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SEA BLUE TV

7 Followers

THE BLUE ZONE is a conspiracy theory show hosted by FRAUD STERLING which presents various banned documentary films and their proposed theories. First of the series features Simon Shack's 2007 banned 9/11 documentary SEPTEMBER CLUES I sincerely appreciate and am extremely grateful for all your subs, shares, likes, comments, donations and support which allows me to continue to work with other researchers and filmmakers focusing on discovery, restoring and bringing you more content on a regular basis. Thank you. Catch us over on YouTube & Instagram ! Warning Any person, and/or institution, and/or Agent, and/or Agency, of Any "governmental structure, agent, person, company or agency" including, but not limited to, the United States Federal or State Government, also using or monitoring/using, this website, or any of its associated websites; you do NOT have my permission to utilize any of my information, nor ANY of the content contained herein; including, but not limited to: my photos, and or comments made about my photos, or any other picture art posted on my profile. You are hereby notified that you are strictly prohibited from: disclosing, copying, distributing, disseminating, or taking ANY action against me, with regard to this profile and the contents herein. The foregoing prohibitions also apply any personnel under your direction or control. The contents of this profile are private and legally privileged and confidential information, and the violation of my personal privacy is punishable by law. U.C.C. 1-308-All rights reserved.

Sunsets and Speakeasies

4 Followers

Hey, 9-to-5 escape artists—welcome to Sunsets & Speakeasies, where your ‘someday’ dreams turn into ‘today’ adventures. We’re Marie (the Aussie babe) and Dustin (the friendly American dude), a fun-loving couple who swapped cubicles for cocktails and never looked back. Think of us as your globe-trotting BFFs, here to spill the tea on ditching the grind to chase a life full of passport stamps, gorgeous sunsets, and sipping speakeasy cocktails. We did it, and so can you. 🎥 Travel Inspiration & Tips – Stretch your budget, pack like a pro, and discover hidden gems. 🍴 Foodie Adventures – From street eats to fine dining—meals worth traveling for. 💡 Digital Nomad Hacks – Balancing work, wanderlust, and finding WiFi. ❤️ Relationship Real Talk – Laugh with us through the turbulence and TLC. SUBSCRIBE because it’s time to Turn Your dreams into Destinations. Jet Lag Never Felt So Good. ✈️ Insta: @sunsets_speakeasies

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4 Followers

We’ve discovered neurons in CLIP that respond to the same concept whether presented literally, symbolically, or conceptually. This may explain CLIP’s accuracy in classifying surprising visual renditions of concepts, and is also an important step toward understanding the associations and biases that CLIP and similar models learn. Fifteen years ago, Quiroga et al.1 discovered that the human brain possesses multimodal neurons. These neurons respond to clusters of abstract concepts centered around a common high-level theme, rather than any specific visual feature. The most famous of these was the “Halle Berry” neuron, a neuron featured in both Scientific American⁠(opens in a new window) and The New York Times⁠(opens in a new window), that responds to photographs, sketches, and the text “Halle Berry” (but not other names). Two months ago, OpenAI announced CLIP⁠, a general-purpose vision system that matches the performance of a ResNet-50,2 but outperforms existing vision systems on some of the most challenging datasets. Each of these challenge datasets, ObjectNet, ImageNet Rendition, and ImageNet Sketch, stress tests the model’s robustness to not recognizing not just simple distortions or changes in lighting or pose, but also to complete abstraction and reconstruction—sketches, cartoons, and even statues of the objects. Now, we’re releasing our discovery of the presence of multimodal neurons in CLIP. One such neuron, for example, is a “Spider-Man” neuron (bearing a remarkable resemblance to the “Halle Berry” neuron) that responds to an image of a spider, an image of the text “spider,” and the comic book character “Spider-Man” either in costume or illustrated. Our discovery of multimodal neurons in CLIP gives us a clue as to what may be a common mechanism of both synthetic and natural vision systems—abstraction. We discover that the highest layers of CLIP organize images as a loose semantic collection of ideas, providing a simple explanation for both the model’s versatility and the representation’s compactness.