Double Indemnity - Fred MacMurray & Barbara Stanwyck - All-Star Radio Dramas of Classic Films

The Screen Guild Theater is a radio anthology series broadcast from 1939 until 1952 during the Golden Age of Radio. Leading Hollywood stars performed adaptations of popular motion pictures. Originating on CBS Radio, it aired under several different titles including The Gulf Screen Guild Show, The Gulf Screen Guild Theater, The Lady Esther Screen Guild Theater and The Camel Screen Guild Players. Fees that would ordinarily have been paid to the stars and studios were instead donated to the Motion Picture Relief Fund, and were used for the construction and maintenance of the Motion Picture Country House

Double Indemnity is a 1944 American film noir directed by Billy Wilder, co-written by Wilder and Raymond Chandler, and produced by Buddy DeSylva and Joseph Sistrom. The screenplay was based on James M. Cain's 1943 novella of the same name, which originally appeared as an eight-part serial in Liberty magazine, beginning in February 1936.

The film stars Fred MacMurray as an insurance salesman, Barbara Stanwyck as a provocative housewife who wishes her husband were dead, and Edward G. Robinson as a claims adjuster whose job is to find phony claims. The term "double indemnity" refers to a clause in certain life insurance policies that doubles the payout in rare cases when the death is accidental, such as falling off a train.

Praised by many critics when first released, Double Indemnity was nominated for seven Academy Awards but did not win any. Widely regarded as a classic, it often is cited as having set the standard for film noir.

Deemed "culturally, historically, or aesthetically significant" by the U.S. Library of Congress in 1992, Double Indemnity was selected for preservation in the National Film Registry. In 1998, it was ranked No. 38 on the American Film Institute's list of the 100 best American films of all time, and in 2007 it placed 29th on their 10th Anniversary list.

Wilder considered Double Indemnity his best film in terms of having the fewest scripting and shooting mistakes and always maintained that the two things he was proudest of in his career were the compliments he received from Cain about Double Indemnity and from Agatha Christie for his handling of her Witness for the Prosecution

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