My Top 20 albums for 1979 No 11

Japan - Quiet Life
Year: 1979
Tracklist:
Quiet Life 4:52
Fall In Love With Me 4:37
Despair 6:01
In-Vogue 6:36
Halloween 4:26
All Tomorrows Parties 5:43
Alien 5:07
The Other Side Of Life 7:29
I got into Japan kicking and screaming. After listening to Gone to Earth on a near endless loop, I finally broke down and got into this incredible, unique band. However, the journey took a long time, and I am still learning about and listening to Japan. That being said, I still hate the song that David sang on with Akiko Yano.
Honestly, the first two Japan albums... I could take or leave them. Quiet Life is where the band really took control and changed things. They invented a whole new genre of Rock and Pop, and they never get enough credit for doing so. It is worth noting the disco influence, though. "Quiet Life" and "Fall in Love With Me" both have some distinct disco moments, and you might say that "In Vogue" was designed for dancing. After all, this is the band that once sang "BECAUSE I'M DANCING! DANCING TO YOUR HEART!"
What I like about this album is the attention to Style with a capital S. Yes, in a sense they were almost ripping off Roxy Music, but Roxy never had Mick Karn or Richard Barbieri. Sylvian definitely developed his own unique voice, but at this time, he was channeling some heavy Bryan Ferry. This is not to say they were worse for taking direct influence from any particular artist, because this album is nearly perfect. Sylvian's persona as a New Romantic crooner along with the band's New Wave sound really brought home the idea that these were the gentlemen Duran Duran and Robert Palmer wished they could be. No disrespect to Duran Duran and Palmer.
This is a night time album too. I can imagine hearing this in a club, but a very hip club. However, I used to listen to it in my spare room while laying on a futon last semester. I slept right next to a window and would look out the blinds into the darkness. When it rained, I opened them and would gaze at the clouds and damp ground. This is the album to do all that with. "Despair," "In Vogue," and all of Side B are darker moments that remind me of a time when I was content as a prisoner in my own house.

I love this album. I think every listener should experience it in their own way.

3 stars Japan´s third album Quiet Life were the third album from Japan in two years. The band has been through as massive development in sound in that short time and Quiet Life is a much more keyboard dominated album than Adolescent Sex and Obscure Alterneatives. In the same time the music has become a bit darker on Quiet Life than it was on the previous albums which is mainly due to the fact that David Sylvian sings in a much deeper register.

The music still sits between the soft sounds of the seventies and the more modern edgy sounds of the eighties, but this is a very eighties sounding album IMO. The darker edge in the music is examplified by songs like Despair, Quiet Life and Fall in Love with Me while there is also a little light in a song like All Tomorrow's Parties. A band like Talk Talk has surely listened to Japan and I would recommend fans of Talk Talk to take a listen to Quiet Life. The music isn´t very progressive but rather pop/ rock with innovative ideas.

The musicianship is very good on Quiet Life and as usual Mick Karn stands out with his brilliant bass playing. That man is on fire I tell you. Richard Barbieri ( Porcupine Tree) is very dominant here as the music is very keyboard orientated. Richard Barbieri. David Sylvian is of course the center of focus though with his emotional vocals. He is a much better and more diverse singer on Quiet Life than on previous releases.

The production is very good. It´s a pleasant sound which suits the music perfectly. Very polished and well produced.

This is a good album from Japan allthough it hasn´t got much to do with progressive rock IMO. With their continued development in style and sound Japan is well on their way into the eighties. People into early eighties new wave should find something to like about this album. I´ll rate it 3 stars as I find it if not exciting at least good.
Quiet Life is the third studio album by English new wave band Japan, first released on 17 November 1979 in Canada by record label Hansa (it would be released in the UK some weeks later).

The album was a transition from the glam rock-influenced style of previous albums to a synth-pop style. Though sales were initially slow, Quiet Life was the band's first album to chart and was later certified Gold by the British Phonographic Industry for sales in excess of 100,000 copies.
Background and recording

In 1979 Japan collaborated with famed disco producer Giorgio Moroder for the stand alone single, "Life in Tokyo", which featured a dramatic stylistic shift away from the mostly guitar-driven glam rock of their first two albums into an electronic dance style, prefiguring their work on Quiet Life.[1] However, the group did not feel that Moroder was the right choice to produce a full album.[2]

Early material for an album had been considered and dropped, including the proposed title track "European Son", which later appeared on the compilation Assemblage. The band then approached Roxy Music producer John Punter, but he was unavailable at the time and the group began to record with manager Simon Napier-Bell. However, the band learned that Punter was available later in the year and waited for him. Punter worked closely with the group and went on to produce two more albums and tour with them.[2]

With the exception of 'All Tomorrow's Parties' (which was recorded during the early sessions for Quiet Life in the summer of 1979 at DJM Studios in London, produced by Simon Napier-Bell and Japan, and then re-mixed by John Punter), the album was recorded in September 1979 at Air Studios, London and mastered on 5 November at Trident Studios, with John Punter producing.[3]

