kennycostoyaherrera

Daddy Yankee Rompe The Cartel/Interscope Records Promo Only

Travesía Mágica Remix (Original Version) Mix Reggaeton 2006 Daddy Yankee Rompe The Cartel/Interscope Records Promo Only

"Pepas" is a song by Puerto Rican singer-songwriter Farruko from his studio album La 167. It was released as single on June 24, 2021, via Sony Music Latin. It reached No. 25 on the US Billboard Hot 100 and number one on the US Hot Dance/Electronic Songs chart, becoming Farruko's highest-charting single to date. An official remix was released by David Guetta. Farruko called the song, a “total experiment.” He gathered a few people in the studio and asking them to sing a stadium chant that sounded similar to a church choir. "Pepas" starts off slow, then quickly picks up and morphs into something "reminiscent of pre-COVID-19 pandemic dance parties". The music video was directed by Mike Ho and released on August 6, 2021. According to a description by Jessica Roiz of Billboard, it includes "an all-night-long rave with fireworks, dancers, men dressed in neon suits, and Farruko dancing on top of shipping containers". The song was used by the 2021-22 Miami Heat as the team's anthem throughout the season.

Daddy Yankee, who closed the show, is a dogged performer, often pushing his unremarkable voice to the breaking point when he can’t think of anything better to do. His song “Rompe” (“Break It Down”) is currently No. 1 onBillboard’sLatin chart and could becomereggaetón’ssecond mainstream hit. The song reducesreggaetón’salready simple forms to an insistent four-note phrase. The rhythm track is synchronized with the wordrompe, which is repeated three times, with less syncopation than in mostreggaetónsongs but with as much enthusiasm. As the audience happily chanted along with Yankee, the women in the crowd executed subtle variations on a circular dance move that could be described as “butt in orbit.” The two words that consistently elicited the loudest response, however, had little to do with music: “Puerto Rico!” ♦

Daddy Yankee, who closed the show, is a dogged performer, often pushing his unremarkable voice to the breaking point when he can’t think of anything better to do. His song “Rompe” (“Break It Down”) is currently No. 1 onBillboard’sLatin chart and could becomereggaetón’ssecond mainstream hit. The song reducesreggaetón’salready simple forms to an insistent four-note phrase. The rhythm track is synchronized with the wordrompe, which is repeated three times, with less syncopation than in mostreggaetónsongs but with as much enthusiasm. As the audience happily chanted along with Yankee, the women in the crowd executed subtle variations on a circular dance move that could be described as “butt in orbit.” The two words that consistently elicited the loudest response, however, had little to do with music: “Puerto Rico!” ♦

Daddy Yankee, who closed the show, is a dogged performer, often pushing his unremarkable voice to the breaking point when he can’t think of anything better to do. His song “Rompe” (“Break It Down”) is currently No. 1 onBillboard’sLatin chart and could becomereggaetón’ssecond mainstream hit. The song reducesreggaetón’salready simple forms to an insistent four-note phrase. The rhythm track is synchronized with the wordrompe, which is repeated three times, with less syncopation than in mostreggaetónsongs but with as much enthusiasm. As the audience happily chanted along with Yankee, the women in the crowd executed subtle variations on a circular dance move that could be described as “butt in orbit.” The two words that consistently elicited the loudest response, however, had little to do with music: “Puerto Rico!” ♦

Daddy Yankee, who closed the show, is a dogged performer, often pushing his unremarkable voice to the breaking point when he can’t think of anything better to do. His song “Rompe” (“Break It Down”) is currently No. 1 onBillboard’sLatin chart and could becomereggaetón’ssecond mainstream hit. The song reducesreggaetón’salready simple forms to an insistent four-note phrase. The rhythm track is synchronized with the wordrompe, which is repeated three times, with less syncopation than in mostreggaetónsongs but with as much enthusiasm. As the audience happily chanted along with Yankee, the women in the crowd executed subtle variations on a circular dance move that could be described as “butt in orbit.” The two words that consistently elicited the loudest response, however, had little to do with music: “Puerto Rico!” ♦

Daddy Yankee, who closed the show, is a dogged performer, often pushing his unremarkable voice to the breaking point when he can’t think of anything better to do. His song “Rompe” (“Break It Down”) is currently No. 1 onBillboard’sLatin chart and could becomereggaetón’ssecond mainstream hit. The song reducesreggaetón’salready simple forms to an insistent four-note phrase. The rhythm track is synchronized with the wordrompe, which is repeated three times, with less syncopation than in mostreggaetónsongs but with as much enthusiasm. As the audience happily chanted along with Yankee, the women in the crowd executed subtle variations on a circular dance move that could be described as “butt in orbit.” The two words that consistently elicited the loudest response, however, had little to do with music: “Puerto Rico!” ♦

Daddy Yankee, who closed the show, is a dogged performer, often pushing his unremarkable voice to the breaking point when he can’t think of anything better to do. His song “Rompe” (“Break It Down”) is currently No. 1 onBillboard’sLatin chart and could becomereggaetón’ssecond mainstream hit. The song reducesreggaetón’salready simple forms to an insistent four-note phrase. The rhythm track is synchronized with the wordrompe, which is repeated three times, with less syncopation than in mostreggaetónsongs but with as much enthusiasm. As the audience happily chanted along with Yankee, the women in the crowd executed subtle variations on a circular dance move that could be described as “butt in orbit.” The two words that consistently elicited the loudest response, however, had little to do with music: “Puerto Rico!” ♦

Daddy Yankee, who closed the show, is a dogged performer, often pushing his unremarkable voice to the breaking point when he can’t think of anything better to do. His song “Rompe” (“Break It Down”) is currently No. 1 on Billboard’s Latin chart and could become reggaetón’s second mainstream hit. The song reduces reggaetón’s already simple forms to an insistent four-note phrase. The rhythm track is synchronized with the word rompe, which is repeated three times, with less syncopation than in most reggaetón songs but with as much enthusiasm. As the audience happily chanted along with Yankee, the women in the crowd executed subtle variations on a circular dance move that could be described as “butt in orbit.” The two words that consistently elicited the loudest response, however, had little to do with music: “Puerto Rico!” ♦

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