Puppet or Puppet Master: Gamers Hold the Market's Controller
The Abysmal Critic
Love Status at Koei Tecmo: Pending or Rejected?
The Abysmal Critic
Okami 2: RE Engine, Coughing, and Canines
The Abysmal Critic
Why I'm Avowing to Avoid 'Avowed': A Trailer Dissection
The Abysmal Critic
From Code Monkeys to Corporate Clowns: The Glorious Ascent of Incompetence
The Abysmal Critic
High Fidelity, Low Fun: The Modern Gaming Paradox
The Abysmal Critic
South of Midnight’s Sweet Mess: Games Need Vision, Not Consultants
The Abysmal Critic
Gaming’s Style Crisis: Where’s the Creative Spark Gone?
The Abysmal Critic
Scalebound’s Dragon Might Fly Again—Okami's Kamiya Says ‘Let’s Do It!’
The Abysmal Critic
Acclaim’s Revival: Nostalgia Unlocked, Hype Engaged!
The Abysmal Critic
From the Miskatonic Files: An Eldritch Inquiry into Schedule I
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Gamer’s Rebellion: Why Prices Climb and Why We Won’t Pay
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Rainbow Six Feet Under: Will Investors Dig Ubisoft’s Grave?
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RPGs Toppled, Assassin's Creed’s Canon Mode Poises the Blade
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From Citizen to Soldier: Helldivers’ Propaganda Pipeline
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A Miskatonic Study - Karma: The Dark World, A Descent Worth Taking
The Abysmal Critic
Rambling Through Pixels: A Creator’s Tangled Thoughts Unleashed
The Abysmal Critic
Marek’s CI Gambit: Players First, But Is Gaming’s Boss Fight Coming?
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Sugardew Island Diaries: A Miskatonic Monday Harvest
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Nothingness to Stardust: Shibusawa’s Spark Helped Ignite Gaming’s Galaxy!
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Denuvo’s Doom: inZOI Drops DRM After Gamer Protests Prevail
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Shadows Leak Party: Ubisoft’s Corpse of Creativity Stinks Up My Feed
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Debugging Romance in Gaming: Clueless Devs Ruin Love - Scribble Total Duds
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Easy Mode: Git Gud or Just Git Over Yourself?
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Salty Dame Sobs in Voice: Melts Down Over Basic Banter
The Abysmal Critic