Francis Covers the Big Town (1953) | American black-and-white comedy film directed by Arthur Lubin

"Francis Covers the Big Town" is a 1953 American black-and-white comedy film directed by Arthur Lubin. It is the fourth installment in the popular "Francis the Talking Mule" film series. The series is known for its comedic elements, centered around the character of Francis, a talking mule.

The film follows the adventures of Francis, a wise-cracking mule with the ability to talk, and his companion Peter Stirling, played by Donald O'Connor. In this installment, Francis and Peter find themselves embroiled in a series of comical misadventures in the bustling environment of a big city.

The story begins with Peter Stirling taking a job as a reporter for a newspaper in the city. Naturally, Francis accompanies him, and the duo gets involved in various escapades as they navigate the challenges of urban life. The talking mule's antics add a layer of humor to the film, as he provides witty commentary and humorous insights into the situations they encounter.

As Peter tries to adapt to his new role as a reporter, Francis becomes an unexpected sensation, drawing attention and causing a stir wherever they go. The film combines slapstick humor, wordplay, and situational comedy as the duo interacts with the eccentric characters of the big city.

The central plot involves Peter stumbling upon a potential news story or mystery, and with Francis's assistance (and interference), they attempt to uncover the truth. The film plays on the contrast between the seemingly ordinary man and his extraordinary talking mule, creating comedic scenarios that keep the audience entertained.

Donald O'Connor (Peter Stirling): O'Connor brings his comedic talents to the role of the affable and bemused reporter.
Voice of Chill Wills (Francis): Chill Wills provides the voice for Francis, infusing the character with humor and personality.

The "Francis the Talking Mule" series, of which "Francis Covers the Big Town" is a part, gained popularity for its lighthearted and comedic approach. While not necessarily critically acclaimed, the films were well-received by audiences, and the character of Francis became an enduring symbol of whimsical entertainment. The series contributed to the success of Donald O'Connor and added to the tradition of talking animal comedies in Hollywood.