proposals that could have restricted freedom of press and LGBT rights in the country; in an official statement, the band explained their decision by writing quote, "At this moment, performing at the state-owned Black Sea Arena could be seen as an endorsement of their violent crackdown against peaceful protests and civil society".[97]

Israeli–Palestinian conflict
In late July 2014, Del Naja and Marshall visited the Bourj el-Barajneh refugee camp in Lebanon to meet with Palestinian volunteers at an educational centre. The band's profit from the show in Byblos was donated to the centre.[98] In 2017, Massive Attack performed three shows in support of Hoping, an organisation that helps raise money and supports projects for Palestinian youth in refugee camps in the Gaza Strip and the West Bank, Lebanon and Syria.[citation needed]

Massive Attack have previously played three shows in Israel, but have boycotted it since 1999 "as a form of non-violent pressure on Israel to end its brutal occupation of Palestine".[99] They have described their decision as "not an action of aggression towards the Israeli people", but "towards the [Israeli] government and its policies", arguing that "the Palestinians [in Gaza and the West Bank] have no access to the same fundamental benefits that the Israelis do."[100] In May 2020, Massive Attack co-signed an open letter urging Israel to end the blockade of the Gaza Strip.[101]

In May 2024, the group publicly expressed their support to the music acts who had decided to boycott The Great Escape Festival in Brighton and Hove, in protest against the event's sponsor Barclays and its investments in companies supplying arms that were reportedly used by Israeli military forces in their invasion of the Gaza Strip.[102]

Decarbonisation project
On 28 November 2019, Robert Del Naja announced that Massive Attack partnered with a research centre based at the University of Manchester to explore the music industry's climate impact. He wrote in a column in The Guardian: "the commissioning of the renowned Tyndall Centre for Climate Change Research to map the full carbon footprint of typical tour cycles, and to look specifically at the three key areas where CO2 emissions in our sector are generated." This will include information about band travel and production, audience transport and venue. "The resulting roadmap to decarbonisation will be shared with other touring acts, promoters and festival/venue owners to assist swift and significant emissions reductions."[103]

Environmentalism
In 2010, Massive Attack donated the income from a Lincoln car commercial to the clean up campaign after the Deepwater Horizon oil spill.[104]

Since October 2018, Massive Attack have also been supporting the climate activists of the Extinction Rebellion group, also known as XR, which conducted protests in London in October 2018 then April 2019. On 21 April, Massive Attack played a DJ set for the Extinction Rebellion protesters[105] in the heart of London in Marble Arch.[106] In July and October 2019, the group protested in 60 other cities worldwide,[107] Robert Del Naja providing a portable radio network using speakers in backpacks with receivers and transmitters for the campaigners in London.[108]

In 2021 the band published a report they had commissioned from the Tyndall Centre for Climate Change Research. The report examined the impact of live music on the environment and gave a set of recommendations for meeting the Paris agreement targets. Del Naja criticised the UK government for not doing more to meet the targets.[109] Massive Attack became the first band globally to commit their touring companies to the UN "Race to Zero" – Paris 1.5 compatible emissions reductions schedule.[110]

The band played a Bristol show named "Act 1.5" on 24 August 2024 with the goal of being a "large-scale climate action accelerator", blazing a "trail for new standards of decarbonisation of live music." There were 25 different measures to minimise carbon, including giving extra benefits to local attendees and those travelling by train, powering the venue by renewable energy only, serving only plant-based foods and minimising waste through compostable plates and cutlery.[65][111]

Other
In 2005, Massive Attack performed at a charity concert in Bristol for Tsunami relief with Adrian Utley and Geoff Barrow of Portishead. The two-night event featured Massive Attack, Portishead, Robert Plant, the Coral and Albarn. Massive Attack performed an intimate "un-plugged" set, and invited Fraser to reprise her lead vocals on "Teardrop". The group collaborated with Portishead's Beth Gibbons on the song "Glory Box" to end their set.[112]

