Silent Movies

"The General" is a 1926 American silent comedy film directed by Clyde Bruckman and Buster Keaton, who also stars in the film. Set during the American Civil War, the film follows Johnnie Gray, a train engineer whose beloved locomotive, "The General," is stolen by Union spies. With his fiancée Annabelle Lee inadvertently taken along, Johnnie sets out on a daring adventure to recover both his train and his girl. Known for its remarkable physical comedy and elaborate stunts, "The General" is considered one of Keaton's masterpieces. Johnnie Gray (Buster Keaton) is a train engineer for the Western & Atlantic Railroad. When the Civil War breaks out, he attempts to enlist in the Confederate Army but is rejected because his occupation is deemed too valuable. Mistakenly thought to be a coward by his fiancée Annabelle Lee (Marion Mack) and her family, Johnnie's chance to prove himself comes when Union spies steal his train, "The General," with Annabelle aboard. Johnnie embarks on a single-handed pursuit, showcasing his ingenuity and bravery in a series of comedic and thrilling escapades to rescue both his locomotive and Annabelle. "The General" is widely regarded as one of the greatest silent films ever made, showcasing Buster Keaton's exceptional talent for physical comedy and his innovative use of visual storytelling. The film combines humor with impressive action sequences, making it a timeless classic. Its meticulous attention to detail, historical accuracy, and daring stunts set it apart as a significant achievement in early cinema. Keaton's performance is both stoic and expressive, blending comedy with a poignant sense of determination and love. Upon its initial release, "The General" received mixed reviews and was a commercial disappointment. However, over time, it has been re-evaluated and is now hailed as a cinematic masterpiece. Critics praise its elaborate chase scenes, technical precision, and Keaton's daring stunts, which were performed without the use of doubles or special effects. Modern reviews highlight the film's innovative direction and Keaton's unique brand of physical comedy. The American Film Institute lists it among the greatest American films, and it holds a place in the National Film Registry for its cultural, historical, and aesthetic significance. Cast: - Buster Keaton as Johnnie Gray - Marion Mack as Annabelle Lee - Glen Cavender as Captain Anderson - Jim Farley as General Thatcher - Frederick Vroom as Southern General - Charles Henry Smith as Annabelle's Father - Frank Barnes as Annabelle's Brother "The General" stands as a testament to Buster Keaton's genius in blending comedy with adventure, offering an engaging and visually stunning portrayal of one man's quest during the Civil War. Its legacy endures as a cornerstone of silent film artistry and comedic brilliance.

"The Last Command" is a silent drama film released in 1928, directed by Josef von Sternberg. The film stars Emil Jannings, Evelyn Brent, and William Powell. Set against the backdrop of the Russian Revolution, the story revolves around a former Russian general who is reduced to working as a Hollywood extra. The film follows the tragic fall of Grand Duke Sergius Alexander (Emil Jannings), a commanding general in the Russian Imperial Army. During the Russian Revolution, he captures and falls in love with a revolutionary actress, Natalie Dabrova (Evelyn Brent). However, the revolution topples his world, and he eventually flees to America. Years later, in Hollywood, Sergius works as an extra, playing a general in a film directed by Leo Andreyev (William Powell), a former revolutionary who once suffered under Sergius's command. The story explores themes of redemption, humiliation, and the poignant intersection of past and present. "The Last Command" is celebrated for its powerful performances, especially by Emil Jannings, who won the first Academy Award for Best Actor for his role in this film and "The Way of All Flesh." The film is notable for its emotional depth and visual style, showcasing Josef von Sternberg's mastery in directing. The narrative's blending of historical drama with personal tragedy resonates deeply, making it a standout in silent cinema. Critics have praised "The Last Command" for its compelling storytelling and superb acting. Jannings's portrayal of the fallen general is often highlighted as one of the greatest performances of silent film. The film's direction, cinematography, and emotional intensity have earned it a place among the classics of the silent era. Contemporary reviews noted its dramatic potency and innovative narrative structure, while modern critics continue to appreciate its artistic achievements and historical significance. Cast: - Emil Jannings as Grand Duke Sergius Alexander - Evelyn Brent as Natalie Dabrova - William Powell as Leo Andreyev "The Last Command" stands out as a poignant and artistically rich film from the silent era, capturing the dramatic shifts of history through personal tragedy and redemption. Its exploration of power, loss, and the transformative effects of revolution continue to resonate with audiences today.

