A Haunting in Venice | 2023 Movies RANKED - Episode 42

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Follow along as RANKED reviews a new movie release every week of 2023, slowly compiling the best films of the year into our sacred hierarchical list.

Previous Episode 2023 RANKED List:
1. Oppenheimer
2. Beau Is Afraid
3. Infinity Pool
4. Guardians of the Galaxy Vol. 3
5. Teenage Mutant Ninja Turtles: Mutant Mayhem
6. Mission: Impossible — Dead Reckoning Part One
7. John Wick: Chapter 4
8. Tetris
9. Gran Turismo
10. Air
11. Creed III
12. Sound of Freedom
13. The Flash
14. Fast X
15. Asteroid City
16. Spider-Man: Across the Spider-Verse
17. Shazam! Fury of the Gods
18. Dungeons & Dragons: Honor Among Thieves
19. M3GAN
20. missing
21. The Machine
22. Barbie
23. Indiana Jones and the Dial of Destiny
24. Scream VI
25. The Super Mario Bros. Movie
26. Ant-Man and the Wasp: Quantumania
27. Renfield
28. The Equalizer 3
29. Blue Beetle
30. Evil Dead Rise
31. The Pope’s Exorcist
32. Magic Mike’s Last Dance
33. Transformers: Rise of the Beasts
34. Knock at the Cabin
35. Insidious: The Red Door
36. The Nun II
37. The Last Voyage of the Demeter
38. Plane
39. Haunted Mansion
40. Cocaine Bear
41. Knights of the Zodiac

A Haunting in Venice once again puts Hercule Poirot to the task of figuring out who-dun-it, but this time with an interesting supernatural element that somewhat turns this story into a horror film.

The movie does a good job of presenting questionable events involving spirits and ghosts to the point that their realness is arguable either way based on one’s personal interpretation, while also thematically plugging directly into Hercule’s personal story of having lost his faith in God because of the horrible things he’s seen over the course of his career.

However, in the end it is a very subtle movie, as really nobody is heavily suspected by the audience or otherwise up until Hercule figures everything out after a single conversation per suspect and exposes the killer in one fell swoop and then immediately regains his faith because he believes he saw a ghost.

So just like the aforementioned faith theme there are two interpretations of this subtle quality to the film: one that it is simply and classically told, and the other that it is tired and lazy.

I lack a strong emotional connection to this movie, so it wouldn’t take the world’s greatest detective to figure out where I stand…

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