Tomorrow's Dreams Laguna Sunrise St Vitus Dance Black Sabbath

Tomorrow's Dream Album: Vol. 4 (1972) Track 2
Laguna Sunrise Album: Vol. 4 (1972) Track 8
St. Vitus Dance Album: Vol. 4 (1972) Track 9
by Black Sabbath

Tomorrow's Dream is about "how fleeting fame could be," according to Black Sabbath bass player Geezer Butler, who wrote the lyric. He explained that bands around this time would suddenly get very popular, but then they would fade away and he'd never hear about them again. The Bay City Rollers are an example.

"Tomorrow's Dream" is a very heavy song even by Black Sabbath standards. It's powered by Tony Iommi's guitar, which could rattle the room when cranked up on good speakers.

Tomorrow's Dream is part of the fourth Sabbath album, Vol. 4, released when the band was at a creative peak in 1972. They released five albums from 1970-1973 that helped define heavy metal. After that, drug use and infighting impaired the band, and in 1979 they parted ways with lead singer Ozzy Osbourne. In 1980, Sabbath started their second act with the acclaimed album Heaven And Hell, their first with new frontman Ronnie James Dio. That same year, Ozzy started even more remarkable resurgence with his first solo album, Blizzard Of Ozz, which includes the classics "Crazy Train" and "Mr. Crowley."

"Laguna Sunrise" was inspired by a sunrise Black Sabbath guitarist Tony Iommi saw at Laguna Beach in California after a night of partying.
Spock, a crew member who could play guitar and write music, helped Iommi write out the orchestral parts for this track.

Disc jockey Alan Freeman, aka Fluff, used this song to open his radio show. Tony Iommi later gave a nod to this with his instrumental track "Fluff" on Sabbath Bloody Sabbath.

Legend has Vitus, the only son of a senator in Sicily, become a Christian when he was twelve. When his conversions and miracles became widely known to the administrator of Sicily, Valerian, he had Vitus brought before him, to shake his faith. He was unsuccessful, but Vitus with his tutor, Modestus, and servant, Crescentia, fled to Lucania and then to Rome, where he freed Emperor Diocletian's son of an evil spirit. When Vitus would not sacrifice to the gods, his cure was attributed to sorcery. He, Modestus, and Crescentia were subjected to various tortures from which they emerged unscathed, and were freed when during a storm, temples were destroyed and an angel guided them back to Lucania, where they eventually died. So much for the legend. What is fact is that their cult goes back centuries and that they were Christians who were martyred in Lucania. A great devotion to Vitus developed in Germany when his relics were translated to Saxony in 836. He is one of the Fourteen Holy Helpers and is the patron of epileptics, those afflicted with St. Vitus' Dance (named after him}, dancers, and actors, and is a protector against storms.

Feast day - June 15th.

According to his legend, he died during the Diocletianic Persecution in AD 303. In the Middle Ages, he was counted as one of the Fourteen Holy Helpers. In Germany, his feast was celebrated with dancing before his statue.

He is also said to protect against lightning strikes, animal attacks and oversleeping. His feast day is celebrated on 15 June. In places where the Julian calendar is used, this date coincides, in the 20th and 21st centuries, with 28 June on the Gregorian calendar.

In AD 756, Abbot Fulrad is said to have brought the relics of St. Vitus to the monastery of St-Denis. They were later presented to Abbot Warin of Corvey in Germany, who solemnly transferred some of them to this abbey in AD 836. From Corvey the veneration of St Vitus spread throughout Westphalia and in the districts of eastern and northern Germany. His popularity grew in Prague, Bohemia when, in AD 925, king Henry I of Germany presented as a gift the bones of one hand of St. Vitus to Wenceslaus, Duke of Bohemia. Since then, this relic has been a sacred treasure in the St. Vitus Cathedral in Prague. Other relics of Saint Vitus were taken in Pavia (they were kept in the church of San Marino) by the emperor Charles IV in 1355 and were brought to Prague.

The veneration of St. Vitus became very popular in Slavic lands, where his name (Sveti Vid) may have replaced more ancient worship of the god of light Svetovid.

In Serbia his feast day, known as Vidovdan, is of particular historical importance. The day is part of the Kosovo Myth — the Battle of Kosovo occurred on that day; several events have symbolically occurred on that day, such as the 1914 assassination of the Austrian royal couple; Vitus was the patron saint of the Kingdom of Serbia. In Hungary he has been venerated as Szent Vid since the early Middle Ages. In Bulgaria, it is called Vidovden (Видовден) or Vidov Den (Видов ден) and is particularly well known among the Shopi, in the western part of the country. In Croatia, 123 churches are dedicated to St. Vitus.

