Les Vampires (1915 Silent Crime Serial film) (Ep5) Dead Man's Escape

Episode 5 – "Dead Man's Escape"

The examining magistrate from Saint-Clement-Sur-Cher relocates to Paris and is assigned to the Vampire case and the Moréno affair. After being summoned to the magistrate, Moréno commits suicide using a concealed cyanide capsule. His body is left in his cell, but during the night he wakes up, very much alive. He kills the night-watchman and takes his clothes, escaping from the prison. He is noticed by Mazamette, who is suffering from insomnia.

The following morning, Moréno is found to have escaped. While writing an account of the events, Philippe is pulled out of his window by the Vampires and whisked into a large costume box. He is driven away, and the box is unloaded, but incompetently, and it slides down a large flight of stairs. The Vampires retreat and Philippe is let out by two bystanders.

He visits the costume designer Pugenc whose name and box number are on the costume box, just missing Moréno and his gang who have bought police uniforms for a scheme of their own. Philippe learns from Pugenc that the costume box was to go to Baron de Mortesalgues on Maillot Avenue and realizes that "Mortesalgues" must be another alias of the Grand Vampire. Later, Moréno confronts Philippe in a café, but when Philippe calls for the nearby policemen, they turn out to be part of Moréno's gang and he is again captured.

Meanwhile, Mazamette breaks into Moréno's hideout. Philippe is taken there to be hanged by the gang, unless he can give them means to revenge themselves against the Vampires. He tells them that Baron de Mortesalgues is the Grand Vampire, and they spare him, tying him up. Mazamette appears and frees him. That evening, the Grand Vampire, in disguise as Baron de Mortesalgues, holds a party for his "niece", who is Irma Vep in disguise. The party attracts many members of the Parisian aristocracy. "Mortesalgues" reveals that at midnight there will be a surprise; but the "surprise" is a sleeping-gas attack on the guests.

The Vampires steal all of the guests' valuables while they are unconscious. The Vampires flee with the stolen items on the top of their car, but Moréno, forewarned by Philippe, robs the Vampires and sends Philippe a letter telling him that, for the moment, they are even. Mazamette visits Philippe; he is angry with their lack of progress and wants to quit. Philippe opens a book of La Fontaine's Fables and points to the line, "in all things, one must take the end into account", and Mazamette's resolve is renewed.

The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made. This is a French production.
Les Vampires is a 1915–16 French silent crime serial film written and directed by Louis Feuillade. Set in Paris, it stars Édouard Mathé, Musidora and Marcel Lévesque. The main characters are a journalist and his friend who become involved in trying to uncover and stop a bizarre underground Apache gang, known as The Vampires (who are not the mythological beings their name suggests).

The serial consists of ten episodes, which vary greatly in length. Being roughly 7 hours long, it is considered one of the longest films ever made.[2] It was produced and distributed by Feuillade's company Gaumont. Due to its stylistic similarities with Feuillade's other crime serials Fantômas and Judex, the three are often considered a trilogy.

Fresh from the success of Feuillade's previous serial, Fantômas, and facing competition from rival company Pathé, Feuillade made the film quickly and inexpensively with very little written script. Upon its initial release Les Vampires was given negative reviews by critics for its dubious morality and its lack of cinematic techniques compared to other films.

However, it was a massive success with its wartime audience, making Musidora a star of French cinema The film has since come under re-evaluation and is considered by many to be Feuillade's magnum opus and a cinematic masterpiece. It is recognised for developing thriller techniques, adopted by Alfred Hitchcock and Fritz Lang, and avant-garde cinema, inspiring Luis Buñuel, Henri Langlois, Alain Resnais, and André Breton. It is included in the book 1001 Movies You Must See Before You Die.