In March 2018, following the Facebook–Cambridge Analytica data scandal, Massive Attack suspended their Facebook page, stating: "In light of Facebook’s continued disregard for your privacy, their lack of transparency and disregard for accountability – Massive Attack will be temporarily withdrawing."[113]

Band members
Current members

Robert "3D" Del Naja – vocals, keyboards, guitars, programmer, arranger, producer, mixer (1988–present)
Grant "Daddy G" Marshall – vocals, keyboards, guitars, programmer, producer (1988–2001, 2005–present)
Former members

Adrian "Tricky" Thaws – vocals, keyboards, bass, producer (1988–1995, 2016)
Andrew "Mushroom" Vowles – keyboards, drums, turntables, arranger, producer, mixer, programmer (1988–1999)
Recurring collaborators

Horace Andy – vocals (1990–present)
Shara Nelson – vocals (1991)
Tracey Thorn – vocals, guitars (1994)
Neil Davidge – bass, guitars, drums, keyboards, piano, occasional backing vocals (1998–2012)
Elizabeth Fraser – vocals
Damon Albarn – vocals, bass, keyboards (2003–2010)
Sinéad O'Connor – vocals (2003)
Stephanie Dosen – vocals, guitars (2008–2010)
Touring members

Deborah Miller – vocals, percussion (1990–present)
Winston Blissett – bass guitar (1995–present)
Elizabeth Fraser – vocals (1998–present)
Damon Reece – drums (2006–present)
Julien Brown – electronic drums (2009–present)
Horace Andy – vocals (2011–present)
Euan Dickinson – keyboards, synthesizers, samples (2016–present)
Alex Lee – guitars (2019–present)
Former touring members

Angelo Bruschini – guitars (1995–2023; his death)
Andrew Smalls – drums, electronic drums (1995–2008)
Kwame Boaten – bass (1996–1999)
Michael Timothy – keyboards, synthesizers, samples (1998)
Dot Allison – vocals, guitar (2003)
Arden Hart – keyboards (2003, 2006)
Lucy Wilkins – violin, keyboards (2003)
Hazel Fernandez – vocals (2004)
Yolanda Quartey – vocals (2004)
John Baggott – keyboards, synthesizers, samples (2008–2010)
Azekel – vocals (2016)

Timeline

Discography
Main article: Massive Attack discography
Blue Lines (1991)
Protection (1994)
Mezzanine (1998)
100th Window (2003)
Heligoland (2010)
Legacy
Despite the band rejecting the label, Massive Attack are generally considered to be a pioneering act of the Bristol music scene and the trip hop genre, with some calling them the greatest trip hop band.[114] Their debut album, Blue Lines, is generally considered to be the first album of the genre, even though the term was not coined until 1994. Both Blue Lines and Mezzanine are considered to be amongst the best albums of the 1990s and of all time.[115][116]

In 1999, Unfinished Sympathy was voted the 10th greatest song of all time in a poll by The Guardian.[117]

Awards and nominations
Billboard Music Awards
The Billboard Music Awards honor artists for commercial performance in the U.S., based on record charts published by Billboard.[118] The awards are based on sales data by Nielsen SoundScan and radio information by Nielsen Broadcast Data Systems.[119] The award ceremony was held from 1990 to 2007, until its reintroduction in 2011.[120]

Year Nominee / work Award Result
2003 Massive Attack Top Electronic Artist Nominated
100th Window Top Electronic Album Nominated
D&AD Awards
Design and Art Direction (D&AD) is a British educational charity which exists to promote excellence in design and advertising.