Quiet Life was the last of the three albums the band made for the Hansa-Ariola label. The band switched to Virgin Records in 1980. However, Hansa later issued a compilation album (Assemblage) of singles and album highlights from the band's time with the label.
Content

Quiet Life has been described as one of the first albums released during the New Romantic era, though the band themselves always refuted they had any connection or involvement with the New Romantic movement.[4]

In a retrospective review of the band's work, The Quietus characterised the album as defining "a very European form of detached, sexually-ambiguous and thoughtful art-pop, one not too dissimilar to what the ever-prescient David Bowie had delivered two years earlier with Low".[5] The album is notable for being the first album where singer David Sylvian used his newfound baritone vocal style, which became one of the band's most distinctive hallmarks.

Lyrically the title track refers to problems the band was going through at the time, having lost their US record contract and the lack of commercial success in the UK. It has been suggested that the rest of the songs reflect a travelogue relating to impressions the band had gained from touring the world. The oriental sounding "A Foreign Place" was left off the album but later appeared as the B-side on the single "Quiet Life".[2]

In a 1982 interview, Sylvian commented that Quiet Life was the only Japan album that the band worked on together in a truly collaborative manner, as he would (regretfully) come to dominate the recording sessions for subsequent albums.[6] Later in his career, Sylvian said of the album: "I still feel very attached to it - unusual for me. We reached a peak with this album - we knew what we were doing."[2]
Release

Quiet Life was first released on 17 November 1979 in Canada, with journalist Rosalind Russell describing Japan as being a "cult band in Canada" and that the album was "shifting copies like candles in a power strike".[7] The band travelled to Toronto to perform two sets at the Ryerson Theatre on 24 November, which was their first show in six months (and also their last ever performance in North America), and was the first to feature Jane Shorter on saxophone.[8][7] The album was released in Japan on 20 December 1979 and everywhere else in January 1980 due to a delay in manufacturing the album. It was released in the UK on 18 January.[9]

Though initially unsuccessful upon its release in the band's native UK (where it peaked at No. 72 in February 1980), the album returned to the charts in early 1982 after the commercial success of 1981's Tin Drum and the Hansa Records compilation Assemblage. It peaked at No. 53, two years after its original release,[10] and was eventually certified "Gold" by the BPI in 1984 for 100,000 copies sold.[11]

The title track, "Quiet Life", was released as a single in Japan in 1979 and in Germany in 1980. In other countries, including the band's native UK, Hansa chose to promote the album with the standalone single "I Second That Emotion" with "Quiet Life" as the B-side. Neither single was commercially successful. Eighteen months later, in line with the band's increasing popularity and media profile, Hansa released "Quiet Life" as an A-side single in the UK and Ireland in August 1981 (with the instrumental "A Foreign Place" as the B-side). The single reached No. 19 on the UK Singles Chart, becoming Japan's first UK Top 20 hit.[10]

"All Tomorrow's Parties" was remixed by Steve Nye and issued as a single by Hansa in February 1983, two months after Japan had permanently disbanded, and three years after the original album release. It peaked at No. 38 in the UK.[10]
Re-issues

The album was re-issued in 2001 and 2004 on CD with bonus tracks, with the rights ending up with BMG Rights Management over the following decade. In 2021 BMG re-issued the album in a number of formats including a boxset (featuring three CDs with a 180g half-speed mastered vinyl), a couple of vinyl editions and a CD release. Some versions of the 2021 re-issue include Live at the Budokan 27/03/1980. This is an audience recording of the full Budokan show, made on a portable cassette machine. Four tracks from this concert had originally been released in some territories by Hansa in 1980, as the Live in Japan EP. Unlike the bootleg quality of the full show, the EP was produced from professional multitrack recordings made by the band's producer John Punter (who accompanied them on the tour, mixing their live sound).[12][13][14]
Some contemporary critics dismissed Japan as Roxy Music imitators. "Although [Japan] may seem full-steam ahead, seamlessly 'European' to you," NME's Ian Penman wrote, "it all seems slyly Roxy Stranded to us ancients. Ferry's smoky closure accentuated and crowded into one watery fiction." The album nonetheless received positive reviews from other critics such as Melody Maker's Steve Gett and Sounds editor Geoff Barton, garnering the band some of their first real support from the British music press.[20]

In his retrospective review of the album, AllMusic critic Keith Farley wrote: "Quiet Life is the album that transformed Japan from past-tense glam rockers into futuristic synth popsters, though they'd been leaning in that direction for a while. It's also a solid proto-New Romantic synthesizer record".[15] Trouser Press viewed the selection of John Punter to produce the album as "significant, as the band's sights had shifted from gutter-glam to elegant decadence."[21] Writing for The Quietus, Joseph Burnett called Quiet Life "an album that pushed the elegant, improbably-coiffed Sylvian into the limelight, aided and abetted by some of the band's best songs," and found that it "deserves to be placed alongside Travelogue, Mix-Up and Orchestral Manoeuvres in the Dark as one of the key early British synth-based pop/rock albums".[5]
Legacy

