Paul Ingbretson Talks about “Coming out of the Fog” - No. 56

Painting the visual ‘impression’ a la the Boston School and how to approach the beginning phase of a picture

QUESTIONS:Is it possible for you to discuss painting “starts from the fog “ in more depth and perhaps show some examples in one of your upcoming YouTube discussions? I’m assuming that preliminary compositional drawings have been made on complex subjects first ie. Interior scenes or complex still life set-ups. LOUISE