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The Pickwick Papers (1952) | Directed by Noel Langley
Little Lord Fauntleroy (1936) | American drama film directed by John Cromwell
The Rains Came (1939) | American drama film directed by Clarence Brown
Jane Eyre (1943) : Director - Robert Stevenson
Always Goodbye (1938) | Directed by Sidney Lanfield
Molly and Me (1945) | Directed by Lewis Seiler
Pinky (1949) | Groundbreaking drama directed by Elia Kazan
The Keys of the Kingdom (1944) | Directed by John M. Stahl
How Green Was My Valley (1941) | Directed by John Ford
The Razor's Edge (1946) | Drama directed by Edmund Goulding
Swamp Water (1941) | A compelling drama directed by Jean Renoir
A Tree Grows in Brooklyn (1945) | Directed by Elia Kazan
The Southerner (1945) | Drama directed by Jean Renoir
Four in a Jeep (1951) | A drama film directed by Leopold Lindtberg
Come to the Stable (1949) | Directed by Henry Koster
National Velvet (1944) | Directed by Clarence Brown
Sentimental Journey (1946) | Directed by Walter Lang
Since You Went Away (1944) | American drama film directed by John Cromwell
"Three Faces West" (1940) | Directed by Bernard Vorhaus
The Green Promise (1949) | A family drama directed by William D. Russell
They Were Sisters (1945) | British drama film directed by Arthur Crabtree
The Woman in the Hall (1947) | British drama film directed by Jack Lee
Tobacco Road (1941) | Directed by John Ford
Lady for a Night (1942) | A captivating drama directed by Leigh Jason
Deadline USA (1952) | Directed by Richard Brooks
Penny Serenade (1941) | Directed by George Stevens
Wuthering Heights (1934) | Directed by William Wyler
The Little Princess (1939) | Directed by Walter Lang
The Happy Years (1950) | Directed by William A. Wellman
Heidi (1937) | Directed by Allan Dwan
The Green Cockatoo (1937) | British comedy directed by William Cameron Menzies
Now and Forever (1934) | Directed by Henry Hathaway
Leave Her to Heaven (1945) | Directed by John M. Stahl
The Prince and the Pauper (1937) | Directed by William Keighley
Beloved Enemy (1936) | Directed by H.C. Potter
Titanic (1953) | Directed by Jean Negulesco
No Way Out (1950) | Directed by Joseph L. Mankiewicz
The Adventures of Tom Sawyer (1938) | Directed by Norman Taurog
The Glass Wall (1953) | Directed by Maxwell Shane
Paula (1952) | Directed by Rudolph Maté
Cyrano de Bergerac (1950) | Directed by Michael Gordon
The Soldier and the Lady (1937) | Directed by George Nichols Jr.
Hamlet (1948) | Directed by Sir Laurence Olivier
The Seventh Veil (1945) | Directed by Compton Bennett
In Old Chicago (1937) | Directed by Henry King
The First of the Few (1942) / Spitfire | Directed by Leslie Howard
The Rocking Horse Winner (1949) | Directed by Anthony Pelissier
The Prisoner of Shark Island (1936) | Directed by John Ford
Wee Willie Winkie (1937) | Directed by John Ford
Golden Boy (1939) | Directed by Rouben Mamoulian
They Call It Sin (1932) | Directed by Thornton Freeland
A Letter to Three Wives (1949) | Directed by Joseph L. Mankiewicz
Nurse Edith Cavell (1939) | Directed by Herbert Wilcox
No Highway in the Sky (1951) | Directed by Henry Koster
Hell's House (1932) | Directed by Howard Higgin
Fourteen Hours (1951) | Directed by Henry Hathaway
The Little Foxes (1941) | Directed by William Wyler
The Bad Sister (1931) | Directed by Hobart Henley
The Fountainhead (1949) | Directed by King Vidor
Of Human Bondage (1934) | Directed by John Cromwell
Arrowsmith (1931) | Directed by John Ford
From Here to Eternity (1953) | Directed by Fred Zinnemann
Oliver Twist (1933) | Directed by William J. Cowen
King's Row (1942) | Directed by Sam Wood
Not Wanted (1949) | Directed by Elmer Clifton
Summer Storm (1944) | Directed by Douglas Sirk
Arch of Triumph (1948) | Directed by Lewis Milestone
Journey to Italy (1954) | Directed by Roberto Rossellini
Tokyo Joe (1949) | Directed by Stuart Heisler
The World Moves On (1934) | Directed by John Ford
That's My Man (1947) | Directed by Frank Borzage
Brute Force (1947) | Directed by Jules Dassin
Wicked Woman (1953) | Directed by Russell Rouse
Lifeboat (1944) | Directed by Alfred Hitchcock
21 Days (1940) | Directed by Basil Dean
The President's Lady (1953) | A captivating historical drama
