Ukraine: Are Azov Nazis Camouflaging Israel's Proxy War On Russia? Vancouver journalist Greg Felton

https://politicsthisweek.wordpress.com/2022/03/24/not-the-bcfm-politics-show-presented-by-tony-gosling-82/

Russia the world’s last line of defence against Isramerica’s murderous grand design
http://www.gregfelton.com/int_politics/2015_02_10.htm

The world is heading for war. The Isramerican empire is funneling tons of heavy weaponry into Ukraine to provoke Russia into launching a defensive attack, and then that response will be used to justify starting a major war. It is a waste of time trying to find any intelligent discussion in the mainstream corporate media of why the U.S. wants to provoke war with Russia. Its job is to cover up and falsify, not report. For example, take the following well-known acts of violence.

Despite what the media told us at the time, we know that the collapse of World Trade Centre had nothing to do with Muslim anger, and the Boston Marathon bombing had nothing to do with Chechen terrorism. These three events, among others, were executed with such clumsiness that they should have immediately been exposed as frauds, but they worked because their simplistic cause-and-effect narrative, black-and-white morality and shock value stampeded the public into doing what was expected: embrace official anti-Muslim bloodlust, self-identify with the officially approved victims, and, most importantly, accept the need to sacrifice liberty for security, as in this official declaration.

If we look at the Charlie Hebdo shooting synoptically with the Boston Marathon bombing and the World Trade Centre/Pentagon attack, Isramerica’s handiwork in Ukraine becomes frighteningly obvious. These seemingly discrete false-flag attacks fit together to reveal a coherent pattern of deliberate, Isramerican subversion that is now being played out in Ukraine.

Debunking the cover story

The Charlie Hebdo shooting had nothing to do with anti-Westernism or press freedom. It was executed with such clumsiness that no sentient being could possibly buy the cover story that our organs of orthodoxy shamelessly regurgitated.

First of all, the identification of the two black balaclava-wearing shooters is not credible—an identity card of one of them fortuitously found in a car. If the shooters took pains to conceal their identity so completely, such carelessness is implausible. More likely, the card was planted to implicate the shooters, brothers Saïd and Chérif Kouachi, just like the pristine passport identifying one of the “hijackers” that just happened to found among the rubble of the World Trade Centre. To date, no positive ID of the Charlie Hebdo shooters has been made.

Second, the idea that Muslims committed murder over defamatory cartoons of the Prophet Muhammad is unsupported. We have only video of two unidentified people claiming, in Arabic, to be avenging the Prophet, but we have no proof that these men are Muslims. They could just as easily be Musllim impersonators. Besides, if Muslims felt that strongly about the cartoons, they should have gone after the staff of the Danish newspaper Jyllands Posten. In 2006, the newspaper’s cultural editor Flemming Rose commissioned defamatory cartoons, but perhaps no avenging attack took place because Rose is a zionist Jew with close ties to Daniel Pipes.

Third, we have a smoking gun, literally, that proves the Charlie Hebdo attack was staged. The video below shows one of the masked “Muslim” shooters killing a Paris police officer who is lying on the sidewalk. As this footage and commentary show, the killing is a badly staged hoax.

Finally, we come to the issue of press freedom, the shibboleth used to inflame democratic passions about journalism, especially the freedom to satirize. As if on cue, the “je suis Charlie” crusade erupted and had people all over the world commiserating with their fallen fourth-estate brethren and bemoaning an assault on one of the sacred institutions of a free Western society. But this sentiment is unjustifiable. First, the cartoons in question fail to meet the definition of satire:

“Satire is a technique employed by writers to expose and criticize foolishness and corruption of an individual or a society by using humour, irony, exaggeration or ridicule. It intends to improve humanity by criticizing its follies and foibles. A writer in a satire uses fictional characters, which stand for real people.” (http://literarydevices.net/satire/)

Gratuitous, defamatory renderings of the Prophet Muhammad serve no useful purpose, cannot improve humanity and contain no irony or humour. Therefore we have no business treating them as legitimate forms of journalistic expression. Second, France arrested dozens of people on charges of “defending terrorism” because they verbally satrized the shooting. Those arrested include a 14-year-old girl as well as three school workers who allegedly refused to observe a moment of silence.