1930-1939 Movies

"Topper" (1937) is a supernatural screwball comedy that tells the story of Cosmo Topper, a staid and stuffy bank president, whose life takes an unexpected turn after an encounter with the fun-loving and recently deceased couple, George and Marion Kerby. After dying in a car accident, the Kerbys return as mischievous ghosts, determined to liberate their friend Topper from his monotonous routine and repressed lifestyle. Their spirited interventions lead to a series of comedic and chaotic events, challenging societal norms and Topper's own perceptions of life and the afterlife. Genre: Fantasy, Comedy, Romance Director: Norman Z. McLeod Norman Z. McLeod (1898–1964) was an American director known for his work in classic Hollywood comedies. He started as a cartoonist before transitioning to film. McLeod directed several iconic films, including "Monkey Business" (1931) and "Horse Feathers" (1932) with the Marx Brothers, "The Secret Life of Walter Mitty" (1947), and "Road to Rio" (1947) with Bing Crosby and Bob Hope. He was praised for his ability to balance humor with heart, making his films both entertaining and enduring. Star Cast: - Constance Bennett as Marion Kerby - Cary Grant as George Kerby - Roland Young as Cosmo Topper - Billie Burke as Clara Topper - Alan Mowbray as Wilkins - Eugene Pallette as Casey "Topper" was well received upon its release, becoming a popular and influential screwball comedy of the 1930s. Audiences enjoyed its blend of humor, romance, and supernatural elements. Cary Grant’s performance helped solidify his reputation as a leading man in Hollywood. The film was a financial success and led to two sequels, "Topper Takes a Trip" (1938) and "Topper Returns" (1941), as well as a television series in the 1950s. Fun Facts: - "Topper" was one of the first films to blend live-action with ghostly visual effects, setting a precedent for supernatural comedies. - Constance Bennett, a major Hollywood star of the time, reportedly took the role of Marion Kerby to showcase her comedic abilities. - The film was based on the 1926 novel "Topper" by Thorne Smith, whose works often featured supernatural themes mixed with humor and satire. - Roland Young received an Academy Award nomination for Best Supporting Actor for his role as Cosmo Topper. - Cary Grant initially wasn't the first choice for the role of George Kerby, but his performance helped elevate the film and cemented his status in Hollywood.

"The Gorilla" is a 1939 American comedy-horror film directed by Allan Dwan and starring the iconic actor Bela Lugosi. The film is a comedic mystery that blends elements of horror and suspense, featuring a gorilla-suited killer, secret passages, and a series of murders. The plot revolves around the wealthy Stevens family, who receive threatening letters from a mysterious figure known as "The Gorilla." The letters warn them of impending danger and demand a large sum of money to ensure their safety. The family hires private detective Garrity (played by Patsy Kelly) to investigate the threats and protect them. Upon Garrity's arrival, the Stevens family members gather at their mansion, and the atmosphere becomes increasingly tense as the ominous warnings continue. Adding to the mystery is the presence of a real gorilla, an escaped circus performer named Nabob, who arrives at the mansion under unrelated circumstances. As the plot unfolds, the characters try to unravel the identity of The Gorilla and prevent further harm. The film incorporates elements of comedy through the bumbling detective Garrity and other humorous situations, creating a unique blend of genres. "The Gorilla" is often considered a B-movie, featuring a mix of horror and comedy typical of the era. Bela Lugosi, famous for his role as Count Dracula, brings his distinctive presence to the film, adding a touch of horror even in a comedic context. The film is notable for its atmospheric mansion setting, secret passages, and the classic "Old Dark House" theme commonly found in mystery films of the time. The inclusion of a real gorilla, though more comedic than terrifying, contributes to the overall atmosphere of suspense. The comedic elements are heightened by Patsy Kelly's performance as the detective Garrity. Her character provides comic relief and serves as a foil to the mysterious and potentially dangerous events unfolding in the mansion. While "The Gorilla" may not be considered a cinematic masterpiece, it has gained a following among fans of classic horror-comedy. The film is appreciated for its nostalgic charm, the presence of Bela Lugosi, and its ability to blend humor with elements of suspense and mystery. Overall, "The Gorilla" is a product of its time, capturing the essence of 1930s comedic horror films. It remains an interesting watch for those interested in exploring the lighter side of the horror genre from the Golden Age of Hollywood.

"The Mystery of Mr. Wong" is a 1939 American mystery film directed by William Nigh and featuring Boris Karloff in the role of James Lee Wong, a Chinese detective. This film is part of the Mr. Wong series, where Karloff assumes the character of the astute and culturally knowledgeable detective. In this installment, Mr. Wong becomes embroiled in a complex case involving the murder of a respected archaeologist. The investigation takes him through a web of secrets, deception, and hidden motives. As Wong navigates the mystery, he employs his sharp intellect and cultural insights to unravel the truth behind the crime. Boris Karloff's portrayal of Mr. Wong adds a touch of sophistication and depth to the character, and the film reflects the mystery genre conventions of the late 1930s. "The Mystery of Mr. Wong" offers a blend of suspense, intrigue, and a glimpse into the detective cinema of its era.

