Cyborg Friend marginal radio friendly rock&roll4 functional moral upstanding go along to getalongers

1 year ago
89

blablablablabla look at me I'm promoting an early version of this,
made a video up using the "random factor" technique
and grabbed out of my "video stock" and placed them along creating it.

"Cyborg Friend" is from some song sessions where "Angel's Song" and a few others were batched in to playing also.
A few days before some of the "Verbana" songs, and "Blood Planet" and a shlew of other #Gretsch #Resonator #Guitar ( #g9200 ) instrumental accompanied some improvised vocals.
And this one was no different.

I'm drinking some instant coffee and its 7 min past midnight here.

Hopefully not too many uploads back to back, to any gnu subscriber people folks blitherin's or cyborgs, etc.
Thanks to those who DO view.

Going with some sound that I have likened to call a kind of "tetanus" sound and it makes sense to me at least.
This is straight forward, and
a kind of way where it's like, I dont want anything to do with the music business or bending the internal ways of creation outside of how it naturally comes to be,
but go to continue constance in productivity.

"Tetanus" sound is kind of trebly rusty razor string sounds and I guess the resonator hit in pretty well to for that job.
(And I am hoping to, to bore you with music settings and the like, remember the presets and way of order this was boosted (boosted boosted) up.
Because its post filtered and not using distortion in real time.

anyway also I dont want to do that whole soap box jarhead thing of being like "oh yeah, and this is real rock n roll!"
I just want it to be a bit ugly and pretty at the same time.
So the Angel's Song, Blood Planet, and Cyborg Friend songs,
being off the cuff, played as the emotion intended, are
working as a palette okay enough. and if I am finding "my own sound"
doing it, if it were...well, heard more so to say (I'm no manager publicist or
person that hocks cash to playlist committees, wah-hoo!)
then the right people to really dislike the sound would be key,
and then the others who liked it, aka the wrongos of society,
enjoying it, would be key, too.

but as some 'ol marketing pitch, I do suppose, I'm remembering the idea,
And I said this before kind of quitting out posting to local music groups on ol facebook,
because that was a flunk, man, doll, dude, gargoyle, that was such a flunk posting any of these original songs to there at all.
But I wrote that I'm playing to spirits at this point, or ideas of places,
or to sound like a lit incense stick, playing to nature and senses of peaceful places.
But the tangled up stuff in between,
you know, like social functionality,
or being in
huge f*%#ing! trouble, when you can't be pinned down,
to who you are, what style you are doing, etc.,
you know,
and also playing songs "incorrectly"
that's the "tetanus" kind of rusty scraping and offshot delivery
that I'm choosing to stick to rather than to refine something
making the songs be "as they should."

because that is boring boring boring to me and not right or true to the ol within, here.
And to each their own because well written and perfected material is neat too,
but it seems like a rehash (to me, to do that) of already really well established songwriters.
And it kind of insults the 50s 60s 70s maybe mid 80s performers, to kinda steal their glow,
or image, very much!

This is all why I wouldn't be allowed to go a bit delvin' into things,
you can tell in some way that to represent what these projects are doing,
it's more at odds with holding the present music industry and a lot of indie scenes
up as, maybe, not being ugly in pretty ways.
Maybe I want to rouse some things up a bit also by saying that.
It's fun and in good sport to do so and I want to promise or challenge myself to,
when songs as such are "finished out"
to have a new iteration of rock'n'roll, I guess, so to say.
Because there's a lot of being pissed off and a need to be strong,
within, where this whole thing is coming from,
and some efforts to poetry. And I like early americana and folk art,
but that's been stolen or attacked or bastardized.
Like if you actually like old poets of america anymore, or irish songwriting,
and so many things that are actually in the blood of who I am,
you know, in a way, holy smithereens are you put up against a scope
due to that and its by other creators! (laughs like some jackal near a dry red boulder)

I guess that's kind of a press release for where ---this--- style of project is coming from.
Again I want to hold up to the claim, too, about how the aura is going to be with
the added instruments atop of it and a bit of some ghouly reverberation back echoes,
and I want to
have back harmony vocals kind of embedded,
background harmony---- and that's a challenge I want to try to figure out.

One last thing, and it will always sound a bit smidgeoned maybe trite sounding but real rock'n'roll represents my soul. The industry is soulless and my soul wants to eat! the industry.
Moo.

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