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Debussy "Les Angélus". Euphonium Solo - Matonizz. Play Along!
Happy Monday BrassNation! We have a beautiful and haunting Solo with Piano Version of Claude Debussy's "Les Angélus" arranged for you by Drew Fennell today. This lovely piece comes in two versions: D and G Minor with transposing parts in every practical key and clef (Full List Below). Hope you enjoy this Euphonium Solo version. DOWNLOAD SHEET MUSIC & PIANO BACKING TRACKS at https://www.matonizz.com/product/les-angelus-debussy/
MATONIZZ JP274s EUPHONIUM BUNDLE: https://www.matonizz.com/product/jp274s-matonizz/#configuration
Visit www.dfmusicinc.com for 10% discount with promo code "Matonizz"
Musicians:
Matonizz (Principal Euphonium at RCB)
Online Lessons: euphonium.legends@gmail.com
Instrument Used:
https://www.dfmusicinc.com/John-Packer-Euphonium-4-valve-compensating-p/jp274smkii.htm
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Birute Stundziaite (Piano)
Dmitry Babkin (Sound Engineer)
dbrave.bob@gmail.com
Suggested Instrumental Combinations:
One or both of the two versions (D-minor and G-minor) include parts playable by all members of the brass family. Below are the parts available for each of the versions:
D-minor Version:
Higher Octave:
Solo Cornet/Trumpet in Eb
Solo Cornet/Trumpet in C
Solo Cornet/Trumpet/Flugelhorn in Bb
Lower Octave:
Solo Horn in F
Solo Horn in Eb
Solo Trombone or Euphonium/Baritone B.C.
Solo Euphonium/Baritone T.C.
G-minor Version:
Higher Octave:
Solo Cornet/Trumpet in C
Solo Cornet/Trumpet/Flugelhorn in Bb
Solo Horn in F
Solo Horn in Eb
Lower Octave:
Solo Trombone or Euphonium/Baritone B.C.
Solo Euphonium/Baritone T.C.
Solo Tuba (B.C.)
Solo Tuba in Eb
Solo Tuba in Bb
Performance Notes:
Poet, Grégoire Le Roy, provided the text for this “ghostly” piece by Frenchman, Claude Debussy. The poem speaks of the angelus bells, part of the thrice-daily Roman Catholic rite, usually bringing joy and hope to those who hear; but from the perspective of the poem’s pained and cynical narrator, they only inspire his longing for “shadow and night.” While the poetry possesses a dark aspect, the music, while it never achieves a joyful quality, is quite melodic and even vaguely beautiful.
The keyboard part is mostly a series of largely unaffected ostinatos, but the vocal part should be performed expressively (though somewhat reservedly). A forte dynamic should never be reached (poco forte would be the upper limit). One should never play softer than a level where a beautiful sound can be produced.
#debussy #euphonium #lesangelus
EUPHONIUM, TUBA, TRUMPET, FRENCH HORN, TROMBONE, CORNET, BARITONE, TENOR HORN, FLUGELHORN, PERCUSSION
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