Tinnitus, Phantom Sounds, Deafness: A Human Design Perspective

7 months ago
113

Can Human Design help us understand hearing problems like tinnitus, phantom sounds, selective hearing and even deafness?

In this conversation, Human Design Analysts Clare Zivanovic and Jenn Greiner offer a unique lens through which to explore these auditory phenomena.

You will learn:

- Which Human Design channels are most involved with hearing issues
- Insights into the potential energetic/spiritual causes of tinnitus, hearing phantom sounds and deafness
- Which Human Design gates are most commonly involved with hearing issues
- and much more!

Chapters
0:00 Introduction to Human Design and the Auditory System
1:11 Spleen Energy Centre and hearing
4:00 Gate 57 and Human Design Circuits
4:33 Gate 57 and your brain
6:25 Channel 34-57 and hearing phantom music
8:00 Tinnitus and 'hearing' energy
10:42 Channel 34-57 and hearing phantom music(cont)
11:11 Musicians and Gate 50
12:22 Channel 23-43 and hearing
13:24 Gate 24 and your brain
15:29 Channel 24-61 and hearing
17:42 Gate 61 and your brain
19:16 Triggers for phantom sounds
20:04 Importance of the Solar Plexus
21:17 Gate 47 and your brain
22:00 Gate 47 and generational trauma
25:28 Gate 57, tinnitus and electromagnetic radiation
29:05 Human Design circuits and hearing problems
29:52 Individual Circuitry and melancholy
31:05 Gate 47, oppression and melancholy
32:09 Gate 43 and your inner ear
34:26 Gate 43, selective hearing and deafness
36:24 Human Design Shadow Charts
37:49 Nervous System and phantom sounds
40:31 Choosing the best Human Design Analyst for YOU

⭐️ Jenn Greiner @thevitaljenn
- Therapist and Human Design Coach who specialises in helping women step into their power and live in alignment
- Connect with Jenn https://divinevitalitywithjenn.com

⭐️ Clare Zivanovic @clarezivanovic
- Naturopath and Human Design Analyst who helps you identify the root-cause energetics of your health issues
- Connect with Clare https://clarezivanovic.com

#humandesign #tinnitus #energymedicine

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