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The Lou Perez Podcast Episode 77 - James Masnov
Read my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy https://www.amazon.com/dp/1637582455
On this episode of The Lou Perez Podcast I talk with James M. Masnov, Adjunct Professor of History at Chemeketa Community College and Author of Rights Reign Supreme: An Intellectual History of Judicial Review and the Supreme Court
https://rightsreignsupreme.com/
https://historykillers.substack.com/
Support me at thelouperez.locals.com
Join my newsletter www.TheLouPerez.com
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Who am I?
Lou Perez, author of THAT JOKE ISN'T FUNNY ANYMORE: ON THE DEATH AND REBIRTH OF COMEDY.
I was the Head Writer and Producer of the Webby Award-winning comedy channel We the Internet TV. During my tenure at WTI, I made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.”
In addition to producing sketch comedy, stand-up, and opinion writing, I am on the advisory board of Heresy Press and host the live show The Wrong Take with Lou Perez andThe Lou Perez Podcast.
How’d I start out?
I began doing improv and sketch comedy while an undergrad at New York University, where I was part of the comedy group the Wicked Wicked Hammerkatz.
For years, I performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and my comedy duo, Greg and Lou. G&L are probably best known for our sketch "Wolverine's Claws Suck," which has over 20 million views across online platforms.
I was a writer for Fox Sports' @TheBuzzer; produced The Attendants with the Above Average Network; produced pilots for FOX Digital and MSN Games; and was a comedy producer on TruTV's Impractical Jokers.
I hosted the stand-up show Uncle Lou's Safe Place in Los Angeles, performed at the Big Pine Comedy Festival, Bridgetown Comedy Festival, and co-created the political comedy podcast Unsafe Space.
I taught creative writing at the City College of New York, "writing the web series" for Writing Pad, and comedy writing workshops for the Moving Picture Institute.
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