HOLY SPIRIT OF LOVE - HSI-A1-S6-P2 - WONDERS OF LOVE - THE VIOLENCE & SADNESS OF LOVE !

This composition on love is part of a larger composition I created, under the banner of ' The Holy Spirit of India ' that is entitled :

HOLY SPIRIT OF INDIA ! = ACT 1 - SCENE 6 = RAM-LEELA ! HINDU ROMEO & JULIETTE ! FIERY & LETHAL & ETERNAL LOVE !

https://rumble.com/v26du6i-holy-spirit-of-india-act-1-scene-6-ram-leela-romeo-and-juliette-.html

This other larger film composition, whose link is above, which I recently composed for fun in my quest for beauty, romance, love, courage, brave action and true depth, is based on « Ram-Leela », a 2013 Indian Hindi-language, tragic romantic action film, whose love story is is akin to William Shakespeare’s Romeo and Juliette.
This complex love story centers around a certain Gujarati village, infamously known for its uninhibited manufacture and sale of arms and ammunition, and two of its most powerful clans - the Rajadi, and the Sanera - that have been at odds with each other for the past ... 500 years, no less !

A violent altercation between the two clans occurs after Bhavani, a Sanera, fires at the young son of Meghji Bhai, a Rajadi chieftain.

In return, Bhavani is almost killed by Meghji Bhai. But Ram, Meghji Bhai's younger brother, intervenes and saves Bhavani.

On top of this, all the Rajadi elders are irked by Ram being a vagabond, who deals in stolen cars, and especially with his mindset of making a truce with the other clan.

During the festival of Holi, Ram boldly enters the house of the Sanera heads, and flirts with Leela.

Meanwhile, Leela's mother, Dhankor Baa, the chieftain of the Saneras, is busy arranging a match for her daughter to marry a simple-minded man, but from an important family.

Leela's elder brother, Kanji Bhai, is angered by Ram's entry into the sanctity of their house, and bribes the local police to raid Ram's house.

Ram, however, manages to convince the policemen to leave in exchange for a set of his special blue films.

Ram and Leela soon develop a romance, and plan to elope.
But a grim turn of events follows when Kanji accidentally kills Meghji, Ram's brother, and is, in turn, killed by Ram.

To escape the suffering, Ram and Leela elope and marry.

But just as they are about to consummate their marriage, Ram's friends trace them and betray him by inebriating him, and informing Leela's family of their location.

The next morning, Leela is forcibly taken back home by Bhavani, her cousin; while Ram is hailed as a hero by the Rajadis for soiling Leela's reputation.

He is rewarded by being made the new chieftain of the Rajadis.

Meanwhile, Dhankor Baa arranges the engagement of Leela and the man from the important family, much to the chagrin of the pair.

Leela refuses, citing that her finger is already occupied by the ring from her marriage to Ram.

In her anger, Dhankor Baa chops off her daughter Leela's finger !

Upon learning of this, Ram does the same to his own finger, and visits Leela while she is asleep.

Leela still retains faith in Ram and sends Rasila, the widow of Kanji, to give Ram an ultimatum to take her away and save their honor and their love.

Rasila is assaulted by Ram's friends, and when Dhankor Baa learns of this, she sends Bhavani and other men to assault Kesar, Meghji's widow, who manages to evade them.

In response to the attempt on Kesar, Ram storms into Leela's house and incapacitates the guards single-handedly.

He then requests Dhankor Baa to consider negotiation for peace, and so she invites him to celebrate Navratri with the Saneras, but with the malicious intention of having him killed.

However, at the event, Bhavani secretly shoots and seriously injures Dhankor Baa to place the blame on the Rajadi.

Consequently, Leela is made the new chieftain of the Saneras, while tending to her mother's recovery.

She bitterly carries out a negotiation with Ram, equally dividing the travel routes and trades, with the condition that the Saneras and Rajadis will not interact with each other ever again.

Bhavani, who does not tolerate this development, deceives Leela into blindly signing a document that orders the unrestrained killings of all the Rajadis.

During the holy festivities of Dusshera, as the Ramlila parade is ending, many of the Rajadis are killed, and the village is on the brink of war, which Ram senses.

Much to everyone's chagrin after the deed, Ram and Leela decide that they are each other's soulmates, and they end up by shooting one another dead; all the while oblivious to the fact that Dhankor Baa has undergone a change of heart, and has killed Bhavani, and promptly ordered that peace be made with the other clan.

In the end, the two warring clans come together to cremate the bodies of the the two passionate lovers.

FAIR USE - Section 107 of the Copyright Act 1976

This is a non-profit video that I personally composed solely for the purpose of study, review, research, self-expression, experimental analysis, creative research, humorous contrasting, cultural and educational arts and sciences synthesis, and basically for the love of artistic creativity itself, without any intention for any commercial uses whatsoever - and fully and absolutely for non-profit public display.

This video is for educational purposes only; and is offered freely to the public worldwide.

In composing this audio-visual film video, I am respecting the Copyright Disclaimer Under Section 107 of the Copyright Act 1976, whereby allowance is made for fair use, for purposes such as criticism, comment, news reporting, teaching, scholarship and research.

Fair use is a use permitted by copyright statute that might otherwise be infringing.

Non-profit, educational, or personal use, thankfully tips the balance in favor of fair use, thus promoting both the original work and other possible creative derivatives.

I made use of images in this composition that do belong to other film and music production firms. However, such a composition is unique and original in its full assembly, and is for educational and non-profit purposes only.

The original film production images and original music melodies in this film remain the property and copyright of its rightful owner, or owners.

I claim no ownership whatsoever on any of the materials I have used in creating this new audio-visual composition, except those that are my own to improve the state-of-the-art, and that I offer freely to all other members of the public worldwide.

Sincerely,

Teri irere ito arai
(Henrik Barkley de Pearson

The Holy Spirit of love !

The Holy Spirit of India !

The Holy Spirit of Truth !

The Holy Spirit of Wisdom !

The Holy Spirit of Beauty !