2 years agoDavid Molesky on Apelles, Pliny and the Superiority of the Rough Painting TechniqueCave of Apelles
2 years agoA World Beyond Past and Future: Odd Nerdrum's Hopeful and Soothing Vision of HumanityCave of Apelles
2 years agoHjalmar Hagelstam on Odd Nerdrum, Rembrandt, Florence Academy and the Failure of Finnish PaintingCave of Apelles
1 year agoKitsch, Propaganda and the American Avant-Garde | An Interview with Michael PearceCave of Apelles
2 years agoShaun Roberts on Teaching Painting, Qualities of Remington & Brouwer and Studying with Odd NerdrumCave of Apelles
3 years agoThe Mysterious Portrait by Nicolai Gogol | A Wicked Story about the Social Greed of a Young PainterCave of Apelles
2 years ago"Art" or "Kitsch" as a Name for Classical Culture? | Jan-Ove Tuv & Martin RombergCave of Apelles
1 year agoFine Art’s Expulsion of Craft and Sensuality: Reading Larry Shiner’s "The Invention of Art" | Part 1Cave of Apelles
1 year agoPainting the Human Story | Guided Tour of Sebastian Salvo's Exhibition EXODOSSchool of Apelles
11 months agoThe Greek Approach | Guided Tour of Bellini, la Tour and Rembrandt at Nationalmuseum in StockholmSchool of Apelles
3 years agoMelisa Calabria on Studying with Ricardo Celma, Odd Nerdrum and Painting Narrative Self-PortraitsCave of Apelles
1 year agoHow Immanuel Kant Undercut Classical Culture and Led to Postmodernism | Stephen HicksCave of Apelles
2 years agoPainting a Portrait from Live Model in One Hour | Demonstration by Hjalmar HagelstamSchool of Apelles
2 years agoJannik Hösel on How He Taught Himself to Paint and His Take on the Role of Symbols in StorytellingCave of Apelles
2 years agoWhy you should Stop Using Linseed Oil for Painting and Transition to Walnut Oil | David MoleskyCave of Apelles
2 years agoWhy Human Beings Primarily see the World through the Poetic Lens | Interview with William HeimdalCave of Apelles
2 years agoThe Leonardo of Landscape Painting: Lars Hertervig and the Rejuvenation in Primal ImagesCave of Apelles
2 years agoBeyond Tragedy: How Masterworks Unite Calm-Inducing Mandalas, Opposites and "Divine Comedy"Cave of Apelles
3 years agoJan-Ove Tuv Demonstrates How to Paint Old-Masterly with Watercolor (Pt. 2)School of Apelles
3 years agoComposing a Narrative Self-portrait Painting (Pt. 1) | Demonstration by Melisa CalabriaSchool of Apelles
1 year agoSeth Fite on Sincerity in Painting, Andrew Wyeth, and Human Suffering as the Superior Subject MatterCave of Apelles