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In defense of pornography
FULL EPISODE: https://youtu.be/iDbZl-B3nZ0
On this episode of The Lou Perez Podcast I talk with Nadine Strossen, former President of the ACLU, about free speech, incitement, and pornography.
NADINE’S SOCIAL
https://www.nyls.edu/faculty/nadine-strossen/
Her book Hate: https://www.amazon.com/HATE-Should-Resist-Speech-Censorship/dp/1978641060
LOU'S SOCIAL
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@TheLouPerez
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Amazon: https://music.amazon.com/podcasts/2b7d4d82-d9cf-4a1e-85b7-d0d2b7089d46/The-Lou-Perez-Podcast
Theme music by Scott Hampton http://scotthamptoncomposer.com/
I was the Head Writer and Producer of the Webby Award-winning comedy channel We the Internet TV. During my tenure at WTI, I made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.”
No longer with WTI, I am now fully independent and free to take on subjects I’ve always wanted to.
In addition to producing sketch comedy, stand-up, and opinion writing, I also host The Lou Perez Podcast with new episodes every week.
How’d I start out?
I began doing improv and sketch comedy while an undergrad at New York University, where I was part of the comedy group the Wicked Wicked Hammerkatz.
For years, I performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and my comedy duo, Greg and Lou. G&L are probably best known for our sketch "Wolverine's Claws Suck," which has over 20 million views on various platforms.
I was a writer for Fox Sports' @TheBuzzer; produced The Attendants with the Above Average Network; produced pilots for FOX Digital and MSN Games; and was a comedy producer on TruTV's Impractical Jokers.
I hosted the stand-up show Uncle Lou's Safe Place for two years in Los Angeles, performed at the Big Pine Comedy Festival, Bridgetown Comedy Festival, and co-created the political comedy podcast Unsafe Space.
I taught creative writing at the City College of New York, "writing the web series" for Writing Pad, and comedy writing workshops for the Moving Picture Institute.
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