Simon Stålenhag and Alice Cooper

Simon Stålenhag (born 20 January 1984) is a Swedish artist, musician, and designer specialising in retro-futuristic digital images focused on nostalgic Swedish countryside alternate history environments. The settings of his artwork have formed the basis for the 2020 Amazon television drama series Tales from the Loop as well as the upcoming film The Electric State.

Most of Stålenhag's artwork was initially available online, before later being released for sale as prints. Since then, it has been turned into two narrative art books: Tales from the Loop (Swedish Ur Varselklotet) in 2014 and Things from the Flood (Swedish Flodskörden) in 2016. Both focus on the construction of a supermassive particle accelerator called the Loop.

Stålenhag grew up in a rural environment near Stockholm, and began illustrating local landscapes at a young age. He was inspired by different artists, including Lars Jonsson. Stålenhag experimented with science fiction artwork after discovering concept artists such as Ralph McQuarrie and Syd Mead; initially, this body of work was done as a side project, without any planning behind it. Thematically, his work often combines his childhood with themes from sci-fi movies, resulting in a stereotypical Swedish landscape with a neofuturistic bent. According to Stålenhag, this focus originates from his perceived lack of connection with adulthood, with the science fiction elements being added in part to draw audience attention and partly to influence the work's mood. These ideas result in a body of work that can feature giant robots and megastructures alongside regular Swedish items like Volvo and Saab cars.

As his work has evolved, Stålenhag has created a backstory for it, focused around a governmental underground facility. In parallel with the real-life decline of the Swedish welfare state, large machines slowly fail, and the eventual result of this remains a mystery. In a 2013 interview with The Verge, Stålenhag said, "The only difference in the world of my art and our world is that ... ever since the early 20th century, attitudes and budgets were much more in favour of science and technology."

Outside of his usual canon, Stålenhag also drew 28 pictures of dinosaurs for the Swedish Museum of Natural History's prehistoric exhibits after he rediscovered his childhood interest in the creatures, and contacted the museum to see if he could do anything. In 2016, he followed this with pictures of hypothetical results of a rising ocean under climate change for Stockholm University's Resilience Centre. He also did some promotional artwork for the sci-fi video game No Man's Sky.

Stålenhag uses a Wacom tablet and computer for his work, which is designed to resemble oil painting. Initially, he attempted to use various physical media to mimic a more traditional style, including gouache. Even after switching to digital methods, he has stated that he puts "a lot of effort into making the digital brushes behave naturally and preserve a certain amount of 'handwriting' in the brush strokes." The majority of his work is based on pre-existing photographs that he takes; these are then used as a starting point for a number of rough sketches before the final work is completed.

"Welcome to My Nightmare" is the title track to Alice Cooper's eighth studio album. The song is written by Cooper, Dick Wagner and Bob Ezrin. It peaked at 45 on the Billboard Hot 100. The song itself mixes elements from disco, jazz, hard rock, and keeps a "heavy-yet-funky beat". Cooper would later perform the song on The Muppet Show.

Acoustic guitar is played by Dick Wagner, bass by Tony Levin, clarinet by Jozef Chirowski, drums by Johnny "Bee" Badanjek, and electric guitar by Steve Hunter.

Public Animal #9
Written by: Alice Cooper, Michael O. Bruce
Album: School's Out
Released: 1972

Alma Mater
Written by: Neal A. Smith
Album: School's Out
Released: 1972

Grande Finale
Album: School's Out
Released: 1972