Goo Goo Dolls - Iris (Tradução) Last Lover Cover

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Goo Goo Dolls - Iris (Lyrics)

And I'd give up forever to touch you
'Cause I know that you feel me somehow
You're the closest to heaven that I'll ever be
And I don't want to go home right now
And all I can taste is this moment
And all I can breathe is your life
And sooner or later it's over
I just don't wanna miss you tonight
And I don't want the world to see me
'Cause I don't think that they'd understand
When everything's made to be broken
I just want you to know who I am
And you can't fight the tears that ain't coming
Or the moment of truth in your lies
When everything feels like the movies
Yeah you bleed just to know you're alive
And I don't want the world to see me
'Cause I don't think that they'd understand
When everything's made to be broken
I just want you to know who I am
And I don't want the world to see me
'Cause I don't think that they'd understand
When everything's made to be broken
I just want you to know who I am
And I don't want the world to see me
'Cause I don't think that they'd understand
When everything's meant to be broken
I just want you to know who I am
I just want you to know who I am
I just want you to know who I am
I just want you to know who I am

#googoodolls #iris #cover #tradução #legendado

"Iris" is a song by American alternative rock band Goo Goo Dolls. Originally written for the soundtrack of the 1998 film City of Angels, the song was later included on the band's sixth album Dizzy Up the Girl. The song's time signature alternates between 4
4 and 6
8, and features an unusual guitar tuning in which all of the strings are tuned to D, with the exception of the lowest string which is a B, lending the guitar a chorus-like effect.

"Iris" has contributed greatly to the band's success. Besides becoming one of the biggest alternative rock staples of its time, "Iris" also remains one of the biggest crossover hits in the history of popular music, crossing over from modern rock radio to pop and adult contemporary radio, reaching number one on all of these formats and becoming the most played song of 1998 for all formats. The song reached number one in Australia, Canada and Italy, number three in the United Kingdom, number nine on the US Billboard Hot 100, and has become one of Ireland's best-selling singles of all time. "Iris" is the Goo Goo Dolls' signature song and has received critical acclaim, being described as an "ubiquitous" staple for the band's live sets.
After completing the first-edit on the film City of Angels, co-producer Bob Cavallo and his music producer son Rob Cavallo decided to take along musical artists to a viewing to create the sound track. Bob took Alanis Morissette whilst Rob took the Goo Goo Dolls. The following morning Morissette called Rob, and asked him to produce the song "Uninvited" which she had written afterwards as a demo. Shortly afterwards that same day, John Rzeznik called Rob with a song he had written called "Iris", a power ballad.[5] In a 2013 interview with Songfacts, lead singer Rzeznik explained how he wrote the song:
catch line. In rehearsal, Rob Cavallo and the band refined the tuning so that all of the strings are tuned to D (they used heavier gauge strings on all four lower strings), with the exception of the lowest string which is a B, lending the guitar a chorus-like effect. They also created the intro in rehearsal, and knew that they wanted an orchestral input within the recording

Cavallo, who had studied techniques used both by Jimi Hendrix and Jimmy Page, used a three way input from the acoustic guitar (direct, via VOX and Amp), and got Rzeznik to play with a Fender light pick closer to the bridge, a classical music technique known as sul ponticello. In mixing with the recording engineer, Cavello then created a curve-mix on the guitars spectrum, turning down all the mid range whilst adding both brighter high and more bass. The majority of the electric guitar parts were play on Cavallo's "glass-guitar" (a technique he would use on many of his later recordings), a hard-tail Fender Stratocaster with a bridge mini-humbucker pickup feed directly to a 100W head unit.

Cavallo and the band started recording the song in Record One Studio B in Sherman Oaks, CA, whilst Dr Dre used Stuio A to produce his stable of hip-hop artists. During the evening of the first day of recording, Allen Sides comments that Dean Parks was working with Dr Dre in Studio A, using a Mandolin. Cavallo approached Parks to add some mandolin material to the recording, but Parks was booked up for the following months, and refused.