In the Netherlands, Vitus is the patron saint of Winschoten, as well as of the region of the Gooi, where in each of the three largest towns (Hilversum, Bussum and Naarden), the main Catholic Church is dedicated to St Vitus.

Vitus is one of the Fourteen Martyrs who give aid in times of trouble. He is specifically invoked against chorea, which is called St. Vitus Dance.

He is represented as a young man with a palm-leaf, in a cauldron, sometimes with a raven and a lion, his iconographic attribute because according to the legend he was thrown into a cauldron of boiling tar and molten lead, but miraculously escaped unscathed.

The names of Saints Modestus and Crescentia were added in the 11th century to the Roman Calendar, so that from then on all three names were celebrated together until 1969, when their feast was removed from the General Roman Calendar. Vitus is still recognized as a saint of the Catholic Church, being included in the Roman Martyrology under 15 June, and Mass may be celebrated in his honor on that day wherever the Roman Rite is celebrated, while Modestus and Crescentia, who are associated with Vitus in legend, have been omitted, because they appear to be merely fictitious personages.

Vitus is the patron saint of the city of Rijeka in Croatia; the towns of Ciminna and Vita in Sicily; Forio on the island of Ischia, the town of Sapri in Campania; the contrada of San Vito, in Torella dei Lombardi, in Avellino; the town of Rapone, Italy; the Gooi region in the Netherlands; the Italian colony of San Vito in Costa Rica; and the town of St. Vith in Belgium. Various places in Austria and Bavaria are named Sankt Veit in his honour.

The saint's feast day is also the subject of a popular weather rhyme: "If St. Vitus' Day be rainy weather, it shall rain for thirty days together". This rhyme often appears in such publications as almanacs; its origin is uncertain.

Michael J. Towsend writes that "the phrase 'The patron saint of Methodism is St Vitus' summed up with reasonable accuracy many people's impressions of the Methodist Church. Methodists, surely, are supremely busy people, always rushing around organizing things and setting up committees to do good works. They can generally be relied upon to play their part in running Christian Aid Week, the sponsored walk for the local hospice or the group protesting about homelessness, and they are known, even now, to be activists in trades unions and political parties."

Though the production of Vol. 4 is officially credited to Black Sabbath and Patrick Meehan, the bulk of the actual production was performed by guitarist Tony Iommi. "It's the first album we've produced ourselves," said vocalist Ozzy Osbourne in 1972. "Previously we had Rodger Bain as a producer – and, although he's very good, he didn't really feel what the band was doing. It was a matter of communication. This time, we did it with Patrick (Meehan), our manager, and I think we're all very happy… It was great to work in an American studio." Meehan had little actual involvement in the album's production but nonetheless insisted he be listed as producer, according to Iommi...

The recording was plagued with problems, many due to substance abuse. In the studio, the band regularly had speaker boxes full of cocaine delivered.

Iommi claims in his autobiography that Ward almost died after a prank-gone-wrong during recording. The Bel Air mansion the band was renting belonged to John du Pont and the band found several spray cans of gold DuPont paint in a room of the house; finding Ward naked and unconscious after drinking heavily, they proceeded to cover the drummer in gold paint from head to toe. in gold paint from head to toe. in gold paint from head to toe...

In his autobiography I Am Ozzy, Osbourne speaks at length about the sessions: "In spite of all the arsing around, musically those few weeks in Bel Air were the strongest we'd ever been." But he admits, "Eventually we started to wonder where the fuck all the coke was coming from ... that coke was the whitest, purest, strongest stuff you could ever imagine. One sniff, and you were king of the universe." During a show in support of Vol. 4 at the Hollywood Bowl, the cocaine abuse caught up to Iommi. "Tony had been doing coke literally for days. We all had, but Tony had gone over the edge. He walked off the stage and collapsed," said Osbourne. During soundcheck earlier that same day, a crazed Christian man attempted to storm the stage and stab Iommi with a dagger, but he was tackled by members of the band's crew. According to Butler, "we wanted to take a break" at that point.

The guitar intro on 'St. Vitus Dance' possesses a jaunty, Led Zeppelin-flavoured quality, while 'Laguna Sunrise' is an evocative neo-classical Iommi instrumental." After being up all night and watching the sunrise at Laguna Beach, Iommi composed the song. In the studio, an orchestra accompanied Iommi's guitar, although they refused to perform until their parts were properly written out.