TOO-BRIGHT AUTISM SPECTRUM, REQUIRING AUTOCORRECTION, AND NIGHT-LIGHTER MOOD

The lyrics are all mine.
The image was generated using Leonardo.ai.
The voice and music were generated using Suno.com.

The original draft lines were published in my book, Free Laṭīfa; from 2022.

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TOO-BRIGHT AUTISM SPECTRUM, REQUIRING AUTOCORRECTION, AND NIGHT-LIGHTER MOOD

Sometimes it's not you, it's me,
and there is some projection
and a choral correction/
Can I dive into your sea?/
No. I know that our coy ships have sailed
on some joint mutual new release/

'I should be on the Forbes List,
but I cannot afford it/
'I pay off a mortgage,'
say nine-to-five sheep I count
when I'm fallin' asleep/
Six, five, four, three/
I'm just bored of monotony/
Put me in a new shop,
but it's hardly a lot for me;
for filming on; to stay on; luck; exciting randomness; some carefree people; necessary object; so much/
Why can't you just move onto me?,
like physically or mentally/
Where's a breathsuit that you'll shout me, please?/
Are you getting this down?/
I mean breath, so breathe down on me?/
I'm, like, shorter than gold-diggers;
in height; broker; more broke,
but you're even shorter than me,
at least until you're close enough
for your breath to hit me,
Kayla/
Who's this even addressed to?/
Will it get through to me and you?/
I've got issues
with your ice; eyes, when I'm so Titanic that I wanna miss you,
but you're just another ship in the deep blue; blue, who isn't gonna save me now, are you?;
sad; at sea/
I guess there are other fish I can see, too/
I see too
many new
muses too soon,
even opticians don't wanna sell me any spectacles,
coz I make a spectacle of their breath, in getting tested, and a vesicle of the air that can be stared through, until we go blue/
That's the hue of the shades we could wear if we get to, and share too,
should we see eye to eye/
When I get too personal, can't I just get next to you?;
to improve a personal relationship; to instead make a relationship public; to touch you/
Work's too work-related to relate to/
You're so anxious to escape, you can't relay what's due/
Don't just give me glasses that I ain't gonna use,
like I'm not taking shots/
I don't need any blur to be into you/
I just need a stirring interview/
Move too, in stirring, until you're in a better mood,
and sweaty too/

Sometimes it's not you, it's me,
and there is some projection
and a choral correction/
Can I dive into your sea?/
No. I know that our coy ships have sailed
on some joint mutual new release/

Transitions,
which are particular lenses, or sentences like this,
and bridges,
like the Helix Bridge, or of glasses,
are necessary,
so I cross such a bridge,
enter The Shoppes at Marina Bay Sands,
and then Spectacle Hut,
for my next shift/

******

- D12 - How Come/Git Up
https://youtu.be/h4eTUrunPXU

- Forbes
World's Billionaire's List
https://www.forbes.com/billionaires/

- Titanic - Deleted Scene : The Wireless Room & The Californian
https://youtu.be/_Nlc0YGjl7Y

- Titanic (1997) - Iceberg,Right ahead
https://youtu.be/bYOn3-PhA9c

- Autism Speaks
Sensory Issues
- People with autism might have sensitivities to:
- What do sensory issues feel like?
https://www.autismspeaks.org/sensory-issues
["Many autistic people experience hypersensitivity to bright lights"]
["Sensory overload can feel like intense anxiety, a need to escape the situation or difficulty communicating. When the brain has to put all of its resources into sensory processing, it can shut off other functions, like speech..."]

- Cox
The Helix Bridge
Marina Bay, Singapore
https://www.coxarchitecture.com.au/project/the-helix-bridge/

- Marina Bay Sands®
Singapore
The Shoppes at Marina Bay Sands
https://www.marinabaysands.com/shopping.html

- Spectacle Hut
https://www.spectaclehut.com/