The Cameraman was released on September 16, 1928, during the late silent film era. This film, directed by Edward Sedgwick and Buster Keaton, tells the story of Buster (played by Keaton), a humble tintype photographer who falls in love with Sally, a secretary at a newsreel company. Determined to win her heart, Buster trades his camera for a movie camera and tries to become a newsreel cameraman. Throughout the film, Buster encounters various misadventures, including comedic mishaps with his new camera, a chaotic trip to a public pool, and a thrilling rescue during a Tong war in Chinatown. Despite his many failures, his determination and quick thinking eventually lead him to success, both professionally and romantically. The Cameraman was one of Buster Keaton's last films as an independent filmmaker before moving to MGM, where he would lose creative control over his work. Initially, the film received mixed reviews and was not a major commercial success. However, it has since been re-evaluated and is now considered one of Keaton's best films. The film is praised for its inventive gags, flawless timing, and Keaton's ability to blend comedy with emotional depth. In 2005, it was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant." Buster Keaton as Buster: The protagonist, a tintype photographer turned cameraman. Marceline Day as Sally: The love interest and secretary at the newsreel company. Harold Goodwin as Stagg: Buster's rival and a more experienced cameraman. Sidney Bracey as the Boss: The head of the newsreel company who is skeptical of Buster's abilities. The Cameraman is often hailed as a cinematic masterpiece, showcasing Keaton's unparalleled talent in physical comedy and visual storytelling. The film is noted for its complex and meticulously timed gags, such as the scene where Buster attempts to film a parade only to find that his camera was not loaded with film. Keaton's ability to create humor through situations that are both absurd and relatable makes this film enduringly popular. The use of innovative camera work and special effects also demonstrates Keaton's creativity and technical expertise. Although The Cameraman marked the beginning of Keaton's troubled tenure with MGM, it remains one of the finest examples of his work and a quintessential piece of silent film history.

"The King of Kings" (1927) is a silent religious epic film directed by Cecil B. DeMille. It portrays the last weeks of Jesus Christ's life, focusing on his teachings, miracles, crucifixion, and resurrection. The film was widely praised for its grand scale and elaborate set design, as well as its reverent and dramatic portrayal of the biblical story. DeMille’s expertise in directing large-scale epics is on full display, and "The King of Kings" became one of the most significant religious films of the silent era. The story follows the life of Jesus Christ, beginning with his ministry and culminating in his crucifixion and resurrection. The film introduces various biblical figures, including Mary Magdalene, Judas Iscariot, Peter, and the Roman officials, and depicts famous moments such as the Last Supper, the betrayal by Judas, and the miracle of healing the blind. The movie emphasizes Jesus' teachings and the transformative power of his message. The crucifixion scene is one of the highlights, presented with great attention to detail and reverence. - H. B. Warner as Jesus Christ, portraying him with a calm and ethereal presence. - Dorothy Cumming as Mary, the mother of Jesus. - Jacqueline Logan as Mary Magdalene, who undergoes a transformation after meeting Jesus. - Joseph Schildkraut as Judas Iscariot, whose betrayal is central to the plot. - Ernest Torrence as Peter, one of Jesus’ closest disciples. Cecil B. DeMille directed the film, known for his ability to create visually spectacular and emotionally engaging epic films. "The King of Kings" was part of a trilogy of biblical epics DeMille directed, including *The Ten Commandments* (1923) and *The Sign of the Cross* (1932). The film is remembered not only for its religious significance but also for its technical achievements in the silent film era, including the use of Technicolor for the resurrection sequence. It has left a lasting legacy in religious cinema.