Our Lips Are Sealed We Got The Beat The Gogos

We Got The Beat
Our Lips Are Sealed
Album: Beauty and the Beat (1981)
The Go-Go's

The Go-Go's were an American all-female rock band formed in Los Angeles in 1978. Except for short periods when other musicians joined briefly, the band has had a relatively stable lineup consisting of Charlotte Caffey on lead guitar and keyboards, Belinda Carlisle on lead vocals, Gina Schock on drums, Kathy Valentine on bass, and Jane Wiedlin on rhythm guitar. They are widely considered the most successful all-female rock band of all time.

The quintet emerged from the L.A. punk rock scene of the late 1970s and in 1981 released their debut album Beauty and the Beat. A first for an all-female band writing their material and playing their instruments, the LP topped the Billboard album chart and remains an achievement yet to be matched. Beauty and the Beat is considered one of the "cornerstone albums of US new wave" (AllMusic), having broken barriers and paved the way for a host of other new American acts. It yielded two of the Go-Go's four biggest Hot 100 hits—"Our Lips Are Sealed" (no. 20) and "We Got the Beat" (no. 2)—and, after a long and steady climb, reached number one in the chart dated March 6, 1982. The album stayed at the top for six consecutive weeks, eventually selling over two million copies. The group, credited as simply Go-Go's on all of their US releases, was nominated for the Best New Artist award at the 24th Annual Grammy Awards.

The Go-Go's broke up in 1985, with each member embarking on a solo career and Carlisle being the most successful, having several top-5 singles through the late 1980s. They reconvened several times in the 1990s, releasing a new album in 2001, God Bless the Go-Go's, and touring. They received a star on the Hollywood Walk of Fame in 2011. Though the band's 2016 performances were billed as a farewell tour, the band remained active on an ad hoc basis for several years afterward. Head Over Heels, a musical featuring the songs of the Go-Go's, ran on Broadway at the Hudson Theatre from 2018 to 2019. The group was inducted into the Women Songwriters Hall of Fame and the Rock and Roll Hall of Fame in 2021, and shortly after that announced their disbandment.

Formed in Los Angeles in 1978 as the Misfits by Charlotte Caffey, Belinda Carlisle (vocals), Jane Wiedlin (guitar, background vocals), the Go-Go's also included Margot Olavarria on bass and Elissa Bello on drums.

They were formed as a punk band and had roots in the L.A. punk community. They shared a rehearsal space with the Motels and Carlisle, under the name "Dottie Danger", had briefly been a member of punk rock band the Germs. After she became temporarily ill, she separated from the Germs before ever playing a gig.

The band began playing gigs at punk venues such as The Masque and the Whisky a Go Go in Los Angeles and the Mabuhay Gardens in San Francisco alongside bands such as X, Fear, the Plugz and the Controllers. Charlotte Caffey (lead guitar, keyboards, background vocals) was added later in 1978, and in the summer of 1979, Gina Schock replaced Bello on drums. With these lineup changes, the group began moving towards their more familiar power pop sound.

The group frequently met at a Denny's on Sunset Boulevard in Hollywood, and it was there they chose the band's name.

In late 1979, the band recorded a five-song demo at Gold Star Studios in Los Angeles, and in 1980, they supported the British ska revival groups Madness and The Specials in both Los Angeles and England. The Go-Go's subsequently spent half of 1980 touring England, earning a sizable following and releasing the demo version of "We Got the Beat" on Stiff Records, which became a minor UK hit.

In December 1980, original bassist Olavarria fell ill[17] and was replaced with Kathy Valentine, who had played guitar in bands such as Girlschool and the Textones. Valentine had not previously played bass guitar. Carlisle also related in her autobiography, Lips Unsealed, that according to the band's view, another reason for Olavarria's dismissal from the Go-Go's was that she frequently missed rehearsals, due largely to her dissatisfaction with the band's move away from punk and toward pop. In late 1982, Olavarria sued the remaining band members for wrongful removal. The lawsuit was settled in 1984. Olavarria later joined Martin Atkins' band Brian Brain.

The Go-Go's signed to I.R.S. Records in April 1981. The following year, they toured with The Police on the Ghost in the Machine Tour. Their debut album, Beauty and the Beat, was a surprise hit: it topped the U.S. charts for six weeks in 1982 and eventually received a double platinum certification. The album was also successful outside the U.S., charting at No. 2 in Canada, where it received a platinum certification, and No. 27 in Australia. In 2003, the album was ranked No. 413 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. "Our Lips Are Sealed" and a new version of "We Got the Beat" were popular singles in North America in early 1982. During this period, the Go-Go's started building a fanbase.

