The “Finish” vs the “Start” -120

The impressionist works all over the place at once in the start setting up the whole composition and the general impression moving gradually to whatever degree of finish is desired. This is a discussion of what, if anything, changes in this way of working when approaching a more refined execution.

In response to Dan

QUESTION: Can you speak to the concept of working all over the place at once versus working section by section ( area by area- for some- object by object) . Does this change from the establishment of the start ( covering a larger area) to higher levels of finish ( spending more time with specifics)? Is this based on practical ( wet in wet) and visual ( hierarchy of importance) concerns?
DAN