"The Hound of the Baskervilles" is a classic mystery film released in 1939, featuring the legendary detective Sherlock Holmes, as portrayed by Basil Rathbone, and his loyal companion Dr. John Watson, played by Nigel Bruce. The film is an adaptation of Sir Arthur Conan Doyle's famous novel of the same name. The story revolves around the curse that haunts the Baskerville family, believed to be caused by a supernatural hound. Holmes and Watson are enlisted to investigate the mysterious death of Sir Charles Baskerville, who is said to have fallen victim to the curse. The setting is the eerie and atmospheric moors of Devonshire, adding a sense of suspense and tension to the narrative. As Holmes delves into the case, he employs his brilliant deductive reasoning to separate fact from folklore and uncover the truth behind the alleged curse. The film masterfully combines elements of suspense, horror, and detective work, creating a captivating and thrilling cinematic experience. Basil Rathbone delivers a memorable performance as the sharp and analytical Sherlock Holmes, while Nigel Bruce provides comic relief as the bumbling yet endearing Dr. Watson. The chemistry between the two actors became a hallmark of the series. "The Hound of the Baskervilles" is celebrated for its atmospheric cinematography, strong performances, and adherence to the source material. It remains a classic adaptation of one of Sir Arthur Conan Doyle's most beloved Sherlock Holmes stories, captivating audiences with its timeless appeal and contributing to the enduring legacy of Holmes on the silver screen.

"Pygmalion" is a 1938 British film adaptation of George Bernard Shaw's play of the same name. Directed by Anthony Asquith and Leslie Howard, who also stars in the film, "Pygmalion" is a classic romantic comedy-drama that explores themes of class, education, and societal expectations. Here is a detailed description of the film: The story revolves around Professor Henry Higgins (Leslie Howard), a brilliant but arrogant phonetics expert, and Eliza Doolittle (Wendy Hiller), a poor flower girl with a strong Cockney accent. The film opens with Higgins making a bet with Colonel Pickering (Scott Sunderland) that he can transform Eliza into a refined lady with impeccable English and manners. Higgins takes Eliza under his wing, offering her lessons in speech and etiquette. The transformation process is not only a linguistic challenge but also a social experiment that highlights the impact of language on one's place in society. The film depicts Eliza's struggles and successes as she endeavors to shed her lower-class identity and adopt the manners of the upper class. As Eliza undergoes this radical transformation, a complex relationship develops between her and Professor Higgins. Eliza's newfound refinement attracts the attention of Freddy Eynsford-Hill (David Tree), a young man from a higher social class, introducing an element of romantic tension. The film explores themes of identity, social mobility, and the power dynamics inherent in the relationship between the privileged and the working class. Eliza's journey challenges traditional notions of class distinctions and raises questions about the malleability of identity through education and language. Performances: - Leslie Howard (Professor Henry Higgins): Howard delivers a charismatic and nuanced performance as the eccentric and self-assured linguistics professor. - Wendy Hiller (Eliza Doolittle): Hiller shines in her portrayal of Eliza, capturing the character's transformation from a Cockney flower girl to a refined lady. Legacy: "Pygmalion" received critical acclaim for its witty dialogue, strong performances, and insightful exploration of societal issues. The film earned several Academy Award nominations, including Best Picture and Best Actor for Leslie Howard. Wendy Hiller won the Oscar for Best Actress for her role as Eliza Doolittle. The success of "Pygmalion" led to the creation of the well-known musical "My Fair Lady," which was later adapted into a highly successful film. Both the 1938 film and its subsequent adaptations continue to be celebrated for their exploration of social themes and timeless appeal.

