Iain Mundy "The Vendetta Variations" TRUMPET SOLO. Play Along Drew Fennell!

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📯 JP251s TRUMPET BUNDLE - https://www.matonizz.com/product/jp251sws/#configuration

Happy Monday Friends! We have a Trumpet Solo with Piano Version of "The Vendetta Variations" by Iain Mundy recorded for you by Drew Fennell today. This Awesome Solo comes in T.C. and B.C. for both Low & High Brass. Hope you enjoy!

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Drew Fennell (Principal Flugelhorn at RCB & RCYBB Conductor)
Online Lessons: drflessons@gmail.com
Instruments Used:
Bb Trumpet:
https://www.dfmusicinc.com/John-Packer-Bb-Trumpet-Smith-Watkins-p/jp251sws.htm
Bb Flugelhorn:
https://www.dfmusicinc.com/John-Packer-Flugel-Horn-Smith-Watkins-Satin-p/jp275swst.htm
Bb Cornet:
https://www.dfmusicinc.com/John-Packer-Bb-Cornet-Smith-Watkins-p/jp371sls.htm
Eb Cornet:
https://www.dfmusicinc.com/John-Packer-Eb-Cornet-p/jp176s.htm
Bb/A Rotary Piccolo Trumpet:
https://www.dfmusicinc.com/John-Packer-Bb-A-Piccolo-Trumpet-p/jp154.htm
Bb/A Piston Piccolo Trumpet:
https://www.dfmusicinc.com/John-Packer-Bb-A-Piccolo-Trumpet-Smith-Watkins-p/jp254sws.htm

Birute Stundziaite (Piano)

Iain Mundy (Composer)
iain.mundy@hotmail.co.uk

Dmitry Babkin (Sound Engineer)
dbrave.bob@gmail.com

The arrangement is conceived originally for euphonium but may be played by cornet or baritone. Below are the supplied parts.

Euphonium T.C. (optional Cornet in Bb or Baritone)
Euphonium B.C. (optional Baritone)

Performance notes:
Throughout the piece, the performers should maintain a waltz feel. This means each measure should have a firm, if not accented, downbeat, followed by lighter beats two and three. The feeling should be one of “gliding” over the weaker beats of the bar to the next stronger downbeat. Also, grace notes, both single and double-appoggiaturas, should be executed swiftly, so there is no question whether they are grace notes or written sixteenth notes.
The Introduction should be very lightly articulated. Care should be taken to slur only the notes indicated. Variation III should be approached with the same legato e tenuto concept.
The grace note in bar 41 and the like in other places can be a challenge to execute. Using the 1-3 combination on the note may alleviate some of the difficulty.
Variation I should be staccato, but not too much so. The player may choose to think of the articulation as poco staccato or even poco portato.
During Variation II, the player should carefully play the triplets (almost certainly triple-tongued) as true metrical triplets, avoiding any unevenness. When playing triple-tongue, the challenge is that the “TK” portion of it, wherever positioned, will be played more quickly.
The trill in bar 158 is a rather difficult one. A lip trill using the alternate fingering, 1-3, or just a 1st-valve lip trill can often produce a more satisfactory result.

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#nimrod #elgar #brass #euphonium #tuba #trumpet #frenchhorn #trombone #cornet #baritone #tenorhorn #percussion #flugelhorn

0:00 - Introduction
1:12 - Theme
1:42 - Variation I
2:32 - Variation II
3:23 - Variation III
3:56 - Variation IV
4:43 - Best Price Instrument Bundle Deals