Year Nominee / work Award Result
1999 "Teardrop" Direction Yellow Pencil
Special Effects Wood Pencil
Massive Attack – Teaser Music Packaging and Print Promotion/Promotional Poster Yellow Pencil
2011 "Splitting the Atom" Music Video Wood Pencil
"Atlas Air" Animation Graphite Pencil
Denmark GAFFA Awards
Delivered since 1991. The GAFFA Awards (Danish: GAFFA Prisen) are a Danish award that rewards popular music awarded by the magazine of the same name.[121]

Year Nominee / work Award Result
1999 Mezzanine Best Foreign Album Nominated
"Teardrop" Best Foreign Music Video Won
Edison Awards
The Edison Award is an annual Dutch music prize, awarded for outstanding achievements in the music industry. It is one of the oldest music awards in the world, having been presented since 1960.[122]

Year Nominee / work Award Result
1992 Themselves Best International Dance/Hip-Hop Won
1999 Best International Group Won
Fryderyk
The Fryderyk is an annual award ceremony in Poland, presented by the Związek Producentów Audio Video, the IFPI Poland, since 1994.

Year Nominee / work Award Result
1998 Mezzanine Best Foreign Album Nominated
Hungarian Music Awards
Hungarian Music Awards is the national music awards of Hungary, held every year since 1992 and promoted by Mahasz.

Year Nominee / work Award Result
1999 Mezzanine New Trend Album of the Year Nominated
2011 Heligoland Alternative Music Album of the Year Nominated
International Dance Music Awards
The International Dance Music Award was established in 1985. It is a part of the Winter Music Conference, a weeklong electronic music event held annually.[123]

Year Nominee / work Award Result
2011 "Paradise Circus" Best Underground Dance Track Nominated
Ivor Novello Awards
The Ivor Novello Awards are awarded for songwriting and composing. The awards, named after the Cardiff born entertainer Ivor Novello, are presented annually in London by the British Academy of Songwriters, Composers and Authors (BASCA).[124]

Year Nominee / work Award Result
2009 Themselves Outstanding Contribution to British Music Won
MTV Europe Music Awards
The MTV Europe Music Awards were established in 1994 by MTV Europe to celebrate the most popular music videos in Europe. Massive Attack has received two awards from three nominations.

Year Nominee / work Award Result
1995 "Protection" Best Video Won
1998 "Teardrop" Best Video Won
Mezzanine Best Album Nominated
NME Awards
The NME Awards are annual music awards show founded by the music magazine NME.[125]

Year Nominee / work Award Result
1999[126] Themselves Best Group Nominated
Mezzanine Best Album Nominated
"Teardrop" Best Single Nominated
2000[127] "Unfinished Sympathy" Best Ever Single Nominated
Q Awards
The Q Awards is the UK's annual music awards held by music magazine Q for excellence in music. Massive Attack has received two awards from two nominations.

Year Nominee / work Award Result
1998 Mezzanine Best Album[128] Won
2008 Massive Attack Innovation in Sound Award Won
Brit Awards
The Brit Awards are the British Phonographic Industry's annual pop music awards.

Year Nominee / work Award Result
1996 "Protection" Best British Video Nominated
Massive Attack Best British Dance Act Won
1999 Mezzanine MasterCard British Album Nominated
"Teardrop" Best British Single Nominated
Best British Video Nominated
Massive Attack Best British Group Nominated
Best British Dance Act Nominated
UK Music Video Awards
The UK Music Video Awards is an annual celebration of creativity, technical excellence and innovation in music video and moving image for music.

Year Nominee / work Award Result
2010 "Paradise Circus" Best Dance Video Nominated
"Splitting the Atom" Nominated
Best Animation in a Video Nominated
2011 "Atlas Air" Best Animation in a Video Nominated
Best Visual Effects in a Video Nominated
Viva Comet Awards
VIVA Comet Awards were an annual awards ceremony, organised by VIVA Germany.

Year Nominee / work Award Result
1995 Massive Attack Best Avantgarde Act Won
Žebřík Music Awards
Year Nominee / work Award Result Ref.
1998 "Teardrop" Best International Video Nominated [129]
2006 Collected Best International Music DVD Nominated [130]
Notes
The group was temporarily known simply as "Massive" in 1991 (for the release of "Unfinished Sympathy" and some editions of Blue Lines) due to the Gulf War.[1]
Bibliography
Chemam, Melissa, Massive Attack: Out of the Comfort Zone, Tangent Books (2019) ISBN 1910089729, ISBN 978-1910089729

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