"The Ghost Walks" is a 1934 American horror-mystery film directed by Frank R. Strayer. It falls within the genre of old-fashioned, atmospheric horror with elements of mystery and suspense. The film unfolds in a classic, eerie setting—a stormy night in a remote mansion. Playwright John Spencer (played by John Miljan) has gathered a group of people at his mansion for the reading of his latest play. As the storm intensifies, the group finds themselves isolated in the mansion, setting the stage for mystery and suspense. Unexpectedly, the lights go out, and the group is plunged into darkness. When the lights return, one of the characters is found dead. The situation becomes even more mysterious when they discover that the deceased had predicted his own demise in a letter. As the characters attempt to unravel the mystery, suspicions arise among them. The plot thickens with the appearance of a mysterious stranger, a detective named Carl Beldon (played by Richard Carle), who adds an additional layer of intrigue. The detective is skeptical about the supernatural explanations suggested by the characters and believes there's a more rational explanation for the death. The film employs classic horror and mystery tropes, including secret passages, hidden compartments, and suspicious characters. The characters are trapped in the mansion, and tensions rise as they try to uncover the truth behind the death and the ominous presence that seems to haunt the house. As the narrative unfolds, the film keeps the audience guessing about the identity of the killer and the motives behind the mysterious events. The stormy night, creaky doors, and flickering candlelight contribute to the atmospheric and spooky ambiance. John Miljan (John Spencer): Miljan leads the cast as the playwright whose gathering takes a sinister turn. June Collyer: Collyer plays a key role in the film, contributing to the suspense and mystery as the events unfold. "The Ghost Walks" is a product of the atmospheric horror-mystery films that were popular in the 1930s. While it may not be as widely remembered as some other classics of the genre, it remains a representation of the kind of spooky and mysterious storytelling that captivated audiences during that era. The film's reliance on mood, suspense, and a classic whodunit structure makes it an interesting watch for fans of vintage horror films.

"Mr. Deeds Goes to Town" is a 1936 American romantic comedy-drama film directed by Frank Capra. Starring Gary Cooper and Jean Arthur, the film is a classic example of Capra's signature blend of heartwarming storytelling, social commentary, and humor. Longfellow Deeds (played by Gary Cooper) is a small-town tuba player and greeting card poet who inherits a vast fortune from his deceased uncle, a wealthy tycoon. Deeds is a simple and sincere man who lives in the fictional town of Mandrake Falls. His life takes an unexpected turn when he becomes the heir to a $20 million fortune and the owner of a major newspaper. Deeds' arrival in the big city, New York, attracts significant attention from the media and the public, who are eager to see how this unassuming man will handle his newfound wealth. Jean Arthur plays the role of Babe Bennett, a cynical and opportunistic reporter, who is initially tasked with covering Deeds' story but soon finds herself drawn to his genuine and kind-hearted nature. As Deeds navigates the complexities of city life and the machinations of those seeking to exploit him, he becomes the target of a lawsuit challenging his mental competency to manage the fortune. The film explores themes of wealth, media sensationalism, and the contrast between simple virtues and the complexities of modern society. The courtroom drama that ensues forms a central part of the narrative, and Deeds' defense is led by his lawyer, played by Lionel Stander. The trial becomes a platform for Capra's commentary on the importance of individual decency and integrity in a world driven by greed and ambition. Despite the challenges and betrayals he faces, Deeds remains true to his values, and the film unfolds as a heartwarming story of an "everyman" who becomes an unlikely hero. The character of Mr. Deeds embodies the idea that genuine goodness can make a positive impact in a world often characterized by cynicism. Gary Cooper (Longfellow Deeds): Cooper delivers a memorable performance as the earnest and idealistic protagonist, earning him an Academy Award nomination. Jean Arthur (Babe Bennett): Arthur captures the wit and charm of her character, providing a counterpoint to Deeds' innocence. Lionel Stander (Cornelius Cobb): Stander adds comedic elements to the film as Deeds' fast-talking and street-smart lawyer. "Mr. Deeds Goes to Town" is regarded as one of Frank Capra's most beloved films and a quintessential example of the "Capraesque" style. It received critical acclaim and won the Academy Award for Best Director for Capra. The film's enduring popularity is attributed to its heartfelt storytelling, memorable characters, and its optimistic message about the power of kindness and decency in the face of societal challenges.

"The Old Fashioned Way" is a 1934 American comedy film directed by William Beaudine. Starring W.C. Fields, the film is a comedic showcase for the legendary comedian's unique style and humor. The film centers around the character of The Great McGonigle, played by W.C. Fields, a traveling vaudeville performer with grandiose ambitions of theatrical success. McGonigle leads a ragtag group of performers as they tour from town to town, presenting their variety show to often indifferent audiences. McGonigle is a self-aggrandizing and perpetually optimistic showman who believes in the old-fashioned charm of live performances. Despite facing financial struggles and the challenges of keeping his eccentric troupe together, he remains committed to the world of vaudeville. One day, McGonigle discovers a talented young actress named Betty Jane Rhodes, played by Judith Allen, and he persuades her to join his troupe. As they travel and perform, the film unfolds with a series of comedic set pieces, showcasing Fields' signature wit, physical comedy, and clever wordplay. The central conflict arises when McGonigle learns that Betty Jane has a wealthy aunt who disapproves of her involvement in show business. In an effort to secure both Betty Jane's future and the financial stability of his troupe, McGonigle concocts a scheme involving mistaken identities, misunderstandings, and comedic escapades. Fields' character, known for his misanthropic humor and sharp-tongued delivery, engages in numerous hilarious encounters with other characters in the film. The narrative is punctuated with vaudeville routines, musical numbers, and humorous situations that highlight the absurdities of show business. W.C. Fields (The Great McGonigle): Fields, renowned for his comedic persona and unique style, delivers a memorable performance as the brash and eccentric showman. Judith Allen (Betty Jane Rhodes): Allen plays the aspiring actress with charm and provides a foil to Fields' character. Joe Morrison (Eddie): Morrison, a frequent collaborator with Fields, appears in the film as Eddie, adding to the comedic dynamics of the troupe. "The Old Fashioned Way" is considered a classic example of W.C. Fields' comedic brilliance. It captures the essence of vaudeville entertainment and showcases Fields' ability to blend verbal wit with physical comedy. While the film may not be as widely remembered as some of Fields' other works, it remains a testament to the enduring appeal of his unique and influential comedic style.