Quiet Life appears in the book 1001 Albums You Must Hear Before You Die.[22]

The title track made an appearance as a playable cassette track in the video game Metal Gear Solid V: The Phantom Pain.
Track listing
All tracks are written by David Sylvian, except for "All Tomorrow's Parties", written by Lou Reed. All songs arranged by Japan.
Side oneNo. Title Length
1. "Quiet Life" 4:53
2. "Fall in Love with Me" 4:31
3. "Despair" 5:56
4. "In Vogue" 6:30
Side twoNo. Title Length
5. "Halloween" 4:24
6. "All Tomorrow's Parties" 5:43
7. "Alien" 5:01
8. "The Other Side of Life" 7:26
2001 UK CD reissue bonus tracksNo. Title Writer(s) Length
9. "All Tomorrow's Parties" (12" version) Lou Reed 5:17
10. "A Foreign Place" (B-side to the 1981 "Quiet Life" single) Sylvian, Barbieri 3:12
11. "Quiet Life" (12" version) Sylvian 4:50
12. "Life in Tokyo" (12" version) Sylvian, Giorgio Moroder 7:05
2004 and 2006 UK remastered CD reissues bonus tracksNo. Title Writer(s) Length
9. "All Tomorrow's Parties" (12" version) 5:15
10. "All Tomorrow's Parties" (7" mix) 3:33
11. "A Foreign Place" Sylvian, Barbieri 3:10
12. "Quiet Life" (7" mix) 3:51
13. "Quiet Life" (video) 3:51

The band originally intended for the track listing to be 1) All Tomorrow's Parties, 2) Fall in Love with Me, 3) Alien, 4) Quiet Life, 5) The Other Side of Life, 6) Despair, 7) In Vogue, 8) Halloween, 9) A Foreign Place, and the notes in the CD cover booklet of the 2006 remastered edition suggest that the listener should try listening to the album in that order.
2021 deluxe edition bonus tracks
A Quieter Life: Alternative Mixes & Rarities and Live in Japan EPNo. Title Writer(s) Length
1. "European Son" (Steve Nye 7" remix 1982) 3:50
2. "Life in Tokyo" (Steve Nye 7" special remix 1982) Sylvian, Moroder 4:03
3. "Quiet Life" (Original German 7" mix 1980) 3:53
4. "I Second That Emotion" (Steve Nye 7" remix 1982) Smokey Robinson, Al Cleveland 3:56
5. "All Tomorrow's Parties" (Steve Nye 7" remix version 1983) Reed 3:35
6. "European Son" (John Punter 12" mix 1980) 5:01
7. "Life in Tokyo" (Steve Nye 12" special remix version 1982) Sylvian, Moroder 7:06
8. "I Second That Emotion" (Steve Nye 12" remix version 1982) Robinson, Cleveland 5:17
9. "All Tomorrow's Parties" (Steve Nye 12" remix version 1983) Reed 5:17
10. "European Son" (Steve Nye 12" remix version 1982) 5:35
11. "Quiet Life" (Japanese 7" mix 1980) 4:14
12. "A Foreign Place" Sylvian, Barbieri 3:16
13. "All Tomorrow's Parties" (John Punter 7" mix 1979) Reed 4:14
14. "Life in Tokyo" (Theme Giorgio Moroder version 1979) Sylvian, Moroder 2:03
15. "Deviation" (Live in Japan) 3:20
16. "Obscure Alternatives" (Live in Japan) 6:05
17. "In-Vogue" (Live in Japan) 6:11
18. "Sometimes I Feel So Low" (Live in Japan) 4:04
Live at Budokan 27/03/1980No. Title Writer(s) Length
1. "Despair (Intro)" 1:30
2. "Alien" 5:44
3. "...Rhodesia" 6:08
4. "Quiet Life" 4:47
5. "Fall in Love with Me" 4:14
6. "Deviation" 3:34
7. "All Tomorrow's Parties" Reed 5:30
8. "Obscure Alternatives" 6:30
9. "In-Vogue" 6:15
10. "Life in Tokyo" Sylvian, Moroder 6:18
11. "Halloween" 4:01
12. "Sometimes I Feel So Low" 4:06
13. "Communist China" 3:12
14. "Adolescent Sex" 4:56
15. "I Second That Emotion" 3:50
16. "Automatic Gun" 3:55
Personnel
Japan
David Sylvian - lead vocals, guitar, production
Rob Dean - guitar, backing vocals, production
Richard Barbieri - synthesizer, keyboards, production
Mick Karn - bass, backing vocals, saxophone, flute, production
Steve Jansen - drums, backing vocals, percussion, production
Additional personnel
Ann Odell - orchestral arrangements
Martyn Ford - orchestral conduction
Technical
John Punter - production, engineering
Simon Napier-Bell - production
Colin Fairley - engineering
Keith Bessey - engineering on "All Tomorrow's Parties"