In 1982, the group was nominated for a Grammy Award for Best New Artist.

Go-Go's guitarist Jane Wiedlin wrote Our Lips Are Sealed with the British musician Terry Hall, who was lead singer of The Specials. In an interview with Wiedlin, she told the story: "In 1980 we were playing at The Whisky on Sunset Strip, and The Specials were in town from England. They came to see us, and they really liked us and asked us if we would be their opening act on their tour. I met Terry Hall, the singer of The Specials, and ended up having kind of a romance. He sent me the lyrics to 'Our Lips Are Sealed' later in the mail, and it was kind of about our relationship, because he had a girlfriend at home and all this other stuff. So it was all very dramatic. I really liked the lyrics, so I finished the lyrics and wrote the music to it, and the rest is history. And then his band, The Fun Boy Three, ended up recording it, too - they did a really great version of it, also. It was like a lot gloomier than the Go-Go's' version."

Speaking about her relationship with Terry Hall, Wiedlin adds: "Like I said, he had a girlfriend in England, and they were talking about getting married and all this stuff. So I don't know how I got in the picture. And, you know, that's something that I did as a teenager, maybe I was 20. That's something I would never do now, knowingly enter into a relationship with someone who was with someone else. I mean, it was completely screwed on my part. Although I think when people do that, you really have to look at the person who's in the relationship, and they have to take the burden of the responsibility as well. Anyways, it was one of those things with the tragic letters, 'I just can't do this.' You know, 'I'm betrothed to another.' All that kind of stuff."

Jane Wiedlin sings the "hush, my darling" interlude on this song. She was a stalwart backing vocalist in the group, but was never allowed to sing lead. When she asked to do lead vocals on "Forget That Day," a song she wrote for their third album in 1984, she was rebuffed and left the group before the album was completed. The band didn't last much longer, breaking up in 1985 before releasing another album.

"We'd been together about two years when I wrote Our Lips Are Sealed. Some of the songs from the very beginning were songs that ended up part of our repertoire. Others fell by the wayside. I remember when I wrote it, I was really afraid to show it to the band in case they didn't like it and all this stuff. But luckily they did like it."

"We Got The Beat" was written by guitarist Charlotte Caffey, who drew inspiration from some Motown beats, specifically one that mentioned the name of her group. Caffey said, "I thought it would be very clever to do 'Going To A Go-Go.' I thought, Well, let's try working this out as a cover song. Which is really funny when I think about it. I was listening to it a lot one day, and later that night, the song came to me within five minutes. I don't even know if it has anything to do with listening to that song, but this whole idea came to me. It was one of those things that just went right through me and came out my hand; I wrote it down, recorded it a little bit, and then brought it into rehearsal a few days later."

This plays in the opening scene of the 1982 movie Fast Times at Ridgemont High, where we meet the main characters in their natural habitat: the Ridgemont Mall. The song doesn't appear on the soundtrack but got a lot of attention from the film. Other movies to use the song include:

Brimstone & Treacle (1982)
Romy and Michele's High School Reunion (1997)
Jimmy Neutron: Boy Genius (2001)
My Little Pony: The Movie (2017)
Poms (2019)

The song ties into the album title, Beauty And The Beat, which was Belinda Carlisle's idea. The group's first album, it was recorded in New York City with producer Richard Gottehrer, the man who gave us "I Want Candy." The Go-Go's were based in Los Angeles, so during this time they stayed together in suites at the Wellington Hotel in New York City, causing lots of mischief and having way too much fun.

The group brainstormed ideas for the cover and decided to go with a spa theme, showing the girls wrapped in towels with cream on their faces. Their art director, George DuBois, took the photos in the hotel, with shots of each member in the bathtub for use on the back cover. According to Kathy Valentine, their manager, Ginger Canzoneri, got the towels from Macy's and returned them after the shoot. They used Pond's cold cream on their faces.

This opens the musical Head Over Heels, based on the music of The Go-Go's, which played on Broadway in 2018. When an oracle, played by Peppermint of RuPaul's Drag Race, foresees a beatless future for the Elizabethan-era townsfolk of Arcadia, they respond with the tune We Got The Beat.

Belinda Carlisle – lead vocals, percussion (1978–1985, 1990, 1994, 1999–2022)
Jane Wiedlin – rhythm guitar, backing vocals (1978–1985, 1990, 1994, 1999–2022), lead guitar (1978)
Charlotte Caffey – lead guitar, keyboards, backing vocals (1978–1985, 1990, 1994, 1999–2022)
Margot Olavarria – bass (1978–1980)
Elissa Bello – drums (1978–1979)