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  1. Composing Tips for Beginning/Intermediate Classical Guitarist: Embellishing Arpeggios Part 2

    Composing Tips for Beginning/Intermediate Classical Guitarist: Embellishing Arpeggios Part 2

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  2. Composing for Classical Guitar Daily Tips: II-V-I Sharing the same Bass string

    Composing for Classical Guitar Daily Tips: II-V-I Sharing the same Bass string

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  3. Composing for the Classical Guitarist: George Van Eps Exercises

    Composing for the Classical Guitarist: George Van Eps Exercises

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  4. Composing for the Classical Guitarist: Closed-Voiced M/m/7th and Dom Chord Triads

    Composing for the Classical Guitarist: Closed-Voiced M/m/7th and Dom Chord Triads

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  5. Composing for the Classical Guitarist: Gluck Orphee et Euridice (Ballet) Transcription 2

    Composing for the Classical Guitarist: Gluck Orphee et Euridice (Ballet) Transcription 2

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  6. Composing for Classical Guitar Daily Tips: Augmented Arpeggios in Four Shapes

    Composing for Classical Guitar Daily Tips: Augmented Arpeggios in Four Shapes

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  7. Composing Tips for Beginning/Intermediate Classical Guitarist: Minor 7 Flat 5 7th Arpeggios

    Composing Tips for Beginning/Intermediate Classical Guitarist: Minor 7 Flat 5 7th Arpeggios

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  8. Composing for Classical Guitar Daily Tips: Dominant 7/7b5 Arpeggio Shapes

    Composing for Classical Guitar Daily Tips: Dominant 7/7b5 Arpeggio Shapes

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  9. Composing for the Classical Guitarist: Basic Chord Substitution Examples

    Composing for the Classical Guitarist: Basic Chord Substitution Examples

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  10. Composing for the Classical Guitarist: Exploring Voice Leading Chord Tensions

    Composing for the Classical Guitarist: Exploring Voice Leading Chord Tensions

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  11. Composing for the Classical Guitarist: Connor1805 Etude

    Composing for the Classical Guitarist: Connor1805 Etude

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  12. Composing for the Classical Guitarist: Connor1805 Composition Solutions

    Composing for the Classical Guitarist: Connor1805 Composition Solutions

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  13. Composing for the Classical Guitarist: Claude Debussy Sarabande Melody, Rhythm Texture

    Composing for the Classical Guitarist: Claude Debussy Sarabande Melody, Rhythm Texture

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  14. Composing for the Classical Guitarist: Claude Debussy, Sarabande Pentatonic Scale

    Composing for the Classical Guitarist: Claude Debussy, Sarabande Pentatonic Scale

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  15. Composing for the Classical Guitarist: Debussy Nuages Form Continued

    Composing for the Classical Guitarist: Debussy Nuages Form Continued

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  16. Composing for the Classical Guitarist: Closed-Voiced Augmented Chords

    Composing for the Classical Guitarist: Closed-Voiced Augmented Chords

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  17. Composing for the Classical Guitarist: J S Bach BWV106 Cantata Actus Tragicus: Sonatina

    Composing for the Classical Guitarist: J S Bach BWV106 Cantata Actus Tragicus: Sonatina

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  18. Composing for the Classical Guitarist: Melody General Characteristics

    Composing for the Classical Guitarist: Melody General Characteristics

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  19. Composing for the Classical Guitarist: Claude Debussy, Sarabande The Plagal Effect

    Composing for the Classical Guitarist: Claude Debussy, Sarabande The Plagal Effect

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  20. Composing for the Classical Guitarist: J S Bach Chaconne Practice Tips/Technical Considerations

    Composing for the Classical Guitarist: J S Bach Chaconne Practice Tips/Technical Considerations

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  21. Composing for the Classical Guitarist: Tonal Centers Explained

    Composing for the Classical Guitarist: Tonal Centers Explained

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  22. Composing for the Classical Guitarist: BWV106 Cantata "Gottes Zeit ist die allerbeste Zeit" Part 1

    Composing for the Classical Guitarist: BWV106 Cantata "Gottes Zeit ist die allerbeste Zeit" Part 1

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  24. Composing for the Classical Guitarist: Voice Leading Chord Tones/Tensions

    Composing for the Classical Guitarist: Voice Leading Chord Tones/Tensions

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  25. Composing for Classical Guitar Daily Tips: Chord Progression Through the Individual Voice

    Composing for Classical Guitar Daily Tips: Chord Progression Through the Individual Voice

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