I Was a Shoplifter (1950) | A film noir crime drama directed by Charles Lamont
Man on a Tightrope (1953) | A gripping drama directed by the renowned Elia Kazan
The Baron of Arizona (1950) | Historical drama directed by Samuel Fuller
The Long Memory (1953) | Directed by Robert Hamer
Ruthless (1948) | Directed by Edgar G. Ulmer
Edge of Doom (1950) | Directed by Mark Robson
Man in Grey (1943) | Directed by Leslie Arliss
Miracle on 34th Street (1947) | Directed by George Seaton
Three Secrets (1950) | Directed by Robert Wise
Bright Leaf (1950) | Directed by Michael Curtiz
Tales of Manhattan (1942) | Directed by Julien Duvivier
The Wild One (1953) | Directed by László Benedek
The Prowler (1951) | Directed by Joseph Losey
Kiss of Death (1947) | Directed by Henry Hathaway
Pitfall (1948) | Directed by André de Toth
Hard, Fast and Beautiful! (1951) | Directed by Ida Lupino
The Dark Horse (1946) | Directed by Delmer Daves
Hearts in Bondage (1936) | Directed by Lew Ayres
The Letter (1929) | Directed by Jean de Limur
All That Money Can Buy (aka The Devil and Daniel Webster) (1941) | Directed by William Dieterle
The Walls of Jericho (1948) | Directed by John M. Stahl
Remember the Day (1941) | Directed by Henry King
The Grapes of Wrath (1940) | Directed by John Ford
The Moon is Down (1943) | Directed by Irving Pichel
Beyond Tomorrow (1940) | Directed by A. Edward Sutherland
Personal Affair (1953) | Directed by Anthony Pelissier
Under My Skin (1950) | Directed by Jean Negulesco
Serpent of the Nile (1953) | Directed by William Castle
Black Narcissus (1947) | Directed by Michael Powell & Emeric Pressburger
The Last Command (1928) | Directed by Josef von Sternberg
Deep Waters (1948) | Directed by Henry King
Disputed Passage (1939) | Directed by Frank Borzage
Little Men (1940) | Directed by Norman Z. McLeod
The Old Swimmin' Hole (1940) | Directed by Robert F. McGowan
The Weaker Sex (1948) | Directed by Roy Ward Baker
Lloyd's of London (1936) | Directed by Henry King
So Ends Our Night (1941) | Directed by John Cromwell
The Shanghai Gesture (1941) | Directed by Josef von Sternberg
This Happy Breed (1944) | Directed by David Lean
A Place of One's Own (1945) | Directed by Bernard Knowles
Little Man, What Now? (1934) | Directed by Frank Borzage
Of One Blood (1944) | Directed by Spencer Williams
When the Bough Breaks (1947) | Directed by Lawrence Huntington
Angel on My Shoulder (1946) | Directed by Archie Mayo
Brilliant Marriage" (1936) | Directed by Phil Rosen
The Song of Bernadette (1943) | Directed by Henry King
Cheers for Miss Bishop (1941) | Directed by Tay Garnett
Becky Sharp (1935) | Directed by Rouben Mamoulian
All My Sons (1948) | Directed by Irving Reis
Paid in Full (1950) | Directed by William Dieterle
Molly and Me (1945) | Directed by Lewis Seiler
"Molly and Me" (1945) is a heartwarming classic that unfolds against the charming backdrop of a small, idyllic town. Directed by Lewis Seiler, this delightful family film follows the endearing journey of Molly, a lovable dog, and her impact on the lives of those around her.
Set in the post-World War II era, the film captures the spirit of hope and resilience as Molly becomes an unexpected source of joy for a diverse ensemble of characters. As Molly weaves her way into the lives of the townsfolk, including the caring veterinarian Dr. Terry Dolan (Griff Barnett) and the warmhearted Smith family, the community experiences a series of touching and often humorous moments.
The narrative beautifully explores the profound connections forged between Molly and the people she encounters, illustrating the profound impact that animals can have on human lives. Filled with heartwarming scenes, "Molly and Me" is a timeless tale that celebrates friendship, loyalty, and the enduring bond between humans and their furry companions.
With its endearing characters, wholesome storytelling, and a touch of nostalgia, "Molly and Me" stands as a testament to the enduring power of love and the simple joys that make life truly special. This classic film is a heartening reminder of the magic that unfolds when the loyalty of a four-legged friend transforms the ordinary into the extraordinary.
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