"Chatterbox" is a 1936 American comedy film directed by George Nicholls Jr. The film is a light-hearted and musical romantic comedy that features a unique and humorous premise. Here's a detailed description: The story revolves around the character of Patsy Allen (played by Anne Shirley), a young and lively woman with a quirky ability—she can't stop talking. Patsy has an incessant need to chatter, and her constant talking becomes both a source of amusement and frustration for those around her. Patsy works as a switchboard operator in a hotel, where her chattering tendencies create chaos and comedic situations. Despite her loquacious nature, she is well-liked by many, including her co-workers and the hotel guests. However, her non-stop talking becomes a challenge when she inadvertently overhears a plot involving a jewel thief. Complications arise when Patsy's knowledge of the criminal activity makes her a target. The film takes a turn into the realm of crime and intrigue, blending comedy with elements of a caper. As the plot unfolds, Patsy's chattering inadvertently involves her in various misadventures, and she becomes a central figure in the efforts to thwart the jewel thief. Along the way, Patsy's lively personality and her ability to talk her way out of situations contribute to the film's comedic tone. "Chatterbox" includes musical sequences that add to the entertainment value of the film. The musical numbers feature lively choreography and contribute to the overall light and whimsical atmosphere of the movie. Amidst the comedic chaos, there are romantic elements in the story. Patsy's character may find herself entangled in a romantic subplot as the film explores relationships and the dynamics of love. "Chatterbox" is a product of the musical comedy genre popular in the 1930s. While it may not be as widely remembered as some other films of its time, it is appreciated for its humor, lively performances, and the charismatic presence of Anne Shirley in the lead role. The film captures the spirit of the era's musical comedies and provides an entertaining showcase for the talents of its cast.

"Theodora Goes Wild" is a 1936 American romantic comedy film directed by Richard Boleslawski. The film stars Irene Dunne and Melvyn Douglas in the lead roles and is known for its blend of romance, comedy, and a somewhat daring storyline for its time. The film centers around Theodora Lynn (Irene Dunne), a small-town, mild-mannered, and seemingly proper young woman who lives in the quiet community of Lynnfield. Theodora is known for her conservative and reserved demeanor, fitting into the expectations of the townsfolk. However, there's a twist to Theodora's character—she is secretly a successful and risqué romance novelist writing under the pen name "Caroline Adams." Her novels are scandalous and quite the opposite of her public image. When her latest novel, "The Sinner," becomes a bestseller, it creates a stir in Lynnfield. Theodora's double life is exposed when a New York City publisher, Michael Grant (Melvyn Douglas), comes to Lynnfield to meet the mysterious Caroline Adams. Expecting a daring and worldly woman, Michael is surprised to find that Theodora is the real Caroline Adams. The small-town girl with the prim exterior is the author of the scandalous novels that have captivated readers. As the truth comes out, the film takes a comedic turn, with Theodora grappling with the reactions of the townspeople and her growing feelings for Michael Grant. The clash between Theodora's public persona and her private, creative self leads to humorous situations and challenges her relationships with the people in her life. The film explores themes of societal expectations, personal identity, and the contrast between public and private life. It also provides a commentary on the conservative attitudes of small-town America in the 1930s. Irene Dunne (Theodora Lynn/Caroline Adams): Dunne delivers a delightful performance, seamlessly transitioning between Theodora's reserved exterior and Caroline Adams' more adventurous personality. Melvyn Douglas (Michael Grant): Douglas brings charm and wit to his role as the New York publisher who discovers Theodora's secret. "Theodora Goes Wild" was a critical and commercial success. Irene Dunne received an Academy Award nomination for Best Actress for her performance, showcasing her versatility as an actress. The film is remembered for its humor, social commentary, and the chemistry between Dunne and Douglas. It remains a notable entry in the romantic comedy genre of the 1930s.