Can you be a music artist and work in advertising? (with Luke Dick)

3 years ago
16

Music is magical, but it's also a business.

FULL EPISODE https://youtu.be/jxJemIie7-U

On this episode I'm joined by songwriter, storyteller, and musician, Luke Dick. We talk about Luke’s music, his time in advertising, and his fantastic documentary, Red Dog, about the rowdy club in Oklahoma City, where his mother and her friends used to work as strippers. You gotta see it!

RED DOG doc - https://amzn.to/2JdD15n
RED DOG soundtrack - https://ingroov.es/red-dog

Two of my favorite songs of Luke’s:

“Connected” - https://youtu.be/ggSgATQ_vRA
“Heaven Knows” - https://youtu.be/y0iIuXrSLZI

LUKE’S SOCIAL http://lukedick.org

LOU'S SOCIAL
Support The Lou Perez Podcast at thelouperez.locals.com
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Theme music by Scott Hampton http://scotthamptoncomposer.com/

Lou Perez is a Webby Award-winning comedian, host of The Lou Perez Podcast, and former head writer and producer of the Moving Picture Institute’s We the Internet TV.

Lou began doing improv and sketch comedy while an undergrad at New York University, where he was part of the comedy group the Wicked Wicked Hammerkatz.

For years, Lou performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and his comedy duo, Greg and Lou. G&L are probably best known for their sketch “Wolverine’s Claws Suck,” which has over 20 million views on various platforms.

Lou was a writer for Fox Sports’ @TheBuzzer; produced The Attendants with the Above Average Network; produced pilots for FOX Digital and MSN Games; and was a comedy producer on TruTV’s Impractical Jokers.
Lou performs stand-up comedy around the country, hosted the stand-up show Uncle Lou’s Safe Place for two years in Los Angeles, performed at the Big Pine Comedy Festival, Bridgetown Comedy Festival, and co-created the political comedy podcast Unsafe Space.

Lou taught creative writing at the City College of New York, “writing the web series” for Writing Pad, and comedy writing workshops for the Moving